February Links Roundup: Monkey Mind Mother

February already? When the passage of time surprised me, I used to think “Have I done enough work on my novel?” but now I think “One fewer month of the Trump presidency.”

Close friends of mine recently became first-time parents. When I check in with the mom about her sleepless little angel, I remember the unnecessary self-doubt that was instilled in me about having boundaries as a “mother”. I put the term in scare quotes for gender identity reasons, but also because “motherhood” is a societal idol that eclipses the actual person in relationships with her baby and the world.

At Electric Lit, Sarah Wheeler reviews Nancy Reddy’s parenting meta-advice book, The Good Mother Myth. Her interview with Reddy, “What a Bunch of Monkeys Taught Us About Motherhood–and Why It’s All Wrong,” summarizes how the science behind attachment parenting, including Harry Harlow’s famous wire monkey experiment, was heavily skewed by social pressure to push women out of the workforce after World War II.

Harlow is a really fascinating example of what happens when scientific research escapes academia: how it circulates and recirculates, and how much nuance is lost and how things get used for other purposes. In 1959 he gave this talk as president of the American Psychological Association (APA) called “The Nature of Love.” He played 15 minutes of a video where you see the baby and the cloth mother. And he says something like, ”Look at her. She’s soft, warm, tender, patient and available 24 hours a day.” And that’s really what got picked up about what it means to be a mother. But even in that talk, there are these little moments that are actually pretty radical, where he says, for example, if the important variable is not lactation but comfort, men could be good monkey mothers too. And nobody picks that up!

As a result, Reddy notes, stay-at-home motherhood ends up importing the competitive individualism and anxieties of the capitalist workforce into the home:

It is so easy to see motherhood as a professional identity– that it’s the most important job in the world, and it’s so high stakes, it can only really be done well by the biological Mother and…you should bring all of the skills from your education and your professional life to bear on this work. And I am really aware of how that approach to parenting sucks the joy out of so much of it. If you’re trying to improve your performance as a parent, it’s really hard to actually connect with your kid, which is where the joy is.

Or as I say to Shane when he complains that I haven’t brought him enough ice in his water glass, “Whattaya gonna do, leave me a one-star review on Yelp?”

My alma mater, the Death Star…oops, I mean Harvard…has been way out front in capitulating to Trump’s DEI purge. I thought I was beyond being disappointed, but I hoped that institutions with such tremendous financial and cultural capital would put up a little more of a fight to save civilization. This Harvard Magazine article from Jan. 29, “A Shakeup at Harvard’s Legacy of Slavery Initiative,” describes the university’s abrupt decision to close the Harvard Slavery Remembrance Program (HSRP) and outsource its work to American Ancestors, a lesser-known and presumably lesser-resourced genealogy research nonprofit. HSRP’s mission had been to track down living descendants of people who were enslaved by Harvard and its faculty and administrators, with the goals of reparations, correcting the historical record, and helping descendants’ families discover their roots. Some researchers affiliated with the shuttered project speculated that the administration was unpleasantly surprised by the scope of Harvard’s slavery ties and the number of descendants who might have a claim.

Anyway, here’s some good poetry. “Science” by Susie Meserve, at Palette Poetry, opens with an injunction–or perhaps a prayer–to “Let It”. Let it hurt to love what is mortal, let yourself persevere through the discomfort of birthing new life or facing terminal cancer. “Science, the miracle./Science, the limit.”

Enjoy a laugh of self-recognition with Ruth Bavetta’s poem “The New Battery Should Come Tomorrow,” published April 24 in Rattle. One undone household task leads to distraction by another, and by the chain reaction of emotional associations and memories that any mundane object can set off. Nothing gets done, but we’ve certainly gone on a journey, and maybe that’s what we needed!

Poetry by a Mom of Queer Kids: “Why I Want to Resist”

The author of this poem is a fierce mom in Florida protecting her queer kids from legalized bigotry. She shared this poem in an email to me on the weekend of the inauguration, and has kindly permitted me to publish it here, without attribution to protect her kids’ privacy.

Why I Want to Resist

Why do you want to resist?
You, of all people?

You’re white,
From the more privileged class,

All these minorities are wanting to take away all our gold,
Is the message I heard from my dad growing up,

God rest his soul,
Banker of a third generation,

So why do I feel like all the lights are going out in the world?
They’re taking away our safe spaces.

Please don’t let them blow out our flames,
Goddard College, they accepted me there to pursue my MFA in Creative Writing,

Amongst all the cool intellectuals there,
I felt imposter syndrome,

Why did they accept me here?
We met at Fort Warden, a former military base in Port Townsend, Washington.

It was an eye-opening experience,
I fit in here.

I’d finally found my tribe.
Goddard closed last year.

The lights are going out,
Fort Warden announced they’re no longer hosting events there,

Another light went out.
Oh how I long to bum an American Spirit off a fellow classmate-writer,

Oh how I long to walk the foggy sidewalks,
As a distant ship sounds a melancholy foghorn.

Goddard College was a safe space,
Not only for queer people, but simply for an artist such as myself,

Born into a family in which I did not belong,
Why do I want to resist?

What forces are bringing darkness into my life?
Why do I want to resist?

What forces of evil and darkness
Want to put out my light?

You’re of a privileged upper class,
Why do you want to resist?

I want to resist. I need to resist.
How can I not resist?

The memories flash through my head like a slideshow of oppression,
Yes, me.

The memories flash through my mind like a slideshow of oppression,
The moment my baby girl was born into this world,

A tiny, precious doll,
A light entered my life, a light I thought could never be extinguished.

Precious baby girl; teasing, dyslexia,
Remove her from the public school system,

She has dyslexia,
She’ll never be able to read normally,

She’ll never be able to do math.
“That homeschooling is a bunch of bullshit,”

Were the words of Cruella de Vil,
My own narcissistic mother,

“You’re educationally neglecting her because the doesn’t know how to read.”
She’s a brilliant artist, mom,

Look at her now,
She’s a lesbian, mom.

