March Links Roundup: Race and Repentance

Christians this month are observing the season of Lent, a period of self-examination and repentance, and this Episco-pagan is among them. If the Christian part should ever drop out of my identity, Lent would be the last to go. It’s always felt, for me, like opening up more breathing room in our shared spiritual space; a rare time to acknowledge sadness and confusion in a publicly supportive environment, and the luxury of introspection in liberal churches that are usually so focused on outward social action. (Plus, forty days is really the outer limit of how long I can maintain good habits, like eating fewer carbs and not biting my nails.)

On Ash Wednesday, the multi-author blog Feminism and Religion offered this positive re-thinking of repentance as creative tension: accepting imperfection as our natural state, while always striving to grow beyond it. It reminds me of the dialectical-behavioral therapy affirmation (I’m paraphrasing Marsha Linehan here), “I accept you just as you are and I believe you can change.” One could say this attitude is less prideful than the traditional fall-from-grace narrative that implies we were supposed to be perfect. Religion professor Natalie Weaver writes in “A Lenten Reflection”:

Today is Ash Wednesday, where people the world over are reminded that they are born of dust and destined to return to dust.  In the meanwhile, we will fast and repent of all the wrongs wrought by our doings and omissions.  And, while my own disposition sort of naturally enters into that almost masochistic self-reflection, another part of me feels the strong urge to resist that burden.  This is not to say that I eschew moral agency or culpability.  Rather, it is to resist an anthropology of sin and fall.  I sooner would see an anthropology of effort and crawling towards walking.  I sooner would embrace the idea that creaturely life is not perfected, especially while it is still in process, and that sin and error are actually manifestations of the imperfect but noble effort of the child trying to stand; the adult trying to be responsible; the elderly trying to give advice, and all as much as possible for as long as possible.

The great evils of this world are driven by desire for godlike domination and access.  They demonstrate the craven lust to own land and bodies and resources and control.  They are the unchecked will of the self striving to create the world, writ small or large, after one’s own image.  But, isn’t there something of this grandiose self (construed as both individual and corporate, tribal, and national identities) also present in the narcissistic gaze inward, where I try to determine my imperfections and imagine myself without them as in some pre-fallen or post-fallen way, heavenly state?  Does the obsession with sin not betray some deeper sort of god-complex?

I would like to suggest that we are better served by a less audacious theology.  It is wise to be a creature, recognizing the scope and limit of one’s influence and place.  We harm ourselves when we batter our souls with all that we should have done and all that we did not do.  And, even such an exercise diligently undertaken will not change in a lasting corrective sense the inevitability that we’ll arrive at this same bend next year.   The truth is, while we all search, we don’t know in an absolute sense for what we search; we hope for that which is beyond our imaginations.

Among the topics of my soul-searching this year is racism and my complicity in it as a white person. I have mixed feelings about “privilege” language because being treated decently is a universal right, though one that is unfortunately far from universally enjoyed. “Privilege” has connotations of something that was handed to you when you should have earned it, or a coddling of immature sensitivities. But for now, it’s the best commonly-understood shorthand to convey that inequality is structural, not just about personal animus.

In the words of former Defense Secretary Donald Rumsfeld, white privilege is partly about the “unknown unknowns–the ones we don’t know we don’t know.” We have no reason to question popular narratives of American history that could be dangerously wrong. We might fall for hate-mongering political strategies against a marginalized group without recognizing that they’re right out of the KKK’s playbook.

For example, in this 2014 post from The Weekly Sift, “Not a Tea Party, a Confederate Party”, freelance journalist and amateur historian Doug Muder convincingly argues that Reconstruction was the second phase of the Civil War–and the North lost.

The Civil War was easy to misunderstand at the time, because there had never been anything like it. It was a total mobilization of society, the kind Europe wouldn’t see until World War I. The Civil War was fought not just with cannons and bayonets, but with railroads and factories and an income tax.

If the Napoleonic Wars were your model, then it was obvious that the Confederacy lost in 1865: Its capital fell, its commander surrendered, its president was jailed, and its territories were occupied by the opposing army. If that’s not defeat, what is?

But now we have a better model than Napoleon: Iraq.

After the U.S. forces won on the battlefield in 1865 and shattered the organized Confederate military, the veterans of that shattered army formed a terrorist insurgency that carried on a campaign of fire and assassination throughout the South until President Hayes agreed to withdraw the occupying U. S. troops in 1877. Before and after 1877, the insurgents used lynchings and occasionalpitchedbattles to terrorize those portions of the electorate still loyal to the United States. In this way they took charge of the machinery of state government, and then rewrote the state constitutions to reverse the postwar changes and restore the supremacy of the class that led the Confederate states into war in the first place. [2]

By the time it was all over, the planter aristocrats were back in control, and the three constitutional amendments that supposedly had codified the U.S.A’s victory over the C.S.A.– the 13th, 14th, and 15th — had been effectively nullified in every Confederate state. The Civil Rights Acts had been gutted by the Supreme Court, and were all but forgotten by the time similar proposals resurfaced in the 1960s. Blacks were once again forced into hard labor for subsistence wages, denied the right to vote, and denied the equal protection of the laws. Tens of thousands of them were still physically shackled and subject to being whipped, a story historian Douglas Blackmon told in his Pulitzer-winning Slavery By Another Name.

So Lincoln and Grant may have had their mission-accomplished moment, but ultimately the Confederates won. The real Civil War — the one that stretched from 1861 to 1877 — was the first war the United States lost.

The missed opportunity. Today, historians like Eric Foner and Douglas Egerton portray Reconstruction as a missed opportunity to avoid Jim Crow and start trying to heal the wounds of slavery a century sooner. Following W.E.B. DuBois’ iconoclastic-for-1935 Black Reconstruction, they see the freedmen as actors in their own history, rather than mere pawns or victims of whites. As a majority in Mississippi and South Carolina, and a substantial voting bloc across the South, blacks briefly used the democratic system to try to better their lot. If the federal government had protected the political process from white terrorism, black (and American) history could have taken an entirely different path.

In particular, 1865 was a moment when reparations and land reform were actually feasible. Late in the war, some of Lincoln’s generals — notably Sherman — had mitigated their slave-refugee problem by letting emancipated slaves farm small plots on the plantations that had been abandoned by their Confederate owners. Sick or injured animals unable to advance with the Army were left behind for the slaves to nurse back to health and use. (Hence “forty acres and a mule”.) Sherman’s example might have become a land-reform model for the entire Confederacy, dispossessing the slave-owning aristocrats in favor of the people whose unpaid labor had created their wealth.

Instead, President Johnson (himself a former slave-owner from Tennessee) was quick to pardon the aristocrats and restore their lands. [3] That created a dynamic that has been with us ever since: Early in Reconstruction, white and black working people sometimes made common cause against their common enemies in the aristocracy. But once it became clear that the upper classes were going to keep their ill-gotten holdings, freedmen and working-class whites were left to wrestle over the remaining slivers of the pie. Before long, whites who owned little land and had never owned slaves had become the shock troops of the planters’ bid to restore white supremacy.

This history is even more relevant in the Trump era than when Muder wrote it three years ago, because false narratives of the reasons for racial and economic inequality drive much of the Trump-supporters’ policy initiatives and self-image. The second half of the article warns:

But the enduring Confederate influence on American politics goes far beyond a few rhetorical tropes. The essence of the Confederate worldview is that the democratic process cannot legitimately change the established social order, and so all forms of legal and illegal resistance are justified when it tries…

…The Confederate sees a divinely ordained way things are supposed to be, and defends it at all costs. No process, no matter how orderly or democratic, can justify fundamental change.

When in the majority, Confederates protect the established order through democracy. If they are not in the majority, but have power, they protect it through the authority of law. If the law is against them, but they have social standing, they create shams of law, which are kept in place through the power of social disapproval. If disapproval is not enough, they keep the wrong people from claiming their legal rights by the threat of ostracism and economic retribution. If that is not intimidating enough, there are physical threats, then beatings and fires, and, if that fails, murder.

That was the victory plan of Reconstruction. Black equality under the law was guaranteed by the 14th Amendment. But in the Confederate mind, no democratic process could legitimate such a change in the social order. It simply could not be allowed to stand, and it did not stand.

