A Song for All Saints’ Day

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I sing a song of the cats of God,
Korat and Russian Blue;
Who purred and pounced, and chased their tails,
For the God who made them mew;

Cat-Lamp
And one was a tabby, and one Siamese,
And one was an alley cat full of fleas–
They were all of them saints of God, if you please,
And I mean to be one too.

Cat-Summer-1973

They lived not only in ages past,
There are hundreds of thousands more;
The Internet is full of cats,
That’s what it was invented for!

Cat-July-1975
You can meet them on Facebook, in blogs or in tweets,
In shelters and homes and on the streets,
For the cats in my life showed God’s love to me,
And I mean to love them too.

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(Top to bottom: My beloved Sidney, 1978; my mom Roberta’s Cat, 1973; my cousin Melissa’s Rusty, 1976; my grade school best friend Becca’s Snowball, 1982)

May the communion of feline saints receive Chloe, my friend Greg’s cat, who passed away last month.

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Birthday Thoughts: Turn and Face the Strange

Today’s my 43rd birthday. Among the pleasures of being middle-aged are a positive body image that’s independent of others’ opinions, confidence in my own authority, and making peace with change. This last requires overcoming fear-based defenses from my chaotic childhood, and also questioning the presumptions of the religion where I took refuge from that chaos.

Scripture-based faith is inherently conservative because its highest authority is an static text, which cannot help but be in tension with the dynamism of social and personal change. Denominations differ in how they handle this tension, from Biblical inerrancy to “God is still speaking”. Yet even the latter statement is almost too defensive for me now. Why wouldn’t God be speaking? Why must we labor under a suspicion that change is random or self-serving until proven otherwise?

That suspicion still silences me at times. I look back at some of my passionate beliefs and interests from a few years ago, which bear little resemblance to what concerns me now, and at times make me cringe in hindsight. And I wonder, how can I ever speak again with confidence, knowing I could be just as far off the mark, no matter how clear it seems to me now? Well, one belief that continues to prove itself in my life is the grace of God, which doesn’t require us to be right in order to be loved. And perhaps rightness is a moving target, and a belief can be the best tool for the job at a certain moment and nonetheless become obsolete, with no shame in that. In that case I only regret being so enamored of my cleverness that I sometimes shared my opinions unkindly.

To keep myself humble and amuse the reader, here’s a little timeline of my worldview. Note that I was 13 in 1985. Be charitable.

My role models are:
1985: Ayn Rand, the Elephant Man
1992: Camille Paglia, the Phantom of the Opera
2006: Barbie, Cardinal Ratzinger
2013: Alice Miller, Tim Gunn
2015: Peggy Olson, Cthulhu

This book is everything:
1985: T.S. Eliot, Four Quartets
2000: C.S. Lewis, Mere Christianity
2009: Judith Herman, Trauma and Recovery
2015: Rachel Pollack, 78 Degrees of Wisdom: A Book of Tarot

I write:
1985: Depressing intellectual sestinas
2000: Libertarian law journal articles
2006: Conservative Christian anti-porn blog posts
2008: Insane feminist experimental poetry
2009: Gay Christian endless novel
2012: Poetry about diapers and insomnia
2013: Radical abuse survivor blog posts
2015: Gay male erotica

I identify spiritually as:
1985: Objectivist who believes in God and fairies
1995: Pro-life kosher Nietzschean Jew (it was a confusing time in my life, okay?)
2001: Gay-affirming conservative Episcopalian
2010: Bitter
2015: Tarot-reading Christian who believes in sacred Eros

Universal truth is:
1985: Whatever can be discerned by the free individual’s objective reasoning
2000: Most perfectly expressed in Jesus and Christian theology
2008: A catchphrase indicating that the speaker might be a self-centered patriarchal dickhead
2015: Each person should be respected as the authority on hir own experience

The world would be a better place if everyone:
1985: Took responsibility for their choices and followed their truth with integrity and courage
1996: Stopped fucking around
2000: Accepted the unconditional grace of God and cast off their shame
2009: Recognized abuse for what it was, stopped doing it, and stopped victim-blaming
2015: All of the above except the fucking, I like fucking now

The proper place for sex is:
1985: Somewhere I don’t have to see it
2000: In a marriage between two loving, committed virgins of any gender
2010: In my novel
2015: Can I watch?