When I left an abusive marriage
And you refused to help to the fullest capacity to which you were able with all your wealth,

Then no, we couldn’t afford fabric or clay
For her to make her art,

“You’re projecting oppression,”
Someone who’d once been a dear friend of mine

Told me when I dared speak out against the Monroe County Sheriff Department
On social media.

He refused to speak with me ever since,
He returned a bag of gifts I’d gotten him as a peace offering to the store Mother Earth.

He has friends who are cops,
All hail the men in blue,

All hail the enforcers of corrupt and unjust laws
In this Florida.

The dictators are taking their place in the Oval Office,
They wear their bigotry and hatred like a crown.

The slideshow of memories,
My firstborn child, my son,

I didn’t know about gender identity
I did not know

Until he told me at 18, mom do you love me?
Yes.

Do you love me mom?
Yes.

I bought a skirt,
I like to wear it in my room.

Accused of being transphobic,
My ignorance was bliss.

I learned, I educated myself,
My daughter is a lesbian.

I take them shopping,
I don’t care which department they buy their clothes from.

She wears his hand-me-downs.
I was asked once by someone looking at my children from a distance,

‘You have two boys?’
‘No, that one’s my daughter,’ I proudly replied.

I could give two shots
What anyone has to say about it.

Slideshow, my son is standing in the streets of our neighborhood
Between two deputies, a third looking on,

On a mental health call,
After he’d been left home with his abusive father,

Claire and I had been gone.
Why do I want to resist?

The slideshow in my mind,
My ray of sunshine is lying in the back of an ambulance,

I’m in front with the driver,
Half the motherfuckers won’t even pull over.

“That’s my baby girl lying in there.”
When I finally told them at the hospital, “she’s not pregnant, she doesn’t like boys.”

The slideshow in my head:
“Please, can you take the handcuffs off him?

He’s unarmed. He was just crying out for help.
Take the God damn handcuffs off my beautiful baby boy.”

Slideshow:
We’re at the ICU with Claire,

She didn’t know that OD’ing on Tylenol could be so serious,
Could cause her organs to shut down.

Jacob and I were texting, if our sunshine didn’t make it,
The Lord forbid, we were gonna’ protest

All over the streets,
Bail each other out of jail if we had to.

Slideshow of memories:
They put my child in the back of the squad car still in cuffs.

Would you want to resist if you were me?
Ask yourself this; how could I, in good conscience, do nothing?

I want to resist.
My two amazing kids were my only support

In leaving my marriage,
My two amazing kids who the world loves to hate,

My two amazing kids who saved their own mom’s life,
That’s why I will never stop resisting,

Because I love my two babies too much
And I love all the other kids like them,
Trying to make their way in this harsh, cruel world.

In Memory of My Mother

My estranged mother, Irene, died shortly after midnight on New Year’s Eve/Day. She was 84 years old. I last had contact with her in January 2011. My husband, our son, and my mom-of-choice Roberta (her ex) attended her graveside funeral in New Jersey yesterday, along with her late brother’s widow and a good contingent of cousins from her side of the family.

The Orthodox rabbi hired by the funeral home was very kind and diplomatic about the rather unorthodox eulogy I wrote, which is reprinted below. He didn’t know any of us, but he made an educated guess that my mother, for all her narcissism, was someone who wanted to give to others. When she retired early from teaching elementary school after a nervous breakdown, she lost a creative outlet she might not have realized she needed. He suggested that we do mitzvahs (good deeds) to ease the repose of her soul. If you feel so inclined, give some tzedekah (charity) to a dance program that you value; Jacob’s Pillow was a family favorite.

Though quite a beauty before stress ravaged her health, Irene was never satisfied with photos of herself. So instead, here are some characters she resembled in looks, mannerisms, and/or personality.

A predominantly red illustration of an older woman's wrathful, enraged face looming large over a frightened younger couple; the title 'Sunset Boulevard' is displayed over a strip of celluloid film tied in a knot.

(L-R: Queen Elizabeth I; Glenn Close in “101 Dalmatians”; Gloria Swanson as Norma Desmond; a favorite Mary Engelbreit Design)

Eulogy for Irene

My mother Irene was a lot like Norma Desmond from Sunset Boulevard. Charismatic, disappointed, desperate for love but unable to be satisfied by it. She was too big for the picture of her life. She was an abused child in the body of a femme fatale.

My mother was a lot like Queen Elizabeth I, the historical figure she most admired. Both had rage-filled fathers and early betrayals that taught them to carve out their own path without depending on men. “Queen Irene” was fashionable, intelligent, and a rule-breaker. When she willed something, it happened…but at a high price. Addicted to control, she couldn’t let the mask of command slip for long enough to maintain honest intimacy.

My mother was a lot like a hungry ghost, a Buddhist metaphor for a spirit who seeks what cannot fill her up, looking for something outside herself that was hidden within her all along. Today we hope that the best part of her is set free from the patterns of a personal history that led her to starve herself and others.

Irene was a lightning storm of contradictions. I remember her leading us in joyful improvised flamenco dances after watching a performance at Jacob’s Pillow, in one of the Berkshires cottages we rented during my childhood. And I remember her breaking a picture frame over her partner Roberta’s head in that same cottage, one of hundreds of incidents of violence I had to witness or mediate over their 34-year relationship.

I remember her encouraging me to be a maverick artist, to devote my life to writing even when we had very little money, so that I wouldn’t live with regrets the way she did. Misogyny and family pressure pushed her into the more “respectable” profession of elementary school teacher when she really wanted to be an actress or a ballerina. She channeled that artistic passion into filling my childhood with books, museum visits, and season tickets to Lincoln Center and Tanglewood. (Sadly she was also a pop music snob who made me return my Cyndi Lauper cassette to Tower Records. Assigned-female-at-birth people just wanna have fun, Mom!)

And I remember her trying to sabotage my wedding and telling the adoption social workers that I would be an unfit parent, so that no other relationship would compete with her for my devotion. She wanted me to be the girliest little girl but not to grow up to be a woman. Well…I guess she got that part right.