In the 20th century, the Confederate pattern of resistance was repeated against the Civil Rights movement. And though we like to claim that Martin Luther King won, in many ways he did not. School desegregation, for example, was never viewed as legitimate, and was resisted at every level. And it has been overcome. By most measures, schools are as segregated as ever, and the opportunities in white schools still far exceed the opportunities in non-white schools.

Today, ObamaCare cannot be accepted. No matter that it was passed by Congress, signed by the President, found constitutional by the Supreme Court, and ratified by the people when they re-elected President Obama. It cannot be allowed to stand, and so the tactics for destroying it get ever more extreme…

Meanwhile, at The TransAdvocate, this 2016 post by Cristan Williams looks at the history behind “Bathroom Bills and the Dialectic of Oppression”. In an interview with Princeton lecturer Dr. Gillian Frank, Williams details “the ways anti-equality groups have historically cast oppressed groups as voyeurs and/or perverts, warning the public that should an oppressed group have equality, bad things may happen in public bathrooms.” Klan spokesmen in the 1960s raised the specter of white women catching “Negro diseases” from integrated restrooms; opponents of the Equal Rights Amendment in the 1980s similarly warned that gender equality would let gay men spread AIDS in public bathrooms and locker rooms. “The political argument that supporting the discrimination of a minority group equates to saving children from harm traces its rhetorical roots back to Jim Crow laws.” Williams quotes Frank as saying:

Analyzing the racial origins of [Save Our Children’s (SOC)] activism and the gay rights response to it in the 1970s reveals a migration of conservative ideas and activists from race-based conflicts to gender- and sexual-based conflicts. SOC’s discourse of child protection embodied a protean logic of family privacy against queer sexuality. That strategy was, in part, learned from southern US resistance to desegregation, dating back to the Civil War, which used the language of privacy and family protection to address issues of race.

(“Save Our Children” was Anita Bryant’s anti-gay activist group in the 1970s.) Frank continues:

The use of mass media to aid in the construction of oppressed groups as sexual threats can be traced back to a specific political narrative initially used against Black Americans. The KKK was perhaps the first to enjoy the use of mass multimedia to inspire the dominate population to view members of an oppressed group as a potential sexual threat. In 1915 the KKK was featured in the movie blockbuster, Birth of a Nation. The movie, originally titled The Clansman, features a White man portrayed as a Black man who tries to rape a White woman. The movie earned more than 10 million dollars (more than 235 million in 2016 dollars) and helped popularize the Black rapist trope within the public consciousness…

…The Republican Party centered their political dialectic upon this trope in the 1988 presidential race between George Bush and Michael Dukakis… Bush portrayed Dukakis’ support of racial equality as an endorsement of the rape of White women by Black men through attack ads featuring Willy Horton. Horton, a Black man who raped and killed a White woman, was constructed to be a central figure in the Dukakis political team. Bush’s aid, Lee Atwater said, “By the time we’re finished, they’re going to wonder whether Willie Horton is Dukakis’ running mate.”

Imagery used to support anti-transgender politics likewise draws upon the construction of transgender women as sexual threats. Political advertisements against Houston’s equality ordinance consistently featured the message that should trans women be protected from harassment and discrimination, little girls would be raped. The Houston Chronicle reported, “Opponents of the ordinance… have flooded radio and TV with ads saying the law gives men dressed in women’s clothing, including sexual predators, the ability to enter a woman’s restroom. On Tuesday, the group released a TV spot that closes with a man bursting into a stall occupied by a young girl.”

This political dialectic functions to erode the oppressed group’s humanity to the point wherein their mere existence in society is enough to warrant calls for violence…

Visit Cristan’s blog and Twitter feed for more articles about transgender rights and the surprising history of trans-inclusive radical feminism.

February Links Roundup: Beyond Visibility

Welcome to Bizarro America. I hope you’re reading this blog in your downtime between calling your elected officials to oppose the Muslim travel ban, the Affordable Care Act repeal, all the cabinet nominees, etc., etc. Check out the website 5Calls to find phone numbers and scripts for the latest issues. Western Massachusetts friends, sign up for 413StayingConnected. My mom Roberta went to the Women’s March in DC last month, and we took the Young Master to the one in Northampton. Keep up the resistance.

With my usual impeccable sense of timing, I’ve chosen to come out as a nonbinary Episco-pagan during the most repressive regime in my lifetime. Oh well. I can only hope that I’m obscure enough to remain at the bottom of the watchlist. Good thing poetry books don’t sell. In all seriousness, I hate having to second-guess myself before I experiment with male clothing, but I’ve never been able to hide who I am, even when I wanted to.

This segues into our first link, “Gender Selfie-Determination”, a compelling lecture and slideshow by Alok Vaid-Menon at the Annenberg Space for Photography. I found this one via Lee Wind’s blog review site for LGBTQ teen books and media. Vaid-Menon is an Indian-American nonbinary transfeminine writer and performance artist. In this 85-minute presentation, they challenge the concept of “visibility” as liberating in and of itself. Photos of trans* and gender-nonconforming people, even in well-meant “awareness” campaigns, can just as easily contribute to fetishizing them as to representing their subjectivity. Vaid-Menon asks, what happens when the shoot is over, and they have to run the gauntlet of transphobic attacks in public places just to get home from the studio? A person who presents as neither male nor female is never not visible. When you see harassment, instead of reassuring them “You’re beautiful” (something that would clearly be sexist if said to a cis-female victim), ask “How can I help?” and then do it. During this sharply funny and eye-opening presentation, Vaid-Menon also deconstructs comments left on their Instagram selfies, and reads powerful original poems.

One thing I got out of this lecture is that I don’t have to convince anyone with my gender presentation. I’m not being nonbinary for them. Bowtie and big boobs? “No one will believe me,” the voice in my head whispers. Vaid-Menon talks about fighting off the assumption that they’re trying and failing to pass for one gender or the other. Beyond offering “visibility” to others, cisgender and cis-passing people need to rethink the power relations involved in taking, posing for, and viewing photos. In a January 12 Facebook post, Vaid-Menon wrote:

there is this thing that happens where i can perform for over an hour about being trans & then after the show people come up to me & call me “he.” there is this thing that happens where people invite me to perform & call me “he/his” in the request. there is this thing that happens where my gender is only understood as my performance art & that the minute i walk off stage & i’m just considered a man again.

they want our appearance, but they do not want our knowledge.

& it hurts so bad because it shows that trans people are only regarded for what we look like & not our intelligence. people want to stage the aesthetics of diversity (look so many pretty genders!!) but they don’t want to regard the knowledge systems we are sharing…

i want a world where we don’t make assumptions about people’s genders based on what they look like. i want a world where we trust what people say about themselves. i want a world where it’s no longer acceptable to say “man or woman.” i want a world without the gender binary all together. i want a world where you call me they, not just because i am nonbinary, but because you recognize that i (& you) contain multitudes.

This next link is another variation on the theme that appearances are…not deceptive, exactly, but more complex than you’d think. Apparently an elderly woman had been praying to her St. Anthony statue for years before she discovered that it was actually a figurine of Elrond, the elf king from The Lord of the Rings. Amid the Internet mockery, Patheos Pagan blogger Hearth Witch Down Under asked the provocative question, “Why Not Pray to a Toy?”

When you buy a statue or figurine of a deity or other figure such as a saint, you generally don’t buy it thinking it is a literal embodiment of that deity – it’s merely a representation.  For some traditions a statue, figurine or piece of artwork is purely symbolic, it helps you focus your thoughts, prayers or praise – you aren’t aiming these at the image or icon, you are aiming through the image or icon to the true recipient.  The icon is like a conduit, not an actual being.In other traditions the belief is that when you do pray to a deity, the deity may come to you and embody the statue you have dedicated to Them.  It’s a temporary abode for the deity while They visit you.  But the statue is still not actually Them, it is just a place for Them and again, a representation of Them…

…Since we generally don’t see these icons as being the deities we pray to, then I have to wonder why it matters who the icon is based on originally.  So the person (or more likely machine) that created the Elrond figurine had the intention of creating Elrond.  But the woman praying to it was not praying to Elrond – that figurine, in her hands, in her mind, in her heart was not Elrond.  It was Saint Anthony.  It was so much him that when she prayed using that figurine it would have focused her mind to connect with Anthony – she surely wasn’t going to connect with the spirit of Elrond.It doesn’t matter what the icon or image looks like – what matters is how it connects and focuses you.  Many people pray without icons and images, without figurines and statues, without symbols to focus their intent.  If you can pray to a deity without using any symbolism at all, and you can connect to that deity – then I think it’s pretty obvious that what matters in prayer is your aim.  If your aim, your intention, is what connects you with deity in prayer and ritual, then how other people perceive your statue is hardly going to matter.