If I could send one message to the world, it would be:
1985: Shut the fuck up
2000: Accept Jesus as your savior
2007: God loves gays
2010: Give me a baby
2015: #stfu

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Buy my book! Thank you and goodnight.

Celebrating My Chosen Mother

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(Roberta’s birthday, December 2006.)

I blog often enough about how my childhood with my bio mom resembled Disney’s “Tangled”. Today I want to celebrate someone who makes Mother’s Day a joyful occasion for me, despite the painful memories we share (or perhaps because we can share them): my mom-of-choice, Roberta “Bib” Pato.

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(Roberta and I celebrate her freedom from 34 years with my bio mom, February 2011.)

Bib moved in with my bio mom and me when I was about 5. I wasn’t allowed to call her my other mother, though she certainly was. We were closeted, albeit not very convincingly, and my bio mom approached motherhood with a “no other gods before me” attitude. So she was my “babysitter” in public, and my “dad” when we affectionately joked around in private.

She taught me how to cook by having me chop vegetables and read aloud recipes from Craig Claiborne and Pierre Franey’s 60-Minute Gourmet. Mmm, chicken with shallots and asparagus! She drove me to school in a succession of clunky American-made station wagons, and then in the little red Toyota that served us faithfully for 14 years till I totaled it as a student driver. She was a beloved teacher in the NYC public elementary schools for 30 years, from Lower East Side ghetto schools where the children came from homeless shelters, to the Upper West Side, where she faced down a system that assigned children of color to the classrooms that were perceived as less desirable.

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(Roberta’s wedding to her now ex-husband, 1968, with her mom Bea at right. She makes a cute femme, but it didn’t stick.)

Since starting her new life in 2011, she’s become the center of social life in her apartment building, co-founding a tenants’ association and making many friends who are film professors, religious scholars, writers, and more. They know they can knock on her door at any time of night for a slice of cake and a binge viewing of lesbian soap operas on YouTube. She’s amassed what is probably the largest collection of lesbian films in Northampton, which is really saying something.

(One of those “gay for you” romances that is so common in the movies, not enough in real life! But I might kiss Lena Headey if she asked me.)

As an active member of Old Lesbians Organizing for Change (OLOC), Roberta has attended conferences in Oakland and St. Louis, and (though she is staunchly pro-transgender rights) plans to visit the last Michigan Womyn’s Music Festival this summer. Not bad for someone whose ex-partner wouldn’t let her leave the house! The “classy old dykes” whom I’ve met through Roberta have given me a new sense of solidarity with other women and a gratitude for feminist heritage. For Pride Weekend this month, Roberta and two of her OLOC friends produced playwright/actress Terry Baum’s “Hick: A Love Story”, a brilliant show about Eleanor Roosevelt’s closeted romance with journalist Lorena Hickok.

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(Northampton Pride 2014. She raised “L” this year too!)

Last but not least, she is the world’s most devoted grandmother to the Young Master:

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(Roberta holds Shane for the first time, April 2012. Look how tiny!)

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(Christmas/Roberta’s birthday, December 2014.)

Some grandmothers are always second-guessing the kid’s mom, but Roberta never criticizes. When I start to worry about the Young Master’s development or behavior, her unconditional love reminds me that Shane is perfect just as he is. Look at that face, right?

Thank you, Roberta, for showing me what a mom should be! We love you!

Baruch atah adonai eloheinu melech ha’olam shecheyanu v’kiy’manu v’higyanu lazman hazeh.

“Bullies in Love” Book Launch Video

My new poetry collection Bullies in Love (Little Red Tree Publishing, 2015) had a successful book launch party this weekend at Forbes Library in Northampton, MA. My collaborator, fine art photographer Toni Pepe, gave a fascinating presentation about her artistic process, inspired by sources as diverse as Old Masters paintings, family snapshots, and Cindy Sherman’s conceptual portraits.

Please enjoy this 37-minute video of my reading, introduced by Little Red Tree editor Michael Linnard.

 

My Poetry Book “Bullies in Love” Now Available from Little Red Tree Publishing

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My second full-length poetry collection, Bullies in Love, with fine art photography by Toni Pepe, has just been published by Little Red Tree Publishing (New London, CT)! Pre-orders available now.

The book launch reading will take place on Saturday, March 7, at 2 PM at Forbes Library, 20 West Street, Northampton, MA. Come buy a signed copy and see a slideshow of Toni’s beautiful photos.

American Book Award winner Pamela Uschuk says of this collection: “In her remarkable collection of poems, Bullies in Love, Jendi Reiter has created an complex odditorium of characters with unique and often disturbing voices: poems peopled with bullies, the disenfranchised, monsters, prostitutes, criminals, the abused and forgotten, all searching for meaning, for faith and love in a postmodern, often cynical world.”

Enjoy a sample poem below, inspired by the Young Master. (He took this selfie on Grandma’s phone.)

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Two-Three

Son, it is time to begin breaking
your awakeness into wedges of five, twelve, sixty
rotations of pinned hands,
to pace off the sermon, the cartoon, the billable hour.

Why is it not spitting time? Why is the song over?
You pound like CPR on your teddy’s voice chip
till he squeaks again, That’s right,
a circle is round and has no corners.
Of the alphabet, you took to O first,
pointing it out on toothbrushes and tattoos.

Son, it is time to position P and Q
and fork and knife and light and dark washing
in the baskets where we say they belong.
Why is milk white? Why do shoes match?
You want to choose and cry at both choices.
Not that hat. Not that tomato.
Not that story.

Why is the bird lying on the ground? Why isn’t it tomorrow?
I read you the page about Pig Robinson’s aunts:
They lived prosperous uneventful lives, and their end was bacon.
Goodnight loom, goodnight soon.
You whisper to sleep
counting the wallpaper stars
with the only number-words you know:
two-three, two, three.

Reiter’s Block Year in Review: 2014

2014 has been a year of self-transformation. I became a redhead and got a lion tattoo. I finished a major revision of the Endless Novel. I hope to finish-finish it for real in early 2015, after I nail down the details of my new poetry book launch and marketing plan. My second full-length poetry book, Bullies in Love, is forthcoming in March from Little Red Tree Publishing. Even the blog got a makeover, migrating from GoDaddy to WordPress with the expert assistance of design firm Tunnel 7.

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Rearranging my poetry manuscript on the office floor, December 2014.

Why has this year been so good for my creativity and personal growth? Folks, trauma recovery really works. Trust yourself. Phase out relationships with people who gaslight and invalidate you. Find a spiritual practice that makes a safe container for you to feel anger, grief, and the love of God. And try to spend some time roughhousing with a toddler. (Kittens work too.)

Here are some more highlights from this year’s reading, writing, and other discoveries.

Best Poetry Books:

I’ve read so many fine collections this year, it’s hard to choose. Some favorites by Charlie Bondhus, R.T. Castleberry, Heather Christle, Ruth Thompson, and Pam Uschuk have been reviewed and excerpted on Reiter’s Block this year. Other notable books that I didn’t get to feature:

L. Lamar Wilson’s Sacrilegion (Carolina Wren Press, 2014) is a passionate, musical exploration of intersecting identities: black, gay, Southern, Native American, Christian.

Brian Teare’s debut collection The Room Where I Was Born (University of Wisconsin Press, 2003) uses dark fairy-tale and gritty Southern Gothic tropes to tell, undermine, and complicate a confessional narrative of sexuality and trauma.

Nin Andrews’s Why They Grow Wings (Silverfish Review Press, 2001) lets loose the divine feminine in magical-realist scenarios that are both playful and politically edgy.

Best Fiction Book:

Donna Tartt, The Goldfinch (Little, Brown & Co., 2013). This Pulitzer-winning doorstop of a novel received equally intense yays and nays from critics. Based on Northrop Frye’s classic taxonomy of genres, I think Tartt’s detractors make the mistake of treating her books as realist novels when they’re really romances, notwithstanding the super-abundance of contemporary detail. I loved this book because it captured the feeling of growing up in New York City with more dreams than money. Tartt’s New York, like mine, is home to many social classes and subcultures living in close proximity but rarely intersecting. The first half of the book emphasizes the distance between these worlds and the illusions we spin about those who seem more fortunate than ourselves. Then a series of tragicomic twists brings the protagonist out of his grandiose isolation and into a humbled awareness of our common fate.

Best Nonfiction Book:

Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (The New Press, 2010). This comprehensive study of racism in the criminal justice system is a must-read, particularly now, following the outcry over police brutality in Ferguson, MO.

Favorite Posts on the Block:

The Priesthood of All Survivors
I want to give and receive the support, spiritual insight, and deep friendship that a shared faith journey can offer. However, as I work towards higher levels of psychological integration and adulthood, I have to be part of a community that’s consciously working the same program. As I choose to break familial patterns of nonconsensual intimacy, I have to be part of a community that’s organized by consent and choice, not guilt-tripping the unchurched.

Why Believe in a Need-less God?
It’s a leap from “God doesn’t need Hir ego stroked”* to “God doesn’t need anything from us.” This doctrine, which we take for granted as orthodoxy, has hidden negative political and pastoral consequences. Because of what I’ve learned from feminist and disability theology, I am compelled to question the equating of “need” with weakness, imperfection, or immature egotism.

Becoming Church: My Field Trip to an Intentional Christian Community
Becoming Church is an umbrella organization for small-group churches (a dozen people maximum) that follow the Church of the Saviour model of “journey inward/journey outward“. Grounded in their faith in Christ, members support each other’s personal spiritual transformation and work together on service projects in [Washington, DC]. Their vision for social change is both radical and humble. Radical, because they want to be used by the Spirit to attack systemic injustice. They’re not content to provide palliative care to the less fortunate, or as they prefer to say, “the under-resourced”. Humble, because they try to operate on God’s timetable, not their own, and eschew ambitious arms’-length initiatives in favor of intensive long-term relationships with a few needy individuals at a time.

Most Useful Discovery:

Peggy Olson cures PTSD.

I’ve binge-watched all 6 1/2 seasons of Mad Men since July. This show’s deep resonance with me deserves its own blog post in the near future. For now, let me just say that Peggy, played by Elisabeth Moss, is the first female character on TV that I really identify with. She’s socially awkward, ambitious, creative, blunt-spoken, willing to make enemies, unashamed of her climb from working-class Brooklyn Catholic schoolgirl to Manhattan ad executive, has a weakness for ugly plaid outfits, and secretly wonders whether she’s failed to perform femininity properly. Near the end of Season 7A, she anticipated the concept of “family of choice” to sell fast-food hamburgers to modern women.

I used to be afraid of my chronic nightmares. Now, before I fall asleep, I imagine Peggy showing up in my dreams to kick ass. That recurring dream about being stranded on the highway? No problem. Peggy will give me a ride and bring bail money, just as she did for Don Draper when he crashed his car on a drunken joyride with his mistress. I’m sleeping much better now.

World’s Cutest Toddler:

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Happy holidays from Shane!

30 Poems in November: Your Turkey Day Reminder

Are you thankful that you can read this? Give the gift of literacy to new immigrants, and sponsor me in my 30 Poems in November fundraiser.

Here is today’s poem for your enjoyment. Have a tasty holiday!

Ode to Butternut Squash

Butternut squash, you are the War and Peace of vegetables.
So heavy, traditional, symbolic of grand ambitions unfulfilled.
Delusional, even, like Napoleon’s drive to conquer Russia,
which is what I assume Tolstoy’s classic is about,
though like most Americans tucking into their giblets this holiday,
I’ve never cracked the book on display in my living room.
Butternut squash, is this your destiny too?
Like the little Corsican exiled on Elba,
will you shrivel and sag in my refrigerator,
Thanksgiving come and gone, nothing to hope for
except that this time I’ll mean it when I glimpse you
behind the milk and say to myself,
“I really should cook that before it goes bad”?
Butternut squash, my knife shrinks from sawing into your rind,
your brute firmness, flesh pink and unmarked,
sized to give Anna Karenina the shivers.
I do not have the conquering spirit.
Because I am afraid, butternut squash,
that even if I can cut you in half without losing a finger,
and you yield your virgin territory
to be encrusted with sugared pecans like a Fabergé egg,
and I find the patience to bake you at 350 degrees
for longer than it takes to say “Andrei Nikolaevich Bolkonsky”,
my guests, who have never starved in the siege of Moscow,
will not be grateful for your sacrifice
and fill up on pie instead.

The Lion Under My Skin

Three weeks ago I made another one of my longtime fashion dreams come true.  I got my first tattoo.

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This lion who now lives on my left ankle represents Aslan, the Christ-figure in the Narnia books, as well as the courage of my male spiritual side. The original artwork by Nycci Traynor at InkWell Studio in Bristol, CT is based on our first Winning Writers logo. (Now that’s corporate loyalty.)

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Oct. 30, 2014, 1 PM: I prepare to meet my fate.

I promised myself a tattoo when I finished the latest revision of The Endless Novel, back in August. As the appointment date approached, though, I was getting cold feet. I wasn’t anxious about the pain so much as the commitment. My beliefs, priorities, and personal style have gone through major changes several times already. What if the image I chose no longer represented me in a few years? I asked my oldest friend for advice. He said he was also contemplating a tattoo with a symbol that would remind him that God was always there for him. So that’s how I made my choice.

I’m glad he got me thinking about tattoos as a spiritual practice. Ink can be a beautiful, unique, and (after the first couple of weeks) zero-maintenance form of adornment. But beyond that, for me it’s a way of taking ownership of my body. Creative control, if you will. I can go beyond the limits of what I was given, and turn my body into a visible record of my inner journey.

In some indigenous cultures, tattoos and other forms of body modification play a role in rites of passage. They mark a permanent transition to adulthood and demonstrate the bearer’s physical endurance and bravery. This aspect of tattooing also became important to me when I was under the needle.

So how painful was it? It was pretty much what you’d expect from having needles stuck in your leg for two hours. In other words, equivalent to about five minutes on the phone with my childhood abuser. (This is the universal standard of measurement in our household.) And unlike such conversations, the emotional aftereffects of being inked were nothing but positive.

I didn’t enjoy the pain per se, but it turned out I enjoyed how tough it made me feel. As it was happening, I compared it to other types of pain I’ve experienced, and reassured myself that I could handle this. I gained a clearer perspective on the boundaries between pain, suffering, and abuse.

Buddhists distinguish between pain, the unpleasant sensation itself, and suffering, the way we compound our pain by proliferating fearful or angry thoughts about it. There was no suffering involved in my tattoo because it was purposeful, consensual, time-limited, applied by someone I trusted, and chosen from a position of self-affirmation. Compare, for example, the facial hair electrolysis I had in my 20s, which was the closest equivalent to the physical sensation, but was much more of a downer because I was doing it to fix something I felt was wrong with me, not to make my awesome self more awesome.

In the Endless Novel and my notes for the sequel, I’ve been struggling with how to interpret, and whether to judge, my characters’ risky sexual practices. I have less than zero erotic interest in pain in the bedroom, but one of my main characters has made it clear that he’s a kinkster and doesn’t want to be “cured” through trauma therapy. Meanwhile, at Winning Writers, I’ve just finished judging the Sports Fiction & Essay Contest, reading about athletes who subject their bodies to extreme hardships and sometimes permanent injuries, in pursuit of–what? Winning an arbitrary game, feeling tough, being admired, defying age and mortality? What does society consider a legitimate reason to override the animal instinct for self-preservation? What is the difference between BDSM and roller derby?

Last month, Sarah Bessey at Jesus Feminist put up a post saying that Christians should not engage in consensual sexual practices involving domination and pain. She argued that such fantasies trivialized the societal problem of abuse, and ran counter to the Christian ethic of nonviolent love.

Without any experience to contradict Bessey, I was inclined to agree with her, but two of the Christian feminists I most respect, Sarah Moon and Samantha Field, offered cogent rebuttals that opened my mind. From Field’s post:

What I love about kink is how it exposes us as a couple. It puts the amount of love we have for each other and how deeply we trust each other fully on display in a way that more vanilla sex just doesn’t. For me, when I’m subbing, there’s an unbelievable amount of anticipation that is almost joyful. I don’t know what he’s about to do, or where this is about to go, but I know that I’m going to love it.

The best part is that I have complete and total control over what happens. As a rape victim, I cannot overstate how much that means to me. When Handsome and I are in a scene, I know that if he attempts something that makes me uncomfortable I can put an instant stop to it–but that hasn’t even happened yet. While we’re playing, we’re attentive to each other in a way that we don’t quite attain when we’re having a missionary quickie. Whoever is on top is watching every single breath and twitch, and we’re communicating with each other more than any other time we have sex. And because I know he is watching me incredibly carefully, I’m free to let go; he’s pushed me in ways I didn’t think was possible, and that’s happened because I trust him and I know he loves me…

…[P]ain is not the same thing as violence, and causing pain is certainly not the same thing as abuse. That’s not even an argument that makes sense–everything in our daily lives belies that. It’s non-consensual pain (emotional or physical) that is an intrinsic violation and is always wrong, full stop.

To me, BDSM is about communication, and respect, and trust, and love, and commitment, and honoring each other. It’s about exploring, finding, and then keeping boundaries.

The anonymous guest writer at Moon’s blog shared similar thoughts about the satisfaction of pushing one’s limits in a consensual, trust-filled environment:

They tell me that my experience is less “true” than the narrative that BDSM critics try to impose. That the way I feel isn’t real, can’t be trusted. (You know this is gaslighting, right?)

Here is what it feels like for me, as a submissive who is otherwise a perfectionist, to be in the hands of a trusted partner: relaxation. Gratitude. Is it okay for me to be this lazy and still feel this good? No need to think, to stress. Just receive.

Here is what it feels like for me, a dominant who was raised in a culture where women aren’t really supposed to want power, let alone claim it: awe. Look at what I can do. Look what he wants from me, what he trusts me with. Look how wonderful he looks…

…Sex is fraught with connotations, with connections hidden in the subconscious. Power dynamics are also fraught. Examine everything. In fact, I will be prescriptive here: the more closely an action mimics oppressive power structures, the more closely you should examine it before acting on it or making it a deliberate part of your fantasy life.

And if an action seems to replicate those power structures too closely for your comfort, that is a good reason for you to refrain from an act. In fact, I think it’s a fantastic reason. Society does program us all in certain ways, and it is our duty and responsibility to be on the lookout for that.

But “too close for comfort” for you does not mean that other people can’t navigate it safely.

And assuming that one can draw a line in the sand where the actions on one side are “good” and the actions on the other side are “bad” is a practice that Christianity has engaged in for too long.

Because of how I felt while getting inked, these arguments resonate with me, in a way that might not have been possible before. Tattoos are more mainstream than they used to be, but a lot of people still judge tattooed women as rebellious, self-destructive, not respectable, etc. That’s why I placed mine on my ankle, where I could easily hide it with clothing when I need to look “professional”. (A demand that’s fortunately rare in the life of a poet.) Intent and effects matter more than some list of approved and un-approved actions tagged with pre-fab psychological explanations.

Is my painful body modification partly a response to my trauma history? Maybe so…but my response is…

ROAR!!

Sponsor Me: Fall Fundraisers for Literacy and Domestic Violence Services

Two opportunities are coming up for blog readers to sponsor me for a good cause.

First, I’ll be writing a poem a day in November to raise money for the Center for New Americans. CNA is a community-based, nonprofit adult education center that provides the under-served immigrant, refugee and migrant communities of Massachusetts’ Pioneer Valley with education and resources to learn English, become involved community members and obtain tools necessary to maintain economic independence and stability.

When I did CNA’s 30 Poems in November fundraiser in 2010 and 2011, it helped me recapture a sense of fun in my poetry and push myself to find fresh subject matter. The poem-a-day challenge generated prizewinning poems such as “After October Snow” and “Depression Is My Happy Place“, and other slightly less substantial works, like “The Ballad of Trader Joe’s Dimidiated Turkey”. The project wraps up with a group reading and celebration at Smith College in early December. Please join us if you’re in the area, and sponsor me at Razoo: Jendi Reiter’s 30 Poems in November

Second, our family-of-choice, a/k/a Freedom Team, will be walking in Northampton’s annual Hot Chocolate Run for Safe Passage on Sunday, December 7. This 5K run and 3K walk supports Hampshire County’s domestic violence shelter and advocacy organization. Please sponsor my page or Shane’s page at PledgeReg!

Now, for your delectation, the official poem for November 17, 2010:

The Ballad of Trader Joe’s Dimidiated Turkey

When only half a turkey will do,
When only half a turkey will do,
When there’s an empty place at table and you’ve eaten all you’re able,
Baby, I’m the better half for you.

You been stirring up that pot of beans ‘n rice,
You been stirring up that pot that smells so nice,
Cook that dinner year on year, while he sits ‘n drinks his beer,
Baby, you won’t have to heat me twice.

Grandma’s boyfriend took her on a cruise,
You sit and watch the blizzard on the news,
When your daughter calls collect, ’cause her flight did not connect,
Baby, I got just one wing and it’s for you.

You been rollin’ out that cherry pie,
You been rollin’ out sweet cherry pie,
He’s lost in halftime doze, dripping gravy on his clothes,
C’mon baby, lemme show you some thigh.

That tender meat is fallin’ off the bone,
You can share it with your friends or eat alone.
Serve me hot with sausage stuffin’, and I won’t let on you’re bluffin’
When you smile and say you made it all at home.

On Finishing (Sort of) the Endless Novel

Dear readers, join me in the happy dance:

I HAVE FINISHED* THE ENDLESS NOVEL**.

(*a good major revision of)

(**Book One of Two in the series)

 

Paraphrasing French author Paul Valéry, the poet W.H. Auden famously observed that “A poem is never finished, only abandoned.” This quote sticks in my mind as I sort through my many feelings and questions about reaching this milestone in the writing process. Questions like: Do I have the right to say it’s “finished” when I know there will be more edits from my critique readers and my (as yet hypothetical) publisher? Can I celebrate publicly even though someone is sure to find imperfections in the manuscript? I keep expecting someone to spring out from behind a tree and taunt “Ha-ha!” like the bully Nelson in “The Simpsons”. How could you ever imagine this was good enough? Who do you think you are?

Rather than “abandoned”, I like the word “released”. This manuscript is ready to be given a little freedom to fend for itself, like my son going off to preschool next month. In both cases, the freedom is carefully bounded. A two-year-old by himself can’t choose trustworthy companions and roam the neighborhood with them. I have to select an environment that looks safe, stay involved, remain grounded in my own authority, and pray for the best. Similarly, I think that a fledgling manuscript needs to meet the world in stages, not all at once. I’m taking the advice that I give to aspiring authors all the time: choose only a few critique readers, selected for their sympathy to your style of work and their ability to give ego-free feedback, and remember that you are the ultimate authority on what feels right.

This is counterintuitive advice in a culture where we’re accustomed to ranking everything on the Internet. Much has already been written about how the Facebook “Like” button flattens and trivializes our responses to the world on our screens. This single option is supposed to be an equally adequate reaction to a funny cat picture and a news story about police brutality. Plus, social media’s built-in expectations of “liking”, re-tweeting, pinning, and voting can give us a false sense of entitlement to judge others.

I got a Kindle Paperwhite for my birthday, which I like very much, but every time I finish a book, it invites me to rate it from one to five stars on Amazon. Online reviews are very useful–sometimes more entertaining reading than the book itself–but the star system, standing alone, has begun to strike me as absurd. What does it even mean to rank The Goldfinch and an upright vacuum cleaner according to the same metric?

The Buddha spoke of the Eight Worldly Winds: pleasure and pain, loss and gain, praise and blame, and ill-repute and fame. The enlightened person seeks equanimity no matter which wind is blowing, not being tossed about by every change in circumstance. Her self-concept is larger and more flexible than any one instance of praise or blame, for example.

For a quick exercise in equanimity, check out the Amazon or Goodreads reviews of any book that you really loved or really hated. You’ll find equally passionate one-star and five-star reviews, sometimes based on the same exact thing about the book.

So I am going to celebrate, and have faith that my book will reach the right people at the right time. And always support it with a mother’s love, even if it poops its pants on picture day.