Irene would have described herself as a child of the Sixties, with all of that generation’s iconoclasm and self-focus. Spiritual but not religious, she took deep interest in Native American cultures, Jewish folklore, and New Age self-help. She raised me to take it for granted that no opportunities would be foreclosed to me because of gender, yet she struggled to apply feminist ideals to herself and other people when her personal shame around social class and body image was triggered. Her longest relationship by far was with her lesbian partner, but she would never have identified as queer. I think she just liked being in a class by herself.

When she retired from teaching, her world became much smaller and unhealthier, caged by her OCD compulsions. She wasn’t able to learn how to transmute her intergenerational trauma into creative energy, so she offloaded that unbearable anger and anxiety onto the people closest to her.

Roberta and I literally had to save our own lives by ceasing direct contact with her in 2011, after ensuring that she had good nursing care in her apartment and then in her assisted living facility. We’re grateful to our late friends Anne and Sid Emerman, my late Uncle Phil, and my Aunt Susan for buffering us by handling Irene’s medical and legal affairs.

I learned from my mother to speak my mind, question authority, believe in magic, buy the best chocolate, and never run up credit card debt.

May she have a peaceful rest and a fortunate rebirth.

Reiter’s Block Year in Review: 2024

I’m gonna make you an offer you can’t refuse: buy Origin Story

Elation, exhaustion, fear, creativity, fury, and perseverance are the competing flavors in the boiling stew that is 2024 in retrospect. I had some tremendous breakthroughs and brought some years-long dreams to fruition. At the same time, I’m anxious and grieving about what lies ahead for my trans community, the Palestinians and their Jewish allies, and many other marginalized groups, in January when America becomes a Project 2025 laboratory. Donate to Jewish Voice for Peace before we lose our 501(c)(3) status under the Republicans’ “nonprofit killer” bill.

In 2024, I experienced sacred erotic brotherhood at Easton Mountain and Body Electric. My second novel was published. I won the Oscar Wilde Award for LBGTQ Poetry from Gival Press for a poem about going down on a cream puff. I took some excellent classes with collage artist S.T. Gately at Northampton Center for the Arts. She helped me with composition and encouraged me to embrace the unplanned. I’ve been making art pretty regularly this year, mostly on my own, but also at the Queer and Trans Art Group at Resilient Community Arts in Easthampton. Their classes inspired me to branch out into dioramas. More and more, I am returning to what I loved most as a child. Making miniature worlds is one such passion.

The Young Master graduated from 6th grade at Montessori and started junior high at White Oak School, where he is especially enamored of the biweekly cooking classes. If I’m really good, he will share his creations with me. Those apple turnovers were top-notch.

Adam doesn’t label himself but he’s happy to be under the rainbow umbrella with me at Northampton Pride. This year our family visited Washington DC, San Francisco, Los Angeles, and as always, New York City.

I’m not yet allowed to announce which press will be publishing my fourth poetry collection, Introvert Pervert, in January 2026, but here is a picture of Theodore “Big Pussy” DiMeow sitting on the contract.

That’s a wrap, folks. Be gay, do crimes.

Art via @adamgpayne on X, https://adamillustrates.tumblr.com/

October Links Roundup: Hermit Crabs and Other Art Forms

Pagan god or Eastern States Exposition parade float? You decide!

Welcome to spooky season, readers. This month there will be two links posts, this catch-all literary and cultural one, and a forthcoming one to coincide with the one-year anniversary of the war in Gaza.

To start the Halloween pumpkin rolling, let’s appreciate Taisiya Kogan’s flash fiction “Mrs. Morrison Proofreads Her Obituary” in Electric Literature. This is known as a “hermit crab” piece because, like the crustacean who lives in other species’ discarded shells, the author borrows a non-literary writing template to contain emotions and occurrences that don’t normally belong in that template. The disjunction between form and content, used brilliantly here, is a way to restore honesty to language instead of allowing received forms to numb our perceptions.

Also from Electric Lit, this horror-satire by Mary Heitkamp takes the metaphor “House Hunting” completely literally. While competing offers aren’t usually settled with crossbows in real life, the gore in this story forces us to feel the life-and-death desperation of our scarcity-based economy, which  makes us crazy no matter how many resources we have at the moment.

My 12-year-old son wants to be John Wick for Halloween, but you know what’s really scary? School bureaucracy! FYI, I love his new school and I have nothing but awe for the number of state-required IEP forms they must complete every year. But McSweeney’s understands the dread we parents feel when we receive an email like “A Note from Your Child’s School About Its Apps and Websites”:

Sports Apps
Register for athletics on SportsStarter but pay for the activity on PayBall. Message team parents/guardians on CrowdChat and coaches on CoachBabble. Find your team’s regular season schedule on YouthSked and its playoff schedule on TourneyTime. Buy tickets to athletic events on GameTix, but only after you’ve topped off your recently hacked School Wallet.

I recognized my own complicated gender feelings in essayist Oliver Radclyffe’s “The Sum of My Parts” at The Gay & Lesbian Review. A midlife transitioner, like me, he talks about the difficulty of forming a “cohesive narrative” that would include his female-presenting history, his gender role models, and the body he chose for himself now.

I always knew that “acting like a girl” felt wrong, but in order to compensate for the parts of my body which were still female, I was now trying too hard to “act like a boy.” It seemed that performative masculinity felt just as inauthentic as performative femininity. I wanted to stop performing, and just be.

It was only after a year of obsessing about whether or not I should start testosterone that I began to wonder if the problem was my sex, not my gender. Perhaps it wasn’t my femininity that caused of my dysphoria, but the fact that my body still retained traces of the female sex. Irrespective of how nonbinary my gender felt, my body wanted to be fully male.

At CRAFT Literary, Jennifer Springsteen’s speculative story “Corpse Washer” is a surprisingly tender and uplifting post-apocalyptic narrative about people caring for each other, medically and spiritually, in a time of plague. Race and class inequalities are not elided here, but neither are they insurmountable.

That’s it for now. Enjoy the season!

Date night at the Big E.

September Links Roundup: Boobs Week and Dad Caps

Autumn is on the way! Soon it will be time to switch from my closet of 50 short-sleeved button-down shirts to my closet of 50 long-sleeved ones. This makes me not-so-nostalgic for a problem I had from the ages of 12 through 50: Boob Gap! I’m talking about that awkward pulling between the second and third buttons that anyone not built like a supermodel or a washboard has likely experienced. As part of “Boobs Week” at Slate Magazine, Shannon Palus wrote this feature on Aug. 15 about clothing companies that are trying to, well, fill that gap.

Left adrift by most (though not all) major clothing retailers, some women, like Allen, are taking matters into their own hands. A decade ago, as an adult, Allen started her own brand, Exclusively Kristen. Using herself as a fit model, she created a pattern for a button-up shirt that would neither pop open at the top nor leave extra fabric hanging around her midsection: a shirt that would just fit. The design achieves this with princess seams, which trace the body in a curve from the armpit, over the breast, and down to the hemline. This, Allen said, accentuates the figure, “without being inappropriate for work.”

…Even if you are a pro at shopping, finding clothes for an ample rack can be impossible. Alice Kim, another fashion entrepreneur, spent years employed as a buyer for major brands like Victoria’s Secret and Prada, working her way up to be a vice president of merchandising at Diane von Furstenberg. “And I still can’t find clothes that fit my body off the rack that I don’t have to tailor,” she said, recalling her frustration. In 2020 she founded PerfectDD, pronounced “perfected.” (Kim said that she is a 28I—but that she often refers to her own cup size as “DD” because “that’s what people understand.”) PerfectDD’s offerings, which include button-downs, scoop-neck tees, a lace corset top, and a jumpsuit, are designed for the titular DDs to M cups. The first time she tried on a sample of PerfectDD clothing, she “literally cried,” Kim said. Not having to size up into something baggy just so the clothes fit her breasts was a huge relief. “I was like, I look my size. This is the actual size of my body.”

If you’re not following Menswear Guy (@dieworkwear) on Twitter, you are missing some of the shadiest shade on the Internet, not to mention an entire education about men’s fashion history and the elements of a good fit. At Politico on Aug. 8, he explained why “Tim Walz’s Camo Cap Is More Important Than You Think”. Unlike a lot of politicians who dress down in an inept attempt to appear like Regular Joes, Walz comes by his “remarkably unremarkable look” naturally.

Walz’s avuncular outfits are visually successful because they are culturally coherent — teaming workwear with workwear, rather than mixing suit jackets with jeans, as DeSantis was wont to do. They also rely on classics from American heritage labels, such as LL Bean’s barn coat, Carhartt’s utility pants, Filson’s Mackinaw and Red Wing’s work boots. But most of all, they possess a quality that style writers have spent generations trying to dissect: authenticity. Walz grew up in small town Nebraska, where his high school graduating class included about 25 students. He earned his bachelor’s degree from a small public state college before going on to serve in the Army National Guard and then working at Mankato West High School, where he taught geography and coached football. His hunting get-ups don’t look contrived because he’s an actual hunter.

This critical dash of authenticity is why Arizona Sen. Mark Kelly, who served in the military, looks natural in his bomber jackets; why former President George W. Bush could convincingly pull off cowboy boots; and why New England-raised John Kerry and Mitt Romney look at home in preppy barn coats.

It’s also why former President Donald Trump stands as a unique figure in today’s dressed-down environment. Except for when he’s on the golf course, Trump is rarely, if ever, seen in anything but a navy worsted suit, white spread collar shirt and crimson, satin tie. The uniform burnishes Trump’s reputation as a successful businessman.

Walz is doing the same, but for the opposite effect.

I got a kick out of this flash fiction by Karen Heuler in Electric Literature, “So Much to Know”. The narrator’s deadpan observational humor creates a perception of her as a dotty older lady, which works to her advantage when confronting a mugger.

I’ve learned that new experiences keep the aging brain on task. I don’t worry about myself as long as I stay interested in life. Actually, I think I worry less than most people do, and that’s reassuring.

I was robbed one night, at knifepoint, and the knife interested me. I asked about it.

“Forget the knife. Don’t ask about the knife. Or I’ll use it,” my assailant said. He was getting nervous.

“But isn’t it a kitchen knife? Can you really just grab a kitchen knife and run out the door like that? Won’t it cut you just as likely as it cuts me, for instance? You should have a holder.” That was obvious, and the obvious deserves recognition.

“Give me your money,” he said.

“Of course,” I said. “I certainly will. I have a twenty-dollar bill in my pocket, but I’m afraid that’s it. I was just going to the drugstore to get some soda. Funny isn’t it, that we go to drugstores now instead of delis? I grew up when there were delis.”

Daniel Lavery mashes together two of my special interests in this 2020 article from his Substack archives, “Which Misconception About Testosterone Therapy Does Each Character from the Popular TV Show ‘The Sopranos’ Subscribe To?”

PAULIE: T, all due respect — all due respect — the Bada Bing is a women’s space, and I think you at least gotta take that into consideration before you make a decision.

TONY: You saying I can’t come into the Bing? I created the Bing.

SILVIO: No one’s saying anything, Ton. You go wherever you feel led to go.

PAULIE: You just gotta be mindful, T.

At LitHub, Gabrielle Bellot’s essay “The Joys and Fears of Trans Motherhood” reflects with humor and poignancy on her own mother as a model for the devotion she will show to her future child, and their subsequent estrangement when she transitioned. Some of the obstacles faced by Bellot and her partner are familiar to couples coping with the uncertainty and cost of IVF, and some are unique to queer folks surrounded by right-wing propaganda that we’re a threat to “The Family”.

When we first became serious about trying, my wife and I decided to go through sperm banks. I hadn’t imagined just how much like online dating sperm bank sites could be. I also never imagined I would say the word sperm more than a certain chapter of Moby Dick.

I didn’t realize how unprepared I was until our first try, when we received the sample in a heavy luggage-like shipping container that had the distinct appearance of biohazardous cargo. When we opened it, we found another container inside, this one arctic from dry ice; frigid air unfurled when we unlocked it. We then had to thaw the sperm and, nurse-like, prep a long syringe to transfer the sample into, which ended up being the trickiest part.

Everything, we quickly learnt, had to be clinically precise: when you order the sample relative to when you assume you’ll be ovulating, when you open the inner container, how long you let the sample thaw, how you transfer the semen to the insertion tube, how you lie on your back and for how long after the insertion, how you repackage the imposing shipping container to be returned.

We tried a few times, and although we thought we got everything right—minus the unfortunate time that I dropped most of the sperm on the kitchen floor—it felt like stumbling in the dark, hoping for the best. We switched to IUI, which involved a doctor performing the whole, slightly more in-depth ritual, but even then, we had to deal with mishaps and ignorance, including a doctor seemingly shunning the advice not to thaw the sperm in water, while another seemed cavalier about missing an ovulation window or differed sharply about how to position your body after insemination.

The whole process soon started to feel horribly biased against queer couples, in part because the language in almost every fertility guide we read was explicitly tailored to straight couples who could keep trying even without the donor material. For us, though, each expensive effort was the only shot we had, so it mattered to get it, well, right. And while the odds for IUI are never sky-high, it’s hard not to blame yourself (and differing doctors) each time it fails. The pregnancy test has become a sort of scrying pool, a future-reflecting thing you approach as much with dread as hope.

Speaking of parent-child relations, novelist Jessica Pegis (The God Painter) sent me this provocative essay from the Greek Orthodox Archdiocese of America/Metropolis of San Francisco website, after she read the queer midrash on the Binding of Isaac in my novel Origin Story. Rev. Fr. Seraphim Ivey, the writer of “Blessed Abraham: The Troubling Narrative of Abraham, Isaac, the Sacrifice, and the Missing Bits Between”, observes that there are problems with reading this Genesis 22 story as a prefiguration of the Crucifixion:

First, Abraham is known for seeking counsel and talking about his plans with those closest to him – Sarah, Lot, the Lord, etc. For him to not enter into discussion about anything God has asked him to do, even in passing with his wife or the Lord Himself in depth, is challenging to say the least. This is especially so in light of how much Abraham loves them both. Didn’t Abraham dialogue with the Lord over Sodom and Gomorrah and about Lot’s fate? Why would he not have done so over Isaac’s even more so? What about Sarah? Isn’t Isaac Sarah’s son as well? Where is the love being expressed between the two of them?

Second, if Isaac is the prefigurement of Christ, then shouldn’t there have been dialogue between the father and the son about the impending sacrifice? If the sacrifice is to be the proper and right kind of sacrifice, then it must be voluntarily given. This is not an animal being offered up, but a human being. So it can’t just be Abraham offering to sacrifice his son. Isaac too must be given the opportunity to voluntarily lay his life down. For this to happen there must be some informed dialogue. This is seemingly absent from the text. Even the ending is challenging. Rather than the son returning home with the father, the father comes home alone.

I was impressed to see this priest bringing up the issue of consent, which is so often sidelined in Bible stories as compared to its centrality in modern psychology and ethics. Fr. Ivey hints that perhaps not everything in the Bible should be read straightforwardly as a go-and-do-likewise: “We might also look to extra-biblical texts, including Jewish sources, for commentary on these texts, trusting God will help us discern which are from Him and which are not.”

Sources, perhaps, like the book reviewed in this 2012 article from The Times of Israel, “When Abraham Murdered Isaac”. Biblical scholar Tzemah Yoreh believes that the happy ending of the ram in the thicket was tacked on later, to an original narrative where Abraham did in fact sacrifice his son.

One eye-opening hint at what he believes is the original story lies in Genesis 22:22. Previously, in verse 8, Abraham and Isaac had walked up the mountain together. But in verse 22, only Abraham returns.

…That strange contradiction, Yoreh says, may be why a few ancient midrashim, or rabbinic homilies, also assumed Isaac had been killed.

In one homily quoted by Rashi, the revered 11th-century French rabbi and commentator, “Isaac’s ashes are said to be suitable for repentance, just like the ashes of an [animal] sacrifice.”

Yoreh also relies on the widely accepted hypothesis that the Torah consists of several narratives from different time periods braided together, identifiable by the different names they use for God, e.g. YHWH or Elohim.

The Biblical text calls the God who instructs Abraham to sacrifice his son “Elohim.” Only when the “angel of God” leaps to Isaac’s rescue does God’s name suddenly change to the four-letter YHWH, a name Jews traditionally do not speak out loud.

Elohim commands the sacrifice; YHWH stops it. But it is once again Elohim who approves of Abraham for having “not withheld your son from me.”

…Indeed, Isaac is never again mentioned in an Elohim storyline. In fact, if you only read the parts of Isaac’s life that use the name Elohim, you don’t have to be a Bible scholar to see the story as one in which Isaac is killed in the sacrifice and disappears completely from the Biblical story.

You won’t find that on a flannelboard in Sunday School, kids. (At least I hope not!)

 

December Links Roundup: We Trans’ed Princess Di

Princess Diana and Prince Charles Fashion Paper Dolls in ...

In my misspent youth, Princess Diana epitomized fairy-tale feminine perfection. I still have my Charles and Di royal wedding paper dolls. Now, watching Season 5 of “The Crown,” I see the people’s princess as a role model of a different kind, the family member who breaks the code of silence about emotional abuse and neglect. The rules of the system let you get away with almost anything as long as you agree to maintain the façade. Honestly, the Windsors are just the Sopranos with posh accents.

Elizabeth Debicki is doing a great job as 1990s Diana, though the tall actress towers over her co-stars in a way that I don’t remember the real Diana doing. She has the mannerisms spot-on and she can show the princess’s immaturity and self-involvement without making us lose sympathy for her untenable position in the royal family. I wondered why they recast the role, since Emma Corrin was also perfect in Season 4.

Many factors go into casting decisions, of course, but something clicked when I discovered that Corrin recently came out as nonbinary. Maybe the ultra-feminine Diana was too dysphoric a role for them after that. I mean, this Mary Sue article from August 2021 shows them wearing a chest binder! This summer, they became Vogue’s first nonbinary cover model. This BBC article from November quotes them as advocating for an end to gendered categories at film and TV awards shows, following the lead of the Grammys: “It’s difficult for me at the moment trying to justify in my head being non-binary and being nominated in female categories.”

I don’t know about you, but I’m going to be Googling “Emma Corrin top surgery” all through 2023.

On a more sobering note, Politico released a report last month about families fleeing conservative states like Texas and Florida because of bans on transgender health care. The piece profiles a family whose nonbinary teen became suicidal after Texas Gov. Greg Abbott directed child protective services to investigate all parents of medically transitioning kids.

Over the last few years, multiple GOP-controlled state legislatures have advanced bills that would strip access for children and teens to undergo a gender transition. These pieces of legislation have largely been framed by their sponsors as efforts to protect children from “groomers,” pedophiles and doctors intent on doing irreversible harm to their bodies. Though the bills are focused on minors, they have also created fear and uncertainty among trans adults about whether their care, too, could soon be threatened, since many of the sponsors have rejected the idea that people’s gender identity can be anything other than the sex assigned at birth.

Arkansas, Arizona and Alabama have passed laws limiting or outright banning gender-affirming care for minors, while states including Texas and Florida are using executive actions to pursue similar goals. The Arkansas, Texas and Alabama measures have been blocked or partly blocked in court while legal battles continue. Advocates have also vowed to challenge Arizona’s less sweeping law.

Tennessee has a much narrower state law, enacted in 2021, which bars hormonal treatment for “prepubertal minors.” But since young children generally don’t receive that care, experts said, it doesn’t actually have an impact — although some lawmakers have pushed for more comprehensive legislation blocking gender-affirming care…

At least 15 other state legislatures are considering proposals for similar restrictions. At the federal level, Rep. Marjorie Taylor Greene (R-Ga.) has introduced the “Protect Children’s Innocence Act” which would ban federal funding for health plans that cover gender-affirming treatment, prohibit U.S. academia from training doctors in how to provide such care and make it a felony for a doctor to give such care to a minor. It has 49 co-sponsors. It has not yet been heard in the House, but that could change as Republicans take control in that chamber next year.

Scaremongering in mainstream media (I’m looking at you, New York Times and The Atlantic) gives the public an inaccurate and overblown idea of the interventions most trans youth actually receive. Doctors interviewed by Politico noted that any kind of gender-affirming surgery is rare for patients under 18, and the most common treatment, puberty blockers, is reversible.

This haunting piece at the flash prose journal fractured lit depicts a different kind of gendered silencing. Tonally reminiscent of Carmen Maria Machado’s feminist horror tales, Grace Elliot’s “In the Closet” is told from the point of view of a mother seeking a private place to scream.

At Narrative Magazine, Emma Brankin’s hard-hitting story “The Red Dress” limns the thought processes of the daughter of a fictionalized Harvey Weinstein figure, as she goes from defending him to recognizing the truth. It’s an excellent dramatization of the selectiveness of memory, not to mention the interpretations we put on it. (You have to create a free account to read this story.)

Perhaps the cephalopods have a creative solution to our domestic woes? CB Anderson’s whimsical essay “On Octopus Sex and the Moon” captures the surreal feeling of late-night web surfing during COVID quarantine.

You link to a science site that confirms one of the male’s arms is like a penis. Called a hectocotylus, it’s capable of erections. Reddit was on the level here.

You learn the hectocotylus can deliver sperm from a distance, which evolved because females tend to kill and eat their partners. One octopus species even has a hectocotylus that functions as a detachable penis, swimming to the female on its own.

Ruminate, a journal of spirituality and literature, sadly closed up shop this autumn. On their website, the speaker in Sarah Damoff’s gorgeous flash fiction “The Naming” juxtaposes thoughts on Adam naming the beasts in Genesis with fragmented memories of a violation that she can’t bring herself to name until the perpetrator is long dead.

Another innovative and darkly funny fiction piece comes to us from DIAGRAM issue 22.5. Channeling the corporate dystopias of George Saunders, James Braun’s “Let Us Have This” depicts absurd and disturbing events at a superstore. The deadpan second-person plural voice, like a Greek chorus, describes a place where workers’ identities become subsumed into (or consumed by) the heart of the Hart-Mart: “we will always be here, even when we are not.”

I was stunned by this graphic memoir in Split Lip Mag by Coyote Shook. “The Young Harris Psalter” reconstructs memories and legends of a forbidding, fascinating great-grandmother who was a rural faith-healer in the Blue Ridge Mountains and died of “brain problems”. After public health clinics came to the region in the 1980s, Shook writes, “She retired unceremoniously and turned her attention to the autoharp, collecting terrifying oddities, and bemoaning the bitterness of her life to anyone who would sit still for it.” A plot worthy of Edward Gorey.

You’re read this far, you can have a little gabagool, as a treat: Saturday Night Live’s “Don Pauly” sketch imagines what would happen if the Jersey mob got “woke”. It’s a scream.

Here Comes Mommy-Man

Several of my trans male and nonbinary acquaintances were mothers before they transitioned, and are now exploring alternative ways for their children to address them. I’ve started to introduce myself to new people as “Shane’s parent” but I haven’t asked him to call me anything different. On his own, my creative boy decided to call me “Mommy-Man”, or sometimes “Mommy-Sir”. He usually saves these titles for when he especially wants to please me (“Mommy-Sir, can I play Minecraft?”).

At 9 years old, puberty is on the horizon, Cthulhu help us all. My son seems to love his masculinity, and is playing around with flirty phrases he learns from YouTube (“Hey baybeee”). The Oedipus Complex is real. I feel like he needs and appreciates both my new dad-like qualities, playing ball in the backyard and admiring how thoroughly he can coat himself with mud at Wilderness Survival Camp, and my mom-like nurturing with food and snuggles.

As an adoptive parent who overcame institutional prejudices and personal sabotage (from my bio mom!) to have a baby, I feel attached to my hard-won title of “Mom” despite its misgendering connotations. Because I didn’t give birth to him, on some level I still worry about disrupting his attachment to me, undermining my legitimacy as his parent, if I give up my behavioral claim to motherhood.

I’m also a diva, honestly–I don’t want to share Father’s Day with Adam, I want my own day!

My gay friend and artistic mentor John Ollom, a choreographer in NYC, calls himself “Mother” and his artists’ community “The Haus of Ollom”, in the tradition of the Harlem ballroom houses depicted in the TV show “Pose”–a family-of-choice for queer refugees from bigoted homes, headed by a fiercely protective and nurturing elder. That is the kind of motherhood I can emulate as a trans mommy-man.

The gospel of Elektra Abundance. Transgender actress Dominique Jackson… | by Jonathan Poletti |  | Medium

Mother Elektra Abundance is not taking any sass from you.

March Links Roundup: Unseen on Mulberry Street

It’s March! Spring is coming and links are a-blooming.

It was reported this morning that Dr. Seuss Enterprises, the business that manages the author’s intellectual property, would cease reprinting six of his picture books because of racist illustrations. The best-known of these titles were On Beyond Zebra, To Think That I Saw It on Mulberry Street, and If I Ran the Zoo. The AP news article explains:

In “And to Think That I Saw It on Mulberry Street,” an Asian person is portrayed wearing a conical hat, holding chopsticks, and eating from a bowl. “If I Ran the Zoo” includes a drawing of two bare-footed African men wearing what appear to be grass skirts with their hair tied above their heads.

I’m not sure what to think about this decision. A fair number of the classic picture books I’ve read to the Young Master contain incidental images that are offensive. For instance, Syd Hoff’s Danny and the Dinosaur (1958) and Mercer Mayer’s Just Me and My Mom (1977) show natural history museum mannequins in Native American garb, and I’m sure many other books show white kids dressing up in feathered headdresses, because that was considered a normal costume. When I read these books aloud (many, many times), I would revise the text to say “Danny saw artifacts stolen from Native peoples” or some such, but that likely went over my son’s head. So I understand the impulse to withhold these types of images altogether from children who are too young to consider them critically.

On the other hand, I wonder whether editing the past also perpetuates racism, by giving children the false impression that literature has always been morally pure–or ever can be. Surely today’s books have other flaws that we haven’t yet recognized. Are we setting kids up to be defensive about their future problematic faves, instead of teaching them from an early age to tolerate moral ambiguity? Every now and then, a well-meaning school bans Huckleberry Finn because it contains the N-word, but it seems more productive to study how an anti-slavery work by a white author can still contain racist stereotypes.

A more clear-cut example of bad educational decisions comes to us from Utah, where trans author Kyle Lukoff’s picture book Call Me Max led to the banning of an entire curriculum that didn’t even include his book. The Salt Lake Tribune reports:

A Murray [School District] teacher read a book about a transgender child to a class of third graders last month — which set off a backlash from parents. In response, the school district has now suspended a program aimed at introducing kids to more diverse and inclusive literature.

The uproar started when a student at Horizon Elementary brought a copy of “Call Me Max” from home and asked the teacher to read it aloud during story time. The book is an illustrated account of a young transgender boy who educates his own teacher and classmates about his identity…

…Murray School District will also be suspending its Diversity Equity Council, which worked on the equity book bundles, to examine the mission and work of the group. It was formed in 2019 to address issues of employee equity and complaints of mistreatment.

It was expanded this summer — in respond to nationwide protests after the death of George Floyd, a Black man killed by police in Minneapolis — to also include reports from students on their experiences.

For the record, Shane and I enjoyed this picture book very much! Lukoff presented Max and the Talent Show and When Aidan Became a Brother at an online story hour at the BGSQD Bookstore last month and I cried all the way through. Contrary to what the guys on my trans masc Facebook group report, I’m just as weepy as I’ve always been. Must be my Cancer Sun.

I can’t imagine what it would’ve been like to grow up knowing that trans men existed. But it’s never too late to come out. Hasbro’s Mr. Potato Head, who premiered in 1952, is going gender-neutral. Bloomberg.com has the mashed-potato scoop:

Starting in the fall, Hasbro will sell Potato Head family kits. They’ll come with two non-gendered “adult” potatoes, one “baby” potato and 42 accessories, according to a spokeswoman. That will let kids decide the parents’ gender, rather than being told they are “Mr.” and “Mrs.”

I haven’t been this vain since I was 10 years old. I found a dozen old photo albums in the basement last year and I was like, “Wow, I was actually pretty cute my whole life but I looked very uncomfortable being alive.” Whereas now I will use any excuse to post a picture of myself in suspenders. A.E. Osworth explains why, in this September 2020 article at Catapult: “Taking Thirst Traps to Preserve Myself–and My Transition–in the Middle of the Pandemic”.

In the absence of my meatspace body living in the minds of my people, am I preserving this slice of time to be accessed later? Am I imbuing my early-testosterone body with immortality, marking its existence? Since when did I want my body at all, let alone to make it last for human eternity?

“It feels like a protest against this idea that it’s polite to not find yourself attractive,” my friend A. Andrews says to me over Zoom when I ask them about thirst trapping. A is a writer and a comic artist. They think about the arrival of bodies in digital space quite a lot, usually because they are drawing bodies into existence. A falls into category two—less thirst trapping, more existential crises. But they talk to me about it anyway.

“It’s considered rude or self-involved to think you’re hot,” A says. “This idea that we have to kind of think of ourselves as objectively neutral or below is weird. Thirst traps are a protest against this notion that we should all feel kind of medium about ourselves.”

I consider my adherence to a politeness written upon the hearts of girl-children, the over-emphasis of humble-as-virtue. It is an insurance that anyone with any relationship to girlhood, regardless of gender or outcome, will feel squeamish taking up a reasonable amount of space. Will disparage their own body until they feel less than they are: stunning. Everyone is stunning and I really believe that; everyone, of course, except for me.

Fuck that. I would rather be the Halloween crowd, unshackle myself from the normals. Love myself just a little bit more.

Feast your eyes on this non-gendered “adult” potato.

What Do People Do All Day?

Remember this book? I still have my 1968 edition with Blacksmith Fox, Grocer Cat, Eli Cottontail the Farmer, and their equally hardworking housewife partners. Essential workers, all. No Hedge-Fund Hedgehogs or Insurance Inchworms here. The great pandemic of 2020 has highlighted the importance of the blue-collar and public-sector workers who are not paid anywhere near their true value.

For those of us with the privilege and duty to stay home–either suddenly under-employed, or trying to work and educate our children without the social structures we’d depended on–we’re collectively reckoning with the role of work in our identity. What were we doing that was so important, that it’s worth making heroic efforts to keep it going? When it’s a battle to make our children concentrate on schoolwork, what kind of learning should we prioritize?

Forced into a virtual world of infinite Zoom meetings, many of us have instinctively turned to old-fashioned, hands-on activities: arts and crafts, baking, gardening, needlework. Tending the homestead is how we spiritually nurture ourselves when the apocalypse is at our door. It’s a protection ritual, drawing the life force of the earth into our bodies and imaginations. I’m wary of the gender essentialism in terms like “the divine feminine” but even I can’t help noticing that our current popular pastimes were historically women’s work. Could the ancestors be guiding us to counterbalance the toxic machismo of our government?

Why didn’t I make time for this before quarantine? My regular workload has only increased since the lockdown, so it’s not a matter of scheduling. I felt childish, girlish, sitting down by myself to paint dollhouse furniture during the “workday”. Sitting in front of the computer, on the other hand, counted as “work” whether or not I was using the time productively.

Nathan J. Robinson, editor of the socialist magazine Current Affairs, skewers the American cult of productivity in his essay “Animals Are Pointless, and We Should Be Too”.

A big part of the right’s opposition to the lockdowns, and its desire to open up the economy again as quickly as possible despite the risks, comes from its staunch opposition to “paying people not to work.” (This is one reason they don’t like paid family leave, too.) There is a cult of work: We must produce, produce, produce, and if we are not producing we are bad. The “ethic” part of “Protestant work ethic” is important: Work is supposed to be a positive good rather than a necessary evil.

I do not think this way, because I have been to the aquarium. And I have watched schools of fish just go around in circles for hours and hours. They do not have a point. They do no work. They just exist. Plants are the same. It is not always easy being a plant, but there is a lot of down time. We should take much more of a cue from the flora and fauna that surround us. Once you have the basics, it is enough just to bask in the sunshine and potter around. And if your “contributions” dry up and you do crosswords all day, that’s okay too. You matter. The ducks matter… Life is beautiful in and of itself, and I do not need the old folks to produce scholarly papers in order to care about keeping them alive.

Nature is patient. A mother robin has made her nest right under my second-floor patio. She’s very good at “sheltering in place” on top of her babies. I feel comforted when I walk out the door and see her plump little body resting on the woven twigs.

Poet Sabrina Orah Mark weighs the merits of academic job-hunting and sourdough baking in “Fuck the Bread. The Bread is Over”. It’s the latest installment of her column Happily at The Paris Review, which focuses on fairy tales and modern motherhood.

In fairy tales, form is your function and function is your form. If you don’t spin the straw into gold or inherit the kingdom or devour all the oxen or find the flour or get the professorship, you drop out of the fairy tale, and fall over its edge into an endless, blank forest where there is no other function for you, no alternative career. The future for the sons who don’t inherit the kingdom is vanishment. What happens when your skills are no longer needed for the sake of the fairy tale? A great gust comes and carries you away.

…I send my sons on a scavenger hunt because it’s day fifty-eight of homeschooling, and I’m all out of ideas. I give them a checklist: a rock, soil, a berry, something soft, a red leaf, a brown leaf, something alive, something dead, an example of erosion, something that looks happy, a dead branch on a living tree. They come back with two canvas totes filled with nature. I can’t pinpoint what this lesson is exactly. Something about identification and possession. Something about buying time. As I empty the bags and touch the moss, and the leaves, and the twigs, and the berries, and a robin-blue eggshell, I consider how much we depend on useless, arbitrary tasks to prove ourselves. I consider how much we depend on these tasks so we can say, at the very end, we succeeded.

…Over the years I have applied for hundreds of professorships, and even received some interviews. I’ve wanted a job like this for so long, I barely even know why I want it anymore. I look at my hands. I can’t tell if they’re mine.

“Of course you can tell if your hands are yours,” says my mother. “Don’t be ridiculous.”

“I have no real job,” I say. “Of course you have a real job,” she says. “I have no flour,” I say. “Fuck the bread,” says my mother again. “The bread is over.”

And maybe the bread, as I’ve always understood it, really is over. The new world order is rearranging itself on the planet and settling in. Our touchstone is changing color. Our criteria for earning a life, a living, are mutating like a virus that wants badly to stay alive. I text a friend, “I can’t find bread flour.” She lives in Iowa. “I can see the wheat,” she says, “growing in the field from outside my window.” I watch a video on how to harvest wheat. I can’t believe I have no machete. I can’t believe I spent so many hours begging universities to hire me, I forgot to learn how to separate the chaff from the wheat and gently grind.

I doubt I’ll ever learn how to scythe wheat, but I have been ordering bulk frozen cookie dough from the cafeteria of a local university that’s closed for the spring semester, and I can attest that my home-baked cookies are more popular than my writing. This Grace Paley poem is evergreen.