From my initial explorations of modern paganism, it seems there’s a healthy acceptance of diverse views about whether our magical tools, rituals, and deity representations are inherently powerful, or gain meaning primarily from our intentions. Compare this to Christians’ historically bloody disagreement over whether the Eucharist is the “real presence” or the “symbolic remembrance” of Jesus. I tend to approach magic spell books the way I do cookbooks, that is, haphazardly. Using the right color candle is less important than finding one that will stay lit! Maybe I’m lazy, or not completely bought in to this pagan thing, but I think I’m really just too postmodern to take any religious forms literally. They’re all human-made, culture-bound, imperfect vehicles for contacting the Beyond.

But then again, Barbie is one of my spiritual guides, so Elrond is not much of a stretch…

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Cultural appropriation from Christianity may be a silly thing to worry about, since it is the dominant religion in America and not the heritage of an oppressed minority. Yet I still have qualms about my post-Christian workaround for enjoying church. The way I tell it to myself, in my youth I recognized the sacred energy in Christian rituals, art, music, and buildings, but felt it would be dishonest to participate when I didn’t believe the words I was singing or saying. Then I was able to convince myself of enough doctrine to take part with a clean conscience…and then I wasn’t. Now I believe that we’re allowed to greet the sacred wherever we find it, and that it isn’t the exclusive property of one religious system.

But how respectful is this, really? Am I misappropriating the church experience by redefining it in terms that its adherents wouldn’t recognize? I’m avoiding the ultimate liberal power-play where I claim that the parts I like about Christianity are the truest or highest essence thereof. Is that good enough?

At his long-running feminist blog Amptoons, Richard Jeffrey Newman recently linked to a New Yorker piece by Rozina Ali about the erasure of the Islamic roots of Rumi’s poetry. The most popular translations, by Coleman Barks, have recast Rumi as a generic mystic, easy to quote in any number of New Age or secular contexts. Newman notes:

Ali begins her article by talking about the famous people—Coldplay’s Chris Martin, Madonna, Tilda Swinton—who claim their lives have been transformed by Rumi’s work. Multiply their number by the many tens, if not hundreds of thousands for whom Rumi has come to represent an, if not the essence of spiritual enlightenment—a mystic whose teachings welcome all people, of whichever persuasion, onto the path towards God, or whatever it is they call the ultimate Truth they are trying to reach—and you end up with an inordinately large number of people who do not understand that the openness they so value in Rumi was made possible for him by, would not have existed for him without, Islam. More to the point, and adding insult to injury, given the demonization of Islam that is so pervasive in our society right now, people could be forgiven for thinking that the teachings of this English-language Rumi are diametrically opposed to the teachings of Islam, rather than being a significant thread within them.

Politically, my à la carte Christianity doesn’t have such dire implications, but I suppose what it all comes down to is boundaries. Is anyone harmed when I re-pagan-ize Christmas in my own mind? I’m a strong believer in not taking something that isn’t offered, and it seems that the Christian experience is offered on certain terms–submitting to the spiritual authority of Jesus, for one thing. When I extract a spiritual encounter from its relational context in the Body of Christ (the church now and in history), am I committing an offense against Jesus, other Christians, or no one at all? The jury is still out.

January Links Roundup: The Usual Obsessions

Happy 2017, readers! This year on the Block, you can look forward to more poetry book reviews, queer musings, sales pitches for The Novel, and theological opinions that I will probably retract in 5-10 years. Also, I will try to develop some interests beyond nonbinary handwringing, Netflix series, and bitterness toward my family of origin. But in the meantime, enjoy these links to my usual obsessions.

An und für sich is a multi-authored blog curated by Adam Kotsko, covering topics in philosophy, international literature, radical Christian theology, and popular culture. Indulge your Mad Men nostalgia with their thoughtful interpretations of selected episodes. This one post about the Season 4 episode “The Summer Man” summed up how the show taught me to get over my envy of other women. I’ve always felt like a Peggy in a world of Joans. Based on the women I saw on TV and the behavior of my peers, I felt it was expected of me to know how to use sex appeal for popularity and power, and this is a social skill I just don’t have. I would beat myself up about this, then resent the Joans of the world for colluding with men in devaluing me. By depicting Peggy, the nerdy career girl, and Joan, the vampy secretary-administrator, with equal nuance and compassion, “Mad Men” showed me that the grass wasn’t greener on the other side.

The dilemma faced by ambitious women at SCDP face isn’t about which strategy is the winning one, because there isn’t any winning strategy. Any woman with a little ambition, who isn’t content to be a performing pet or a meaningless secretary, is going to be a target. Her only choice in the matter is whether she’ll be hated for being a bitch, or despised for being a whore.

Speaking of “Mad Men”, what about Betty? Kotsko’s posts led me to this brilliant, tragic analysis of the ice princess of the suburbs, from Sady Doyle’s (sadly discontinued) feminist blog Tiger Beatdown. Betty Draper was painful and fascinating to watch because she reminded me of my bio mother. The storyline in Season 7’s “Field Trip” where Betty ruins her son Bobby’s school trip with her grandstanding and petulance could have been taken from a hundred incidents in my childhood. Doyle writes:

We all said we wanted Betty to get in touch with her anger, but we expected that anger to look admirable and positive and feminist. We didn’t consider that it might just be anger. That she might just not bother to think about how she was serving the world or women or the audience when she finally got to the point of rage.

And it’s not Don’s fault. Maybe it was, but that’s over now; what happens to Betty is pretty much exclusively Betty’s fault from here on out. She grew up thinking that there were two roles to play, abuser and abused. Now that she wants power, now that she’s sick of being abused, she’s chosen to become an abuser. She honestly does see that as her only other option. She’s angry at something that happened to her so long ago she can’t even exactly name it, but she’s playing that thing out with her children, and especially with her daughter, every single damn day. She’s become her own worst problem; every single time, every single time, she screams at Sally or hits her or threatens to cut her fingers off, she makes it that much less likely that she will ever be able to face how fucked up she is and get over it. It’s not easy to come to terms with what was done to you. But it’s much, much harder to come to terms with what you do.

That’s why Betty makes me cry so much this season, why her scenes make me sick to my stomach and why I feel for her more than ever: We talk a lot, in feminist communities, about abuse. And we talk a lot about how oppression can warp your understanding of self, about how some people raised in an oppressive system will internalize that system. We talk about how people who are victims of abuse often perpetrate it. I just don’t think we were prepared to see that play itself out on Mad Men. We wanted Betty to read The Feminine Mystique and get her mind blown and rise above; or, we wanted her to stay a victim, so we could relate to her better, or at least keep feeling sorry for her. But sometimes, people just get damaged until they start damaging. Sometimes, people are lost. We hate Betty now because she’s not going to stay a victim, but the truth is, she’s also not going to be saved.

The Reddit board Raised By Narcissists is a validating, informative, and well-moderated community for us real-life Bobby Drapers. (Trigger warning for discussions of abuse and self-harm.) I feel a weird sort of relief every time I come across a thread about another behavior that I thought was unique to my family, like “Does anyone else’s narcissists purposely mispronounce words even after being corrected many times?” or  “What did your Nparent do to try to ruin your wedding?” (I tell Shane when he’s playing too close to the breakfront with my wedding china, “Be careful. Many Bothans died to bring us these dishes.”) As you might expect, I really liked this post, “Bad definitions of ‘forgiveness’ in the ACoN community”. I agree with the post writer that we should not cheapen or muddy the word “forgiveness” by conflating it with moving on from an unrepentant abuser. As one commenter added, “the common notion of forgiveness is meant to be used with normal people, where there is genuine remorse and it benefits both sides. Forgiving an abuser only benefits the abuser, and that’s exactly why they hold it up like the holy grail.”

Another hat tip to Kotsko for my discovery of the blog Gay Christian Geek. The author, a British transgender man, appears to have stopped blogging in March 2016, but the archives promise hours of good reading. See, for instance, this 2014 post, “Boyhood/Girlhood”, exploring difficulties in how to conceptualize one’s pre-transition childhood. GCG finds that the “always already this gender” narrative is too simplistic for him.

There is a truth in the suggestion that I always was a boy; there is a truth in the admission that I never had a boyhood. These truths are not contradictory so much as complementary. Each alone only tells a fragment of the story.

For me, the value of the “always was” narrative is very limited. I see its use for trans people who were conscious of their gender from an early age; but what does it really mean for me? For a female-assigned child with two cis brothers, who deeply internalized the “(birth) genitals=gender” message of a cissexist society, who could plainly see that I was not a boy in the precise way that my brothers were boys, who did not know that there was any other way to be a boy and who therefore assumed that my desire to be a boy belonged to the same imaginary realm as my desire to go to wizard school? (And later, on discovering feminism, decided my desire to be a boy must be rooted in internalized misogyny?)

I find more use in a negative framing and a paradox: it’s not that I “always was” a boy, but that I never was a girl, and that I was not a girl even as I was a girl…

…My childhood as I lived it at the time was, as far as I knew, a girlhood. My childhood as I view it from my current perspective as a male adult is not-a-girlhood. Both perspectives are true.

Much as I long for boyhood, driven by losstalgia for a past that was never mine, and much as I could psychoanalyze my childhood gender identity, seeking evidence for the sublimation of my own felt maleness into an abundance of carefully nurtured fictional personae – even so, I have had experiences that turn-of-the-twenty-first-century Anglo-American culture categorizes under the heading of “girlhood.” I was given dolls and dresses alongside legos and pants. I was permitted, even encouraged, to embrace masculinity as male-assigned children still tend not, even in liberal households, to be encouraged to embrace femininity. I first embraced feminism as an insider, and I know firsthand fears such as that of walking alone among men as a (perceived) woman at night (though I think I am a better feminist now that I am no longer at war with the feminine in me).

My girlhood, as I understand it now, is not a matter of having “been” a girl, but of having experienced much of what is culturally considered to be part of girlhood. It is not an ontological but an epistemological girlhood. Even as I ache for the boyhood I should have had, I recognize that I have learned a great deal from girlhood and that it has been a major contributor to the man I am becoming.

Last year I began intermittently journaling about instances of gender dysphoria or role-switching fantasies in my youth, in hopes of finding some “always already nonbinary” evidence that would validate my sense of unease with my embodiment. I quickly became dissatisfied with this project because there’s no way to disentangle the strands of societal sexism, familial abuse, and genuine queerness that made me what I am. More to the point, no after-the-fact explanation or identity label can give me back the years I lost being alienated from my full gender expression, nor open up possibilities that were permanently foreclosed by my childhood development.

(For what it’s worth, I think I really was a girl until I hit puberty. I have a very strong feminine side, but she’s permanently six years old. Or a sea monster.)

I might pick that journal up again this year, but without the agenda to collapse these personalities into a single essential one, even one with the expansive label of nonbinary. In “The Dry Salvages”, T.S. Eliot famously wrote:

We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness.

Eliot was a supreme poet of regret, of stunted desire that he hoped to assuage via religion or sublimate into art. In the realm of imagination, he could at last take the road not taken, and more than that, become the person who could have taken it. Rather than seeking after a meaning in the past that will give me “happiness” now, I should just give my un-expressed selves some space to have their experiences between the pages of my journal. And who knows where else…?

December Links Roundup: Into the Dark

kaliimwithher

“Turn your face away from the garish light of day, Turn your thoughts away from cold unfeeling light, And listen to the music of the night,” the Phantom of the Opera sings in Andrew Lloyd Webber’s musical. These lines captured my heart when I saw the show 25 years ago. Darkness as fertile, safe, restful, profound, and full of tenderness.

As we approach the Winter Solstice, and a political transition that feels apocalyptic for many, the spiritual qualities of darkness invite closer attention. In both popular culture and pagan literature, we need to rethink the colonialist metaphor of “light” magic as good and pure, “dark” or “black” magic as evil and sexually decadent. Lasara Firefox Allen’s Jailbreaking the Goddess, a new book of intersectional feminist spirituality, suggests the terms “empowered” and “occluded” (rather than the Jungian “shadow”) to refer to the helpful and destructive aspects of an archetype.

I’ve been exploring the Pagan channel on the religion blog portal Patheos, which is where I found John Beckett’s blog, Under the Ancient Oaks. Beckett is a Druid and Unitarian Universalist. In a post written shortly after the presidential election, “Be the Dark”, he had a refreshing take on the ubiquitous urgings on social media to “be the light”. Many of us on the Left did not have a ton of happy confetti to throw around last month. We were feeling scared, despondent, angry, and overwhelmed. Even if we had it in us, was spreading positive vibes really helpful or a form of denial? Beckett reflected:

[W]hat if you don’t particularly feel like being the light? What if you’re still hurting, still afraid, still mad as hell? What if you’re just not a love and light kind of person?

Then be the dark.

Be the safety of the dark. We tend to think of the dark as a dangerous place, but for a wide variety of nocturnal creatures, daylight is dangerous and the dark is where they’re safe. You can’t see as well in the dark, but that also means it’s harder for you to be seen. Our mainstream culture mocks “hiding in the dark” but if you’re up against predators who are bigger, stronger, and more numerous than you, hiding in the dark is a perfectly reasonable thing to do. Embrace the safety of the dark.

He went on to praise other positive qualities of the dark: restfulness, nurturing, and the ability to create illusions. Finally, he dared to encourage us to be the danger of the dark:

Here we shift from nice safe pretty Nature metaphors to the reality of what must be done in the dark… Being the danger of the dark is knowing in your soul that you’re scarier than anything that might come after you. This isn’t the testosterone-driven braggadocio of young men. Rather, it’s the quiet confidence that comes from the direct, first-hand experience of Gods, spirits, and magic. It’s knowing you have allies in the Otherworld – not servants you can call down at will, but mighty Powers with whom you are aligned and at whose side you will fight… and win, eventually if not immediately.

It’s knowing your own Will can be enhanced with herbs and stones, with blood and piss, and with the bones of other creatures. It’s knowing the power of words and the power of symbols.

It’s knowing spells that go against your morals, that you would never use… unless there was no other way.

It’s knowing that as long as you have breath you have hope, because you have magic and you have Will.

Some of the most interesting scenes in Once Upon a Time happen when Regina, the semi-reformed Evil Queen, must partner with the heroes to fight a threat to their town. She’s a risky but invaluable member of the team because she’s willing to be the bad cop when nothing else works. In the current season, she’s split off her Dark side so that she can be a good person who gets a happy ending, but dis-integration is not working out well for her or anyone around her.

(If you’re all getting tired of OUAT life lessons, don’t worry, I’m now binge-watching Luke Cage.)

Also on the subject of Dark Goddesses, a friend sent me religion scholar Vera de Chalambert’s article “Kali Takes America: I’m With Her”.  (The subtitle was Hillary Clinton’s campaign slogan.)

…Donald Trump might already be picking his deplorable cabinet, but it is the Dark Mother, the destroyer of worlds, oracle of holy change, the tenderhearted be-header, that won this country. Kali has brought down our house in a shocking blow; all the illusions of America, stripped in a single night. We are not who we thought we were. Now we must get ready to stand in her fires of transmutation. We need them…

Paradoxically, the price of true hope, it seems, is being unsettled beyond repair. And this is exactly the opportunity our political moment is presenting to us all. Right now, from all corners of our shocked culture, there are cries of hope, demands of needing to become even brighter lights amidst the spreading darkness. I disagree.

I think that this moment gives us an opportunity for reckoning only if instead of running for the light, we let ourselves go fully into the dark. If instead of resolving our discomfort too quickly, we consider the possibility of staying in the uncomfortable, in the irreconcilable, in the unsettled.

Before we rush in to reanimate the discourse of hope prematurely, we must yield to what is present. Receptivity is the great quality of darkness; darkness hosts everything without exception. The Dark Mother has no orphans. We must not send suffering into exile — the fear, the heartbreak, the anger, the helplessness all are appropriate, all are welcome. We can’t dismember ourselves to feel better.

We can’t cut of the stream of life and expect to heal.

Cutting off the inconvenient is a form of spiritual fascism. By resolving to stay only in the light in times of immense crisis, we split life; engage in emotional deportation, rather than hosting the vulnerable. Difficult feelings need to be given space so they can come to rest. They need contact.

In a culture of isolation, be the invitation to everything.

The intuition that the Dark Mother has returned is pervasive if we heed the signs, and our thirst for the dark is deep.

She may not be an official Goddess yet, but Ursula the Sea Witch (from Disney’s “The Little Mermaid”) is the form that the Dark Mother has been taking for me lately. Like Kali, she has a lot of arms, and she’ll fuck you up. Half octopus, half chanteuse, she is loud, large, lusty, and speaks the truth that you may not want to hear. She’ll tell you the price of following your dreams. Can you pay it?

ursula

I had no gaydar when “The Little Mermaid” was released in 1989, but when I re-listened to Ursula’s song “Poor Unfortunate Souls” a few months ago, it was obvious she was a drag queen! Was I just reading my own preoccupations into her? Nope. In the literary journal Hazlitt, Nicole Pasulka and Brian Ferree’s article “Unearthing the Sea Witch” reveals that she was based on none other than Divine, the countercultural icon of outrageous filthiness from John Waters’ movies. Lyricist Howard Ashman, a gay man, also added a smidgen of Audrey II, the carnivorous plant from his hit musical “Little Shop of Horrors”.

The article concludes, “Ursula is a plum role because as Glenn Milstead [Divine’s birth name], Howard Ashman, John Waters, and generations of queers and drag queens know, being ostracized, fat, and sick can bring its own strength and power… [I]n stories like these there is no convention. There are only relationships. Deep, firmly felt connections between strange, gross, gorgeous, and utterly authentic characters. What’s subversive about Ursula, Audrey II, and Divine is that they cannot be contained.”

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November Links Roundup: Queer Connections

Conservatives, and liberals still in the denial stage of grief, have been calling for “unity” after this week’s presidential election. I think we need to talk about solidarity instead. Not making nice with people who are ideologically committed to hurting us, but taking a hard look at the ways that our different marginalized groups have not cared enough about each other’s concerns. Feminists need to wake up to racism in our ranks. (53% of white women voted for Trump. Embarrassing.) The gay rights movement needs to address class and poverty, along the lines of Harvey Milk’s support for labor unions. While we celebrate access to  institutions like marriage and the military, we risk forgetting about youth homelessness, employment discrimination, and healthcare and basic public safety for transgender people. All groups should pay more attention to disability issues.

On that note, Reiter’s Block reader Alex Diaz-Granados invited me to spread the word about his online resources for LGBT children and teens with cerebral palsy. Alex wrote to me:

Children with disabilities are sometimes more likely to be bullied than their non disabled peers. This includes children that are also part of the LGBT community. Obviously, this is not a good thing.

Having cerebral palsy, I understand how critical it is for parents of a child with CP to have access to reliable information, especially when it comes to delicate topics like these. Equally as important, I represent CerebralPalsyGuidance.com because I believe in their mission of providing quality cerebral palsy information and assistance to families in need.

He pointed me to the article “Cerebral Palsy and LGBT”, which discusses dual discrimination against youth who are both LGBT and disabled, and provides links to anti-bullying information for teachers and parents. One of the inspiring stories in this article features Australian playwright Thomas Banks:

25-year-old Thomas Banks, from Australia, was diagnosed with cerebral palsy as a toddler, but knew he was gay by the time he was 12. Throughout childhood, he was called names and teased mercilessly. Even today, he hears numerous myths that unaware people think about disabled people.

“Some of the misconceptions about people with disabilities are that some people think [cerebral palsy] is an intellectual disability but it’s not, said Banks. “ Some other people think I’m stupid, but I’m not. And people think people with disabilities are asexual.”

Instead of dwelling on the issue, Banks became a writer and advocate for being gay with a disability. He even created his own theatrical play, Someone like Thomas Banks, which explores how he uses the Internet to date and find love. He also raises community awareness through workshops, where he talks about communication difficulties that many people with cerebral palsy go through.

Visit his Facebook page to learn more.

Regular readers know I am a big fan of British feminist philosopher Sara Ahmed, who writes about the paradoxes and projections of diversity work: essentially, how the person who calls attention to a problem is silenced by being labeled the source of the problem. On the website Brainlina, you can find a Sara Ahmed Reader with 40+ pages of excerpts from her books The Cultural Politics of Emotion and Strange Encounters. In the chapter “Queer Feelings” from the former book, Ahmed asks us to question:

…how the defence of the war against terrorism has evoked “the family” as the origin of love, community and support… What needs closer examination is how heterosexuality becomes a script that binds the familial with the global: the coupling of man and woman becomes a kind of “birthing”, a giving birth not only to new life, but to ways of living that are already recognisable as forms of civilisation. It is this narrative of coupling as a condition for the reproduction of life, culture and value that explains the slide in racist narratives between the fear of strangers and immigrants (xenophobia), the fear of queers (homophobia) and the fear of miscegenation (as well as other illegitimate couplings)… Hence, the failure to orient oneself “towards” the ideal sexual object affects how we live in the world, an affect that is readable as the failure to reproduce, and as a threat to the social ordering of life itself.

Heteronormativity, Ahmed writes, is one way that a national culture creates a sentimental bond of sameness that is exhausting to challenge. Being comfortable within your world’s unconscious assumptions can blur your awareness of where you end and the world begins. This feeling is easy for leaders to co-opt for patriotic or in-group identity purposes. It dulls critical thinking about your culture as a culture, one of many possible social arrangements.

One of Ahmed’s objectives in this chapter is to “reflect on the role of pleasure in queer lifestyles or countercultures, and…how the enjoyment of social and sexual relations that are designated as ‘non-(re)productive’ can function as forms of political disturbance in an affective economy organised around the principle that pleasure is only ethical as an incentive or reward for good conduct.” Read more here.

Ahmed’s analysis feels timely, because there is a temptation for progressives to question whether personal issues like sexual orientation and intimate relationships are a bourgeois distraction from “real” movement work. To the contrary, a culture that forcibly shapes or suppresses our personal lives works hand in hand with a state that seeks to co-opt our loyalties.

In this post from October, “Trump, Sexual Assault, and Incest: When Forgiveness Is Failure”, progressive Christian blogger Rebecca Todd Peters draws a connection between Trump supporters who gave him a free pass for predatory behavior, and Christians who wrongly pressure survivors to forgive instead of seeking justice. Certainly, it made me cringe to see evangelical leaders distorting the language of grace and repentance to defend Trump as a changed man. Peters writes:

While it is true that Christianity is a religion that is rooted in forgiveness, it is also rooted in justice. While Christianity teaches that God’s grace is so profound that anyone can be forgiven for anything – no matter how awful; God’s grace is not a substitute for meaningful justice in human community.

Sexual assault is traumatic for anyone. To have it happen to a pubescent child who is only just beginning to mature threatens to provide life-long damage to this woman-child. But to have it perpetrated by her father and tacitly condoned by her mother is to have the most sacred and profound parental obligations of care, protection, and safety severed and shattered forever.

I am a huge fan of the idea of restorative justice, which promotes alternative sentencing and community-based solutions that seek to help and heal communities in situations where healing and restoration are possible. These models are based on the notion that many crimes are offenses against individuals or communities and that perpetrators are better rehabilitated when they confront their very real harm and damage that their crime has caused in the lives of very real people.

In cases of sexual assault, restorative justice is neither a healthy or viable option. Asking the victims of these crimes to play any role in the rehabilitation of their perpetrators threatens to revictimize survivors. More importantly, it implies that the healing of the perpetrator is not only as important as the healing of the survivor but that survivors “owe” something to their perpetrators in the form of forgiveness.

Christianity does not require or promote the idea that victims have any obligation or moral responsibility to forgive the people who have violated and harmed them. While people may choose to do this as a part of their healing process, that is very different from teaching or implying that Christianity requires us to forgive or to “turn the other cheek” when we are harmed.

As you all know, I agree with this psychologically 100%, but really wonder how it’s supported by the text of the Gospels…? Commenter Iain Lovejoy raised the same objection, and suggested an alternative framing:

Forgiveness for abusers doesn’t mean abandoning the protection given to victims under the criminal law, only ceasing to hold anger against them and wishing only to see genuine repentance and their freedom from the sin inside them that caused them to act as they did, and recognising criminal penalties as an unfortunate necessity rather than a desired revenge…A truly repentant person would welcome paying for his crimes, not seek ways of avoiding doing so.

By either of these standards, I think we can still be mad at Trump! More tricky is how we respond to our neighbors who voted for him. When is it skillful to be honest about our anger and pain, when is a kinder approach called for, and when should we simply take care of ourselves by not engaging with bullies? This is my current discernment challenge. I’m starting with the Southern Poverty Law Center’s online guide “Speak Up: Responding to Everyday Bigotry”. (Hat tip to Captain Awkward for the link.)

Poets in Memoriam: Ritvo, Kelly, Perillo

Today, November 1, is All Saints’ Day in the Episcopal Calendar, when we honor and commune with our dead. In our tradition, saints are not only the officially canonized heroes of the church, but all members of the community, just as we are “a priesthood of all believers”. This fall, the American poetry community lost several notable figures I’d like to mention on the blog.

Max Ritvo studied under Louise Glück at Yale, taught poetry at Columbia University, and was an editor of Parnassus. His collection Four Reincarnations appeared posthumously from Milkweed Editions. In August, he died at 25 from a rare pediatric cancer, which was the subject of many of his dazzling, edgy poems. Read more about him in his New York Times obituary. I discovered his work in the Iowa Review just days before I learned of his passing. In “Leisure-Loving Man Suffers Untimely Death”, he wrote:

Sure, I wish my imagination well,
wherever it is. But now

I have sleep to fill. Every night
I dream I have a bucket

and move clear water from a hole
to a clear ocean. A robot’s voice barks

This is sleep. This is sleep.
I’d drink the water, but I’m worried the next

night I’d regret it.
I might need every last drop. Nobody will tell me.

Boston Review in 2015 featured a seven-poem sampler of his work, selected by Lucie Brock-Broido. Here is the beginning of “Afternoon”:

When I was about to die
my body lit up
like when I leave my house
without my wallet.
What am I missing? I ask
patting my chest
pocket.
and I am missing everything living
that won’t come with me
into this sunny afternoon
—my body lights up for life
like all the wishes being granted in a fountain
at the same instant—
all the coins burning the fountain dry—
and I give my breath
to a small bird-shaped pipe.
My favorite is “Poem to My Litter”, published in The New Yorker this past June. In tones that are tender, sardonic, and melancholy, this poem addresses the laboratory mice that have been engineered to carry his tumors in hopes of finding a cure.

I want my mice to be just like me. I don’t have any children.
I named them all Max. First they were Max 1, Max 2,

but now they’re all just Max. No playing favorites.
They don’t know they’re named, of course.

They’re like children you’ve traumatized
and tortured so they won’t let you visit.

I hope, Maxes, some good in you is of me.
Even my suffering is good, in part.

Brigit Pegeen Kelly received the Yale Series of Younger Poets Prize, a Whiting Award, a Guggenheim Fellowship, and numerous other honors. She passed away last month at the age of 65. When the news broke, my poet friends on Facebook shared many of her sensual, profound poems. I was especially moved by “The Leaving”, from her debut collection, To the Place of Trumpets. It begins, “My father said I could not do it,/but all night I picked the peaches.” Instead of a literal narrative about girl power or individuation, though, the harvest becomes a mythic task that stands in for every occasion when faithfulness to mundane work brought us into transcendence:

I put the peaches in the pond’s cold water,
all night up the ladder and down, all night my hands
twisting fruit as if I were entering a thousand doors,
all night my back a straight road to the sky.
And then out of its own goodness, out
of the far fields of the stars, the morning came,
and inside me was the stillness a bell possesses
just after it has been rung, before the metal
begins to long again for the clapper’s stroke.

In a similar vein, she wrote in “Blessed is the Field”:

In the late heat the snakeroot and goldenrod run high,
White and gold, the steaming flowers, green and gold,
The acid-bitten leaves….It is good to say first

An invocation. Though the words do not always
Seem to work. Still, one must try. Bow your head.
Cross your arms. Say: Blessed is the day. And the one

Who destroys the day. Blessed is this ring of fire
In which we live….How bitter the burning leaves.
How bitter and sweet.

Lucia Perillo was a MacArthur Foundation fellow and a Pulitzer Prize finalist for her 2010 collection Inseminating the Elephant. Diagnosed with multiple sclerosis at 30, she passed away in October at the age of 58. From the New York Times obituary:

In an interview for The American Poetry Review in 2014, she presented her situation straightforwardly. Asked about battling her disease, she said: “I don’t battle M.S. I relent to its humiliations.” How did she manage not to fall into despair? “I’ve already fallen. This is the voice from the swamp.

The above-cited interview includes the poem “A Revelation”, which begins with the narrator watching prostitutes in Nevada buying their groceries. She concludes:

…If you follow
any one of the apparitions far enough–the
fallen ones, the idolaters, the thieves
and liars–you will find that beauty, a
cataclysmic beauty
rising off the face of a burning landscape
just before the appearance of the beast, the
beauty
that is the flower of our dying into another life.
Like a Mobius strip: you go round once
and you come out on the other side.
There is no alpha, no omega,
no beginning and no end.
Only the ceaseless swell
and fall of sunlight on those rusted hills.
Watch the way brilliance turns
on darkness. How can any of us be damned.

May these poets be blessed in the next world as they have blessed us here. Lux perpetua luceat eis.

Coming Out Witchy, and Other Links on Spirituality and Trauma

“My gender is witch,” proclaimed poet Charlie Bondhus, concluding a masterful set of published and new works he read at the LGBT Center in NYC last month. (Witch? Which? Switch!) In four words he summed up the elusive quality of our overlapping identities: queer, magician, writer. All involve a commitment to phenomena that may be immeasurable by outsiders and therefore vulnerable to challenge. Am I making this up? And who decided that creativity was a slur, anyway?

Little Red Tarot columnist Andi Grace explores the real obstacles to public witchiness in her latest post, “Coming out of the woo closet: Facing shame, stigma and historical trauma”. They write:

[T]he woo closet is the forces that keep us from being open about the way that magical, energetic, psychic, extra-sensory or spiritual forces nourish and guide us. To my mind, the woo closet is very old and is one of the most powerful spells (or cluster of spells) that keeps us from stepping into our truth and power.

I see the woo closet as being composed of several parts: historical trauma that has roots in the witch burnings, the stigmatization of neuro atypical mental states, and also the legacy and present day impacts of colonization–specifically as it relates to spirituality and conceptions of knowledge and knowing…

…If we accept that our bodies carry trauma from previous generations then we must also accept that unless we find ways to heal that trauma, we will carry it with us in our bodies and spirits. What this means is that, in a very real and tangible way, my body fears for its life in coming out as a witch and this manifests as anxiety, defensive self-judgement and deeply woven feelings of shame. The feeling of fear that I have when being honest that I can see and feel spirits, isn’t one that is just in my head. It’s in my bones and my spirit and it’s literally been burnt and drowned into my memory. And no, it won’t just go away with positive thinking, though that is one small piece of the magic needed to turn the tide of this spell…

…A fundamental mechanism of colonization is devaluing ways of knowing that don’t fit into empirical knowledge systems. This devaluation is used to undermine the sovereignty of indigenous people and ultimately to steal land, resources and labour. It has also been used to justify cultural, spiritual and physical genocide. Much of western science and higher education models are based on the assumption that empirical, measurable “truth” and linear understandings of time are more valid than understandings that do not fit into this box

…The legacy of colonization and witch hunts has lead many people to believe that things like energy, visions, dream work, astrology, herbalism, tarot and magic are bogus and manipulative pseudosciences that should be disregarded with righteous fervor. Sure, we should be discerning (particularly with regards to oppression and appropriation) and yes some people are lying manipulators, but that doesn’t mean we should just dismiss whole systems of knowledge that have long and rich histories with tremendous learning and guidance to offer us.

Andi Grace’s piece includes useful guidelines and resources for folks with European ancestry to recover pre-Enlightenment ways of knowing, without being appropriative and colonialist in a different way toward nonwhite indigenous cultures. Here, for me, is where trauma and my political ideals get their wires crossed.

I agree completely with the critique of appropriation. But I feel this gut-level resistance to claiming a bond with my ancestors (bad-ass Polish witches, no doubt) because abuse and abandonment have largely severed my ties to my biological family. My mother is the product of multi-generational child abuse and mental illness. I blame my ancestors for our destroyed relationship; I don’t want to summon their spirits! My father is a nice guy but was absent from my life until I was 30. We’re becoming friends, but time will tell whether we ever have that sense of relying on one another like a true family. Perhaps this is where the writer magic comes in: I may have to invent a trustworthy ancestor who can be my guide through Eastern European hexery.

baba_yaga_and_the_skulls_of_her_enemies_by_secondlina-d63rkgr

[Baba Yaga and the skulls of her enemies. Source]

 

 

 

 

 

 

 

Turning to what’s new in the Christian blogosphere, I was struck by this article at the Feminist Newswire, “‘The Least of These’: Black Children, Sexual Abuse, and Theological Malpractice”. Author Ahmad Greene-Hayes, a Ph.D student of religion at Princeton, is the founder of Children of Combahee, a new initiative to end child sexual abuse in black churches. He argues that “respectability politics” combined with homophobic and patriarchal theology in the black church create an environment where secret predators can thrive. Churches’ model of sexual morality/deviance should shift away from upholding rigid gender roles, and toward prioritizing consent and safety–a paradigm that admittedly the Bible does not always support, but here is a case where we must talk back to the Bible.

Black church people have used silence as a means of protection from white racial-sexual terrorists. To mitigate the effects of white supremacist violence, many African Americans do not address intracommunal violence, and in some instances extracommunal violence, because they do not want to portray the race in a negative light or they want to be race loyal, or even race first, everything later. These patterns are deadly and send a loud message that racial justice takes precedence over the justice that every individual deserves in regards to their bodies and psyches—regardless of age, gender, sexuality, socioeconomic status, religion, or any other marginalized identity.

The inability (or unwillingness) to address sexual violence as an evil that pervades home, church and community is steeped in larger cultural “norms,” though abnormal, of cogitatively dissociating one’s lived experience—in Black flesh—from one’s embodied and experienced sexuality. In other words, the inability to address violence and trauma as it relates to Black sexuality can be traced back to the plantation where rape and torture were codified by law and the theologies of the master class. In some ways, the contemporary Black church—which grew out of enslavement—mirrors the plantation of times past, and survivors are pushing the church to consider its reinscription of master tactics—that is , attempts to abuse, silence, marginalize, shame, victimize, and dehumanize marginal subjects, or as Jesus said, “the least of these.”

For white people reading this analysis, the takeaway message (in my opinion) should be that we can’t fight child abuse without fighting racism. The black church’s code of silence and internalization of toxic mainstream gender roles are an understandable survival strategy for an embattled minority. We have to do our part to end that battle.

Finally, here’s a comprehensive article from the progressive blog Religion Dispatches about campus Christian organization InterVarsity’s recent decision to oust all LGBTQ and affirming staff members. “Inside InterVarsity’s Purge: Trauma and Termination at the Premier Evangelical Student Org” is written by journalist Deborah Jian Lee, author of the well-reviewed book Rescuing Jesus: How People of Color, Women & Queer Christians are Reclaiming Evangelicalism (Beacon, 2015).

InterVarsity has rolled out a policy that calls for staff who disagree with its theological position to come forward and quit by November 11. If staff members disagree, the national campus ministry stated in a letter to staff, “we trust that they will alert their supervisors and conclude their work [within two weeks].” (The policy does not apply to students, though students who disagree cannot be leaders, and it includes dictates against divorce, pornography and pre-marital sex.)

Supporters of InterVarsity’s decision see the policy as a commitment to “orthodox” theology, while critics call it a “purge.” The news, first reported by TIME on October 6, has unleashed protests from droves of InterVarsity students, alumni, influential InterVarsity Press authors and Christian leaders, many of whom have released petitions calling for the organization to revoke the policy. Within InterVarsity, a number of LGBTQ and ally staff, including Vasquez, have formed “the Queer Collective,” which for months has been pressing executive leaders for unity amid theological differences. They have elevated stories of LGBTQ-affirming people in the organization and documented the mental health impact of LGBTQ exclusion.

Despite their advocacy, InterVarsity announced its policy in a manner that Queer Collective leaders see as severe and punitive. For example, InterVarsity created a “helpline” for staff who felt unsure about the organization’s theological position, but the “helpline” only offered “limited confidentiality,” according to a July email sent to staff workers by then-interim president Jim Lundgren and president-elect Tom Lin. If a staff worker announced their disagreement with InterVarsity’s position and did not declare this to their supervisor, “[the helpline] resource person [would] inform the supervisor.” This, and reports by other staff workers who say they have been questioned about their beliefs, seems to contradict InterVarsity’s claim that it is relying solely on the self-declaration of LGBTQ-affirming staff.

Despite the ministry’s disclosure of the helpline process, “to call something a ‘helpline’ as a place of support and also make it a place of whistleblowing—that’s not just harmful, but also unethical,” said Teresa Pasquale Mateus, LCSW, author of Sacred Wounds: A Path to Healing from Spiritual Trauma. Mateus sees patterns of spiritual abuse in some of InterVarsity’s treatment of LGBTQ-affirming staff and students and warns of serious emotional “collateral damage” in the aftermath of “the purge.” Already, members of the Queer Collective and other InterVarsity insiders say that every day raises new concerns about emotional trauma, unemployment, resignations, disaffiliations, and the future of InterVarsity.

This fracture reflects the larger rupture over sexuality taking place across the evangelical movement…

Lee goes on to describe InterVarsity’s inconsistent treatment of LGBTQ students and staff, their refusal to repudiate the discredited practice of “ex-gay therapy”, and despite all this, the difficulty of turning one’s back on the diverse and passionate Christian community that IV represents for many people.

Leaving isn’t so simple. To many like Vasquez, evangelicals are their people. As Alexis Garretson, a George Mason University senior who identifies as queer and LGBTQ-affirming explained, InterVarsity is actually the friendliest of the campus fellowship options. If students left InterVarsity for greener pastures, they’d have to leave Christian community altogether. “LGBTQ Christians fiercely believe in the faith we have,” explained Garretson. “Asking us to leave goes against our identity.”

To staff workers who have worked for InterVarsity for years and sometimes decades, leaving the ministry means losing both their livelihood and the entire community they’ve built for themselves over the years, sometimes since their own college days. After all, InterVarsity isn’t just a student club, it’s a family. “People here just loved me from the first moment I got here,” Scripps College junior and LGBTQ-affirming InterVarsity member Rachel Geller told me. InterVarsity goes the extra mile to welcome new students, surrounding freshmen with an immediate posse of friends at the start of college, following up with relentless evangelical zeal.

It’s also a lifestyle. Much like the Greek system, the activities are all-consuming: Bible studies, fellowship, dance parties, retreats, prayer meetings, dorm gatherings, group lunches, study dates and so much more. To feel this sense of love and belonging so fiercely every day is intoxicating, students and staff say. It’s what leads so many students to graduate college, join the 1,300 member staff, and build their lives around the organization’s mission. For Vasquez, “InterVarsity was the air I breathed.”

Perhaps the most consequential reason LGBTQ-affirming staff workers want to remain in the fold emerges from their concern that once they leave, LGBTQ newcomers will be isolated in a community that publicly welcomes them but privately misunderstands their most fundamental needs.

Is it just my love-avoidance that makes this description seem a little cultish? Be that as it may, it seems to me that similar reasons keep people connected to abusive partners: to protect the children, or to avoid what seems like the greater trauma of losing an entire family network. Building up new love relationships takes time and courage. Leaving is a leap into the void, at least in the beginning. Some of us decide we’re ready to make it, but woe be to those who pushed us off that cliff.

Sacred Wounds and Rescuing Jesus are going on my very long Amazon wishlist now.

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October Links Roundup: Did I Shave My Legs for This?

Hello, readers. As you can see, things have been busy around here, and the dishes (and emails to myself with “blog about this!”) have piled up. We return this month with some links about gender roles and personal grooming.

This piece about body-hair positivity, from the feminist website Bust.com, got a number of sympathetic comments and personal confessions when I shared it on Facebook this month. The article by Eleonor Botoman features a video from the fashion magazine Allure, in which several young women of different ethnicities share the shaming messages they received about body hair and their journey to accept themselves au naturel.

No girl should be placed in the position of sitting in her mother’s bathroom with a razor because someone (a fashion magazine, friends or family) told them that removing body hair will make them more beautiful. Girls as young as eleven shouldn’t feel insecure about wearing shorts in the summertime because their mom said no or be teased for having darker hair and have to spend hours shaving from head to toe in order to avoid more bullying.

These girls realized that they were wasting so much time keeping up with this ritual. They found self-love through the act of simply stopping and setting down the razor, choosing to spend their time doing other things they enjoyed instead. Letting go of social conventions brought on this new kind of self-acceptance for every natural part of their body.

If you go onto social media and you see a girl post an image with visible body hair (armpit hair, a mustache, pubic hair, you name it), there’s always this massive wave of backlash of comments (usually from male users) as they call her ugly, manly, gross, unhygienic. It’s ridiculous. It’s not like these girls are kicking puppies. As Monica puts it, “I’m literally doing nothing,” so why do people keep reacting in this angry way? It’s just hair! The problem is not a sanitary one. It’s because these women present themselves with visible body hair and disrupt the flawless-is-sexy narrative.

If you’re the kind of girl who enjoys body hair removal, who finds something soothing in taking the time to shave in the shower, then do it! But if you feel like you’re wasting time or don’t want to keep enduring the pain of razor bumps or getting your hair ripped off, then don’t feel pressured to keep removing your body hair! Don’t conform to someone else’s idea of beauty! We need to love our bodies with all of its hair, bumps and stretch marks.

I was that 11-year-old girl, disgusted with my legs because of their pallor and fuzziness, afraid to wear shorts or skirts without uncomfortable stockings. But that was nothing compared to mustache shame. Good Lord, if I could take back the thousands of dollars I spent in my teens and twenties to have my facial hair ripped out with hot wax or electrocuted with needles, I could afford to advertise my novel in every gay magazine in America!

I could have just shaved with a razor, as I do now, but I abhorred the idea for many years because I thought only guys shaved their faces. It would be admitting gender failure, if only to myself. Though the Allure video doesn’t talk about this, the body-hair stigma for women seems intimately connected to society’s policing of the binary. When I was going through puberty, I wish someone could have said to me–and more importantly, to the adults and schoolmates who shamed my ‘stache–that there is such a thing as genderqueer and it is okay.

If, like me, you’ve ever tormented yourself pointlessly with the question, “Am I really nonbinary or do I just hate wearing nylons?”, Ozy’s blog Thing of Things is for you. Ozy is assigned female at birth, identifies as nonbinary, and uses “they” pronouns. In this recent post, “Some Questions for FTMs, Answered”, they take on the argument, common in some cis-feminist circles, that women who transition are mis-identifying their problem as gender dysphoria when it’s really sexism-fatigue. In an ideal world where women’s social roles and safety were not constrained by gender, would any of us still need to reject our womanhood? The end point of this argument is that we should fight to create that ideal world, rather than a world where female-to-male transition or NB identity are normalized.

Ozy’s response is clever, thoughtful, and multifaceted, and is based on the principle that we should respect people’s diverse experiences of selfhood without making them justify it according to a one-size-fits-all ideology. The whole thing is worth a read. I’m highlighting this part because I recognized a quirk of my own life in it. I also feel more comfortable recently with my girly aspects since I started identifying as NB. (The boldfaced part of the quote is a question from the original article to which Ozy is replying.)

What if there was no such thing as hormones or surgeries and you had to just live your life as a lesbian, how would your life be different?

Well, I used to live my life as a queer woman, so here are the differences I’ve observed:

The closest thing to being seen as nonbinary, if you’re presenting as a cis woman, is to be seen as a butch woman, so I made a lot of effort to be seen as a butch woman. I didn’t wear skirts or colors. I didn’t complain when I was in pain. I didn’t admit to liking Disney movies. I was very clear that typically feminine things were stupid, that most girls were stupid, and that I liked hanging out with men and my exceptional non-stupid female friends.

(It always confuses people when I tell them I conformed more to my assigned gender after transition.)

To be clear, this wasn’t conscious. I had no idea what a trans person was, back when I was trying to be a girl. I thought of myself as a woman. But on a subconscious level, I still valued not being either of the binary genders, and if the closest thing I could get to that was being a gender-non-conforming woman, then by God I would watch as many action movies and wear as much black as necessary to make this happen.

And then I transitioned and about six months into my transition– around the point where I realized that this really wasn’t going to go away and I could be nonbinary as long as I wanted– by some mysterious coincidence colors reappeared in my wardrobe, Alan Menken reappeared on my playlists, and I started whining like hell whenever I had a stomachache.

So there you go. I’d much rather not detransition. I think being a gender-non-conforming women should be left to people who actually want to be gender-non-conforming and actually want to be women, instead of to people who are putting up with it because it’s the closest you can get to being nonbinary.

The queer feminist website Autostraddle published this roundtable discussion, “What We Mean When We Say ‘Femme'”, to explore and celebrate the diverse ways that queer people define themselves with this word. One question they asked was whether emotional labor and caregiving is part of your femme identity. Visual artist, educator, and storyteller Rudy Loewe answered with a resounding yes: “It’s allowing a particular kind of tenderness to be part of your identity.” By contrast, beauty blogger Aja (Fit for a Femme) said something closer to my own perspective: “I associate being femme more with vigilance than with emotional labor or self-care. That’s the energy I put into the world and that I feel from other femmes. The emotional force in my life comes from the quality of relationships I seek, not from being femme.” I also related to Erin’s punchy description, though I lack her mechanical skills:

Honestly, my femme experience is entirely tied to my appearance and not at all how I would identify my personality. I say Utility Femme, which to me means I CONTAIN MULTITUDES. Like I’ll be made up and then wear some sensible shoes, or I’ll make sure I have on like eight necklaces and then definitely be able to replace your car’s front bumper. So to me, it feels less like a brand and more like an aesthetic. But you know what? When I see other femmes and femmes with femmes it makes me want to get in a car and drive with the windows down while I blast an air horn out the driver’s side because of how pumped it gets me. 

I don’t associate femme with emotional labor at all, and actually, I don’t really associate femme with tenderness! I equate Femme with being able to ruin someone’s life IN A GOOD WAY if you wanted to, this bubbling-just-beneath-the-surface strength. Not that strength and tenderness are mutually exclusive, but maybe it’s that their approach feels different.

Meanwhile, Cecelia’s words about femme and witchcraft challenged me to rethink my instinctive aversion to the words “emotional labor and care work”. There is a way of being a caring femme that is not codependent, though it is hard to find models for it in our patriarchal culture.

When I broke up with femininity and embraced femme, I felt strong and confident and powerful, but I was left with certain desires that I couldn’t find room for in myself. What was I supposed to do with my desire to nurture, to care, and to love something deeply?

This is why magic and other healing practices are so necessary to how I identify as femme. I use witchy things to care for myself and show other people that I care for them. Reading someone’s tarot is a way to remind them (and myself) that vulnerability is a measure of growth and strength. Lighting a candle and saying a spell for another femme is a strategy that reminds me how important it is to comfort and protect each other. When I didn’t have a personal understanding of the word femme and only understood my caring process through the traditional femininity I inherited, I felt fragile and lost. The differentiation between the two is, in many ways, totally arbitrary — but by taking the word femme on as a project, I was forced to actively investigate and take apart the ways that traditional femininity lived in my body. Claiming femme made me feel like an agent of my own experience, not a passenger.

What does femme mean to you, readers?