My Poetry Book “Bullies in Love” Now Available from Little Red Tree Publishing

Bullies_in_Love_cover

My second full-length poetry collection, Bullies in Love, with fine art photography by Toni Pepe, has just been published by Little Red Tree Publishing (New London, CT)! Pre-orders available now.

The book launch reading will take place on Saturday, March 7, at 2 PM at Forbes Library, 20 West Street, Northampton, MA. Come buy a signed copy and see a slideshow of Toni’s beautiful photos.

American Book Award winner Pamela Uschuk says of this collection: “In her remarkable collection of poems, Bullies in Love, Jendi Reiter has created an complex odditorium of characters with unique and often disturbing voices: poems peopled with bullies, the disenfranchised, monsters, prostitutes, criminals, the abused and forgotten, all searching for meaning, for faith and love in a postmodern, often cynical world.”

Enjoy a sample poem below, inspired by the Young Master. (He took this selfie on Grandma’s phone.)

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Two-Three

Son, it is time to begin breaking
your awakeness into wedges of five, twelve, sixty
rotations of pinned hands,
to pace off the sermon, the cartoon, the billable hour.

Why is it not spitting time? Why is the song over?
You pound like CPR on your teddy’s voice chip
till he squeaks again, That’s right,
a circle is round and has no corners.
Of the alphabet, you took to O first,
pointing it out on toothbrushes and tattoos.

Son, it is time to position P and Q
and fork and knife and light and dark washing
in the baskets where we say they belong.
Why is milk white? Why do shoes match?
You want to choose and cry at both choices.
Not that hat. Not that tomato.
Not that story.

Why is the bird lying on the ground? Why isn’t it tomorrow?
I read you the page about Pig Robinson’s aunts:
They lived prosperous uneventful lives, and their end was bacon.
Goodnight loom, goodnight soon.
You whisper to sleep
counting the wallpaper stars
with the only number-words you know:
two-three, two, three.

Pink Link Roundup: The Struggle to Affirm the Feminine

As I wait this week for “Santa” to deliver another load of toys for my little man, I’m pondering the devaluation of femininity that stubbornly persists in the two realms where I spend much of my time: parenting and gay male fiction.

Over his short lifetime, the Young Master has already been gifted with a set of golf clubs, two baseball bats, two footballs, three soccer balls, and a set of footie PJs absurdly captioned “Tough Guy”. Only Mommy defied convention and bought him a Barbie, whose favorite activities seem to be dancing and farting. Meanwhile, the toy catalogs crowding my mailbox proclaim, “Gifts for your little princess and action hero!” Inside, I might see photos of both boys and girls playing with sports equipment, science kits, and wheeled vehicles, but the mini kitchens and vacuum cleaners are pink-trimmed and only advertised with girls in the pictures.

Some progressive parenting organizations talk about this problem, but their strategies focus more on including girls in “boy” activities than removing the stigma of girliness. The Center for Commercial-Free Childhood, for instance, does good work keeping advertising out of educational environments, but their “worst toys of the year” list almost always includes my old friend Barbie, because she supposedly makes girls ashamed of their bodies. No, patriarchy does that; pretty women (real or imaginary) are just being who they have a right to be.

I recently rediscovered this 2013 post from Christian feminist and fiction writer A.M. Leibowitz’s Unchained Faith blog, “The Meaning of Pinkhood“:

The Big Questions that always come up are: Why can’t they market toy stoves and tea sets in neutral colors?  Why can’t doll clothes come in blue as well as pink?  Why can’t I find a boy doll?  Why can’t Barbies utter oddly specific action phrases when you push a button on their backs?  Why must all Legos be placed in the boys’ section?

Meanwhile, I’m asking an entirely different set of questions.

Why can’t boys own a full set of My Little Pony figurines?  Why doesn’t Batman say, “Give me a hug!” when you press a button?  Why isn’t it okay for a boy to be featured on the toy stove box, even if it is pink?

We’ve gotten very comfortable asking why the girls’ aisle is hosed in pink and frills while the boys get action and adventure.  We intentionally choose to shop for our daughters among the Legos and Monster Trucks and superheroes.  We’re okay with urging our daughters to try out sports and climb trees and wear any damn thing they want to…

…It seems to me that the reason for this is that we like the erasure of cultural femininity more than we like the erasure of cultural masculinity.

Cultural femininity is seen as weak and bad.  How many of us have gone from feeling stifled by the lack of options to feeling guilty that we still want some (or most) of those feminine things?  How many men feel like they are less, somehow, because they have traits usually associated with women?

It took me a long time to accept that I like the color pink and that I like stories with a little romance.  I sort of felt like I couldn’t even enjoy a Disney princess movie without having to examine its problematic elements first.  This erasure of anything culturally feminine means that in order to survive, I must become more like a man.  But if I become more like a man, not only do I destroy that which is considered feminine in myself, I also end up being told that I actually want to be a man!  Or I’m a bitch or a ball-buster or some other negative term for a woman who isn’t “woman” enough.  Yet if I give up and go home, then my femininity makes me invisible again.  We often don’t have the option of being both culturally feminine and strong…

Go read the whole post. It’s a keeper.

This leads into my other gripe, the misogyny problem in fiction about gay male love. As Gail Dines says in her feminist critique of porn, under patriarchy women are categorized as either “fuckable” or “invisible”. Since, by definition, M/M is about men preferring men to women, the female characters are not “fuckable” in any way that matters to the hypothetical reader. (Because there are no bisexuals out there, right?) I’ve read some novels in this genre with no female characters at all, and some where the women are grotesque caricatures–pathetic fag-hags, smothering moms, ballbusting exes. Neither of these scenarios reflect the real world, where men of all orientations are embedded in a community of female friends, colleagues, and relatives. Ken Murphy’s Sharing Heart is a pleasant exception.

By contrast, Tim Bairstow, whose first novel The Shadow of Your Wings was a gorgeous bittersweet tale of gay Christian self-acceptance, cruelly betrayed his female readers with What Do You Want for Christmas?, where he misses no opportunity to mock the loathsome plus-size body of the hero’s clueless girlfriend. Their sex scene is fat-shaming horror reminiscent of Beowulf in the clutches of Grendel’s Dam.

I think some gay male writers are projecting their shame onto their female characters. They are passing on the legacy of whoever bullied them for being a “sissy”. If you’ve ever watched the old Showtime series “Queer As Folk“, did you notice how the unlikeable gay male characters were portrayed as effeminate weenies, while the protagonists were hyper-masculine studs? Sexism and homophobia are variations on the same awful theme. Women’s love for M/M fiction has the potential to build alliances against oppression, which makes it all the more hurtful when the gender wars resurface there.

Googling “M/M misogyny”, I came across this insightful post by Damon Suede, a gay man who writes romance: “Worse than a girl, better than a woman“.

…Not to say that gay romance is inherently misogynistic, but rather that it seems that much of gay romance writing expresses a deep mistrust and offers harsh criticism of traditional female roles. The girls that heroes are “worse than” seem more like the stereotype of girlhood, and the women that these “better” male/male couplings supplant are the traditional ideas and roles with which women are saddled.

Fans of the genre often remark on their impatience with female characterization in traditional romance fiction… joking that “two hot men are better than one.” But the role of female characters in gay romance remains a bit of a briar patch. Often female characters are not only subordinate in gay romance fiction, they are downright marginalized, lobotomized, or demonized because they serve in roles.

On one hand, it makes sense that in focusing on men who love each other and have sex with each other, that ways of introducing drama and conflict would often rely on the familiar soap-opera tropes of divorce, infidelity, family rejection, single parenting. Many of these situations involve women by default.

It stands to reason: if you want to introduce an infant character, who is the mother? If your hero is divorcing someone, who was she? If his parents appear, who did the childbearing? The core relationship in gay romance fiction is between those two (or more) fellas. By necessity, women in these stories tend to slide into the ruts of sympathetic friend or castrating bitch. Over and over in gay romance we see shrieking harpies angry at their betrayal by “the degenerate faggot(s)” in their life and kooky, supportive gal-pals who want to watch television while they snuggle sexlessly on the couch with their hot-but-unavailable BFF.

Totally logical, if the female character is nice she supports that manlovin’ and cannot and would not intrude with her own sexuality. If she’s not nice, intrusion is the order of the day, complete with near-rapes and/or tantrums and/or recrimination because the evil female always wants to wreck the protagonist and anyone else caught in the self-righteous heterosexist crossfire.

It’s hardly surprising. The sexual charge in gay romance is by definition situated between the male protagonists, so the women at their margins run the risk of disrupting the dynamic at the genre’s core. What’s the simplest solution for an unsteady author?: female characters must be defused, desexed, or dismissed… either as unattractive castrators or as loving-but-nonthreatening bystanders.

Damon, you’ve persuaded me to buy one of your novels on my Kindle. Then I’m going to write an alternate ending to Bairstow’s What Do You Want… where poor “Sally” has a telekinetic meltdown à la Carrie and drowns all the wankers in her vaginal blood.

Merry Christmas, bitches!

Unconventional Mother’s Day Blogaround

The girly pink explosion of sweetness that is Mother’s Day will soon be upon me again. Do I have a problem with that?

I love this little guy, and I love pink.

But when I think about being a mother, the images that come to mind are not sugary, soft, and girly. I channel the power of a mother tiger protecting her cub. I am a warrior, proud of my battle scars. I feel some kinship with the Hindu goddess Kali, who is one of the incarnations of Mother Durga, creator and destroyer of all things. In Sanskrit, “Durga” means fortress. As a mother, I hold psychic boundaries around my home to make a sacred space where my child can grow safely.

I want to celebrate motherhood in a way that doesn’t erase the difficulties of embracing femininity under patriarchy. I want space to grieve the brokenness of my memories of my own mother. In time, Shane may have complicated feelings about Mother’s Day, too, because it encompasses his birthmother’s loss as well as my gain.

If, for whatever reason, you’d like to add some emotional nuance to your observance (or boycotting) of this holiday, the readings below may be of interest.

At the excellent blog Women in Theology, Janice Rees reviews a documentary about a teenage daughter and her mother’s gender transition to male:

The film’s questions around trans identity helps us to push the motherhood category, or rather, to see it in its normative form. That is, for bodies with wombs that have borne children, an alleged and drastic ontological shift is enacted, and a new normative way of being embodied is established.[3] No longer women (which continues to be the norm for wombed childless bodies), these bodies, from all accounts, take on a new status as ‘mother’. To be a mother is to be caught up in this new quasi-subjectivity. I write this as a parent, one who almost always hesitates on this capital M word, this form that overwhelms me with its situated concreteness. Now, having endured the kind of discrimination and expectations placed on mothers, I find it hard to see a future in motherhood, or any sense in its usefulness as a term…

…Ultimately, this fixed category of mother becomes a foundational lens in which we not only read the quasi-subject (who is mother) but through which other, childless subjects, may emerge in more fluid identities. That [the daughter] Billie’s story becomes the primary lens in 52 Tuesdays is hardly surprising…yet James continues to subvert his status of mother – not due to the supposedly obvious implications of transgender transition, but because of his trans-formation back into a person who wants to be someone. And if having a womb and or being a parent has a future – at least for those of us who feel marginalised and oppressed by the normative categories of gender, and this peculiar ‘mother’ status – then there is something profoundly liberating in James’ subversion…

****
Dr. Karyl McBride, author of Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers, writes on the Psychology Today blog about the painful double standard that this holiday can bring up:

Mother’s Day is approaching and this time of year discussions about mothers explode, but of course the roaring voices describing maternal narcissism are hushed to the background. We hear the praise and celebrations about good mothering, but simultaneously the complete stillness and silence about inadequate mothering…

…If adult children of narcissistic parents discuss their upbringing, they are usually met with disdain. “Good girls or boys don’t hate their mothers!” “There must be something wrong with you, if you are not connected with your mother.” “It must be your fault.” So, this population of people goes into hiding. They go back to what they were taught and practice superficial pretending which does not help their own recovery process. They are told once again to “put a smile on that pretty little face and pretend that everything is just fine with this family.”

But here’s the misnomer. If a narcissistic parent raised a daughter or son, it means that the parent was not capable of empathy and unconditional love. So, that child did not receive the bonding, attachment and maternal closeness from that parent. The issue lies in the disorder of the parent. It does not mean that the daughter or son is not capable of loving or that they don’t love that parent. In fact, these adult children have spent their entire lifetimes trying to get attention, love, approval, and nurturing from the narcissistic parent to no avail. What I have seen in my research and work is that adult children who come from narcissistic families dearly love their parents and the issue is that the parent is not capable of loving them back. Therein lies the need for acceptance and grief for the adult child and this is the first step in their recovery process. But, because the adult child is reacting to the lack of maternal love, they are seen as the one who does not love the parent. This misnomer is not readily understood…

…So let me ask you this: Because you see the disorder in the parent and you are reacting to it and working your own recovery, do you think that means you don’t love your parent? Or are you simply standing in your truth, accepting your reality, and working on your own mental health?…

****

Finally, let’s remember that before Mother’s Day became a showcase for perfect performance of gender roles, it was a rallying point for women’s activism, as Christian scholar Diana Butler Bass explains in this HuffPo article, “The Radical History of Mother’s Day“:

..In May 1907, Anna Jarvis, a member of a Methodist congregation in Grafton, West Virginia, passed out 500 white carnations in church to commemorate the life of her mother. One year later, the same Methodist church created a special service to honor mothers. Many progressive and liberal Christian organizations — like the YMCA and the World Sunday School Association — picked up the cause and lobbied Congress to make Mother’s Day a national holiday. And, in 1914, Democratic President Woodrow Wilson made it official and signed Mother’s Day into law. Thus began the modern celebration of Mother’s Day in the United States.

For some years, radical Protestant women had been agitating for a national Mother’s Day hoping that it would further a progressive political agenda that favored issues related to women’s lives. In the late 19th century, Julia Ward Howe (better know for the “Battle Hymn of the Republic”) expressed this hope in her 1870 prose-poem, “A Mother’s Day Proclamation” calling women to pacifism and political resistance…

Years later, Anna Jarvis intended the new holiday to honor all mothers beginning with her own — Anna Reeves Jarvis, who had died in 1905. Although now largely forgotten, Anna Reeves Jarvis was a social activist and community organizer who shared the political views of other progressive women like Julia Ward Howe.

In 1858, Anna Reeves Jarvis organized poor women in Virginia into “Mothers’ Work Day Clubs” to raise the issue of clean water and sanitation in relation to the lives of women and children. She also worked for universal access to medicine for the poor. Reeves Jarvis was also a pacifist who served both sides in the Civil War by working for camp sanitation and medical care for soldiers of the North and the South.

My awesome mom-of-choice, Roberta, marching with OLOC at Northampton Gay Pride 2014.

Hail Thee, Festival Day!

Happy Easter, dear readers! Today we celebrate the miracle of God’s love triumphing over sin and death. Two years ago, on Holy Saturday, my own little miracle came into the world:

Shane had a wonderful time at the Easter service today at St. John’s. The handbell choir was his favorite!

I bit my nails less frequently for Lent. Because I knew you all were watching.

My Poem “Lord of the Storm” at Utmost Christian Writers

The poetry website Utmost Christian Writers, edited by Nathan Harms, has offered me a regular home for my spiritual writing for over a decade. This year I was honored to win First Honorable Mention in their annual poetry contest. My entry, “Lord of the Storm“, was inspired by memories of a family vacation on Martha’s Vineyard when Shane was about six weeks old. Nathan has kindly permitted me to reprint it below. The contest deadline is usually February 28, with prizes up to $1,000. Read the winners here (more runners-up will be posted on the site during the next week).

Lord of the Storm

Here is the ocean I promised you
salting your forehead with my fingertips.

Inconsolable joy.
Motherless, I mother.

Brown foam sucks the sand from under my toes,
digging a hollow shaped like my standing.

Six-weeks boy, swaddled blue as Cape waters,
your cries scouring my heart.

Down the driftwood stairs, down to the eroded coast,
carrying you, the first trust in my arms.

You came from a longer sea,
a more constant sun.

Neither of us belong to time,
un-homed from the country of sleep.

I’d thought waking for you would be no harder
than my old midnight pattern of terrors.

Three a.m. in the mildewed sunroom,
no one breathing but us and the dark waters.

All the silences wore off at once.
My ghosts became baby birds pleading not to starve.

Today’s ocean has hush enough
to spread spangled to the pearly horizon.

Each glinting wavelet a day of my history,
washing my hands as I lose it.

Your shrimp-pink fingers curl at my neck.
You open stone-blue eyes to summer’s glare.

You have no name for yourself or mother
or drowning or birth, so I will tell you:

That solid shape rocking on the distant current
could be a boat where a friend lies sleeping

as bravely as we will sleep tonight,
a man who knows where he comes from and where he is going.

Reiter’s Block Year in Review: 2013

It’s time once again for our annual roundup of the books, blog posts, and discoveries that made the most impact on me this year. Thanks for your loyal readership. Feel free to share your own favorite reads and revelations from 2013 in the comments. Books need not have been published in the current year.

Most Self-Esteem You Can Buy for $25:

Right now, it’s only a Halloween wig, but it’s inspiring me to fulfill a lifelong dream. Go ginger in 2014!

Strangest Discovery at a Church Tag Sale:

My astute husband spotted this planter at the Christmas fair at First Churches in Northampton, which was Puritan theologian Jonathan Edwards’s church during the First Great Awakening. Edwards was kicked out of the pulpit eventually because he made too much fuss about teen boys reading dirty books. One can only imagine how he’d feel about this porcelain beauty, who has succulents growing out of her pelvis and right breast. My friends who remember pre-feminist kitsch have informed me that she was originally an ashtray: the matches go in the boob-hole and the cigarettes go, uh, down there. Which is even more disturbing.

Runner-up for Previous Award:

My church is nothing if not broad-minded. Thanks, St. John’s Christmas Fair. I’m looking forward to learning all about the Holy Foreskin.

Best Poetry Books:

So many this year, I can’t pick just one.

Natalie Diaz, When My Brother Was an Aztec (2012)
With furious beauty and Promethean boldness, Diaz rewrites our cultural myths to speak her truth as a Mojave woman, a lover, an activist, and a sister bereaved by addiction.

Minnie Bruce Pratt, Crime Against Nature (2013)
This groundbreaking book recounts how the author lost custody of her sons when she came out as a lesbian, then forged a beautifully honest relationship with them later in life. First published in 1989, it was reissued this year by A Midsummer Night’s Press in collaboration with the journal Sinister Wisdom.
Read my full review and excerpt here.

Jamaal May, Hum (2013)
This electric debut collection explores what it means to be an African-American man in Detroit, finding beauty in the ruins of the machine age. Read my full review and excerpt here.

Best Novel:

Susan Stinson, Spider in a Tree (2013)
Set in Western Massachusetts in the 18th century, during the religious revival known as the First Great Awakening, this luminous novel re-creates the domestic life and spiritual development of the theologian Jonathan Edwards. Stinson allows the complexity of the Puritan worldview to speak for itself, setting Edwards’s mystical delight in nature and his deep compassion alongside his severe views of God’s judgment and his defense of slave-owning.

Best Nonfiction Book/Best Parenting Book:

Alice Miller, Banished Knowledge: Facing Childhood Injuries (1991)
With bracing clarity, this maverick psychoanalyst explains how all kinds of cruelty, from child abuse to genocide, has its roots in traumatic and oppressive child-rearing practices. The child had to identify with the perpetrator’s perspective in order to survive, but is then at risk for revisiting this pain on the next generation. Healing comes when you finally stand on the side of the child you once were, validating her innocent needs and feelings, instead of continuing to internalize the judgments your parents projected onto you. Warning: this book may expose many of your religious beliefs as denial mechanisms…but that’s a subject for another post.

Favorite Posts on the Block:

The Gorgon’s Head: Mothers and “Selfishness”
I’ve come to believe that mothers trigger perceptions of “selfishness” in so many people, regardless of which choices the mother is making, because people are unconsciously angry about their own unmet childhood needs. Someone who had distant and unfeeling parents may view working mothers harshly, while someone who had smothering and needy parents may have a similar disdain for stay-at-home mothers.

National Child Abuse Prevention Month: Why It’s Personal
I don’t know how you’d put this on a flag, but my version of awareness would be more radical. It would emphasize what survivors have in common–with each other, across different kinds of abuse, and with everyone who breathes in abuse-enabling myths in the air of our culture. We may not all be in a position to identify abused children and find services for them, but we can all ask ourselves: What do I believe–about God, power, knowledge, sexuality–that contributes to the silencing and minimizing of abuse? What might I be telling myself to silence myself?

Abuse and the Limits of the Welcoming Church
Overreacting against fundamentalist divisiveness, our churches minimize genuine distinctions of culpability and power within the community we are creating. If inclusion is our only defining value, where is the conversation about accountability and transformation?

Belonging, Believing: A Tension at the Heart of Church
What happens when we have developed close personal ties to a community, but discover that we can’t accept what they believe? The peer pressure to maintain those ties can distort or suppress our search to know God’s will for ourselves.

And finally, the most important award of them all…

World’s Best Toddler:



Happy New Year from Shane!

Poetry for Veterans’ Day

This morning I was reading the daily poem to Shane from our Alhambra Poetry Calendar for Young Readers, a superlative anthology of classic and modern poems that are written on an adult level but safe to share with younger folks. I often follow the reading with a little interpretation, pointing out interesting things about how the poem works, or reflecting critically on its message. Maybe it’s silly to get into this with a 19-month-old, but I feel it’s never too early to introduce the idea that he can think for himself about what Mommy and Daddy read to him. He can appreciate a book without agreeing with everything in it, or with us.

Because it’s Veterans’ Day, today we read the well-known poem “In Flanders Fields” by John McCrae, who was a Lt. Colonel in the Canadian Army in World War I. The text and history of the poem can be found on the Arlington National Cemetery’s website.

I remarked on McCrae’s conclusion that continuing the battle was the proper way to make the fallen soldiers’ sacrifice worthwhile: “To you from failing hands we throw/The torch; be yours to hold it high./If ye break faith with us who die/We shall not sleep…” Other war poets, I observed, have drawn the opposite conclusion, that these tragic deaths ought to motivate us to seek peace.

My favorite war poem of all time has to be Wilfred Owen’s “Greater Love“, also from World War I. Owen was a passionate critic of the war’s carnage, yet this poem (unlike, for instance, his “Dulce et Decorum Est“) resists reduction to a pro- or anti-war interpretation. He is simply moved by the holy suffering of the dying soldiers, which is undiminished by questions about whether it was necessary or effective.

For more great poetry on this theme, visit the War Poetry Contest archives (2002-2011) at WinningWriters.com.

Greater Love

by Wilfred Owen

Red lips are not so red
   
As the stained stones kissed by the English dead.
Kindness of wooed and wooer
Seems shame to their love pure.
O Love, your eyes lose lure
   When I behold eyes blinded in my stead!

Your slender attitude
   
Trembles not exquisite like limbs knife-skewed,

Rolling and rolling there

Where God seems not to care:

Till the fierce love they bear

   
Cramps them in death’s extreme decrepitude.

Your voice sings not so soft,—

   
Though even as wind murmuring through raftered loft,—

Your dear voice is not dear,

Gentle, and evening clear,

As theirs whom none now hear,

   
Now earth has stopped their piteous mouths that coughed.

Heart, you were never hot

   Nor large, nor full like hearts made great with shot;

And though your hand be pale,

Paler are all which trail

Your cross through flame and hail:

   
Weep, you may weep, for you may touch them not.

Chopping Down the Giving Tree: Boundaries and the Social Gospel


There are two kinds of parents in this world: those who think Shel Silverstein’s classic picture book The Giving Tree is a heartwarming fable about unselfish mother-love, and those who think it’s a horrible sentimentalization of codependence and narcissism. Regular readers of this blog should be able to guess which camp I fit in.

The Giving Tree is an apple tree, described with female pronouns, who loves a little boy. As he grows to young adulthood through old age, the boy-man asks more and more from the tree, taking her leaves and apples to sell, her branches for a house, her trunk for a boat, till finally she is only a stump that he sits on when he is a tired old man. The tree gives all these things because it makes him keep coming back, and when he comes back, she is happy. Meanwhile, the boy never says a word of thanks, nor does he seem satisfied with the gifts for very long.

Christians who like this book have argued that it’s an allegory of God’s boundless love, which continues to be poured out on us despite our emotional fickleness and ignorance. I don’t buy that. If the Giving Tree is Christ, she’s Christ without the Resurrection. This tree, like my “one wild and precious life“, is a nonrenewable resource. When she’s chopped down, she doesn’t grow back. As far as we know, the boy doesn’t even plant her apple seeds to grow new trees.

This is a perilous model for Christian discipleship because it burdens a finite human being with satisfying infinite demands. The danger of a codependent Messiah complex is particularly acute in liberal churches where God’s direct, supernatural intervention is downplayed or doubted outright.

In church, we hear about stewardship of our material blessings and our fragile ecosystem, but are not sufficiently encouraged to be good stewards of the one resource on which all others depend: ourselves. Our time, energy, emotional health, material possessions, and solitude. Yes, solitude is a resource. That’s why Jesus didn’t heal broken legs and hand out fish sandwiches 24 hours a day; he had to withdraw into the wilderness to recharge his connection to God. By contrast, the Giving Tree is unable to endure her solitude. Are we also compulsive givers because we need the warm feelings of charity to plug the God-shaped hole in our heart? Afraid that God isn’t really there for us, we’ll do whatever it takes to bind another person to ourselves.

The recipient’s angle on the relationship is also problematic. The sentimental ideal of unquestioning generosity forestalls investigation into whether we’re actually helping. The Giving Tree’s boy does not seem to grow in happiness, empathy, or maturity as a result of her gifts. Let’s just say, I pity his wife.

Christians can fall prey to oversimplified ideas about duty and sacrificial love. This comes up in our domestic lives, and also in our efforts to follow Jesus’s mandate to help the poor. It saddens us to pass by the man lying on the pavement, someone who already seems cut off from society, and have nothing more personal to offer him than cold cash. However, a relationship based on the high-sounding principle “From each according to his ability, to each according to his need” can turn sour because both ability and need are elastic. In my family of origin, it soon became clear that the path to dominance was to inflate your needs and let your abilities atrophy. The Giving Tree’s boy is never challenged regarding the importance and consequences of his demands, so he never learns to live within his means.

Before commissioning us to involve ourselves in the lives of traumatized strangers, churches must do more to educate Christians about the user-enabler dynamic and give us spiritual permission to set safe boundaries. Remember, Jesus said to love your neighbor as yourself, not instead of.

Generosity without accountability breeds an attitude of entitlement to the lives and bodies of others. This attitude underlies patriarchy, child abuse, and domestic violence — pervasive social evils that are a prime contributing cause of the addictions, mental illnesses, poverty and homelessness that Christian charity targets. Social work has a place among the church’s programs, but our unique leverage point is practical theology: proclaiming a genuinely loving alternative to the relational patterns that keep the cycle of exploitation going.

Poetry by Lawrence Kessenich: “Meditating with a Dog Named Vasana”

Earlier this month we held a ceremony at our house to welcome our 18-month-old, Shane, into my husband’s Buddhist meditation community. We shared some spiritual readings and poetry that celebrated young children’s ability to abide in the present moment, without pretensions or superimposed storylines.

I was reminded of this when I read Lawrence Kessenich’s poem below, which won the 2012 Spirit First Meditation Poetry Contest. Sponsored by a meditation center in Washington, DC, this free contest awards prizes up to $175 for poems on the theme of meditation, mindfulness, stillness, or silence. The current contest is open through January 31.

Like the dog in the poem, the Young Master is very fond of his stuffed squirrel, but he is especially delighted with the singing bowl we bought him for the ceremony. Each morning he reaches for it with a smile, and we have a mindfulness moment as we listen to the ringing echoes fade away. And then he bangs on it and chews on the stick!

Meditating with a Dog Named Vasana*
by Lawrence Kessenich

The mind is not easily ignored.
Told to sit in the corner like
a good little dog, he disobeys
bringing thoughts like toys:
a green rubber block, a stuffed squirrel,
an old, slimy, gnawed-over bone.

Take this simple mantra, I tell him,
and play with that. But he wants to do more.
He barks, licks my face, sniffs my crotch,
drops a brightly colored ball at my feet.
Vasana! I say sharply.
But to no avail. He is my dog
and requires my attention.

I toss his ball across the room
again and again and again.
He brings it back to me
again and again and again.
Until, finally, he drops it,
lays down in his corner, and falls asleep,
dreaming of sticks thrown into rivers.
Good dog, Vasana. Good dog.

*Sanskrit word for concept “monkey mind”

Lawrence Kessenich is an accomplished poet living in Massachusetts—he won the 2010 Strokestown International Poetry Prize, and his poetry has been published in Atlanta Review, Poetry Ireland Review, Cream City Review, Ibbetson Street, and many other magazines. His chapbook Strange News was published by Pudding House Publications in 2008. Another chapbook was a semi-finalist for the St. Lawrence Book Award and finalist for the Spire Press Chapbook Contest. His current collection, Before Whose Glory, was a semi-finalist for the Off the Grid contest. His poem “Underground Jesus” was recently nominated for a Pushcart Prize. Kessenich has also published essays, one of which was featured on NPR’s This I Believe in 2010 and appears in the anthology This I Believe: On Love. His play Ronnie’s Charger was produced in Colorado in 2011.

Giving Children the Gift of “No”

It’s been awhile since I shared a picture of His Supreme Cuteness, so I’ll introduce this parenting post with Shane modeling his summer haircut:

Today I want to talk about a strange trend among parents in our crunchy-progressive middle-class demographic (what we used to call Bobos in the 1990s): the belief that “No” is a dirty word.

“I never said no to my kids,” one acquaintance advised me, as her prescription for avoiding the “terrible twos”. Another friend noticed me gently steering the Young Master away from baby-unsafe objects (“Uh-oh, the table lamp is not a toy”), and favorably contrasted that method to her other friends who don’t feel comfortable declaring any property off-limits to a toddler.

This meme is widespread enough that it was satirized last year on my favorite sitcom, “Modern Family“. Cameron and Mitchell are a gay couple raising their adopted daughter, Lily, who has become a spoiled little princess. Claire, Mitchell’s sister, is a well-meaning control freak, i.e. just like me. From ABC’s website: “Claire wants to discipline Lily for repeatedly flicking the light switches on and off in her house. Cameron says they are trying an approach where they don’t say ‘no’ to their child. This leads to an argument about parenting methods. Claire believes her point will be made once Lily flips the garbage disposal switch while Cam has his hand caught down the drain. She has a big laugh once Lily makes her move, as it’s only a light switch that’s flipped.”

I could cite various child-development studies about how kids need structure and limits to learn good behavior, but I think Claire has the disciplinary angle covered. Instead, let’s consider another danger of No-phobia: stunting your child’s ability to protect his own boundaries.

When adults are afraid to say “No”, they are modeling unsafe behavior for their child. They are implicitly teaching him that “No” is a weapon that inflicts permanent damage on the hearer, and that a good person will avoid causing that kind of pain, whatever precious things of their own they have to sacrifice in the process. That’s a recipe for codependence.

Whether they say the word or not, parents have physical veto power over the child and he knows it. Thus, going to great lengths to avoid the appearance of authority only turns an honest conflict into a dishonest one. The child learns it’s not okay to express negative feelings about something that affects him, because the parents aren’t okay with their own feelings. They’re modeling a passive-aggressive way of working around an interpersonal problem.

Children need to be able to signal “No” from an early age in order to feel safe in their bodies, whether it’s by squirming away from an uncomfortable touch or pushing aside food that doesn’t agree with them. Our job as parents is to use our “No” power judiciously, saving it for the most important house rules, and allowing as much flexibility as possible for the child’s safe exploration and mastery of his environment.

What are the “terrible twos” but the child’s experimentation with his own “No”? He’s looking to us to teach him how to set limits skillfully. (“If you don’t want the beef bourguignon, darling, please push it to the side of your tray instead of throwing it on the floor.”)

So bring it on, Bunky. Just let me encase all the furniture in bubble wrap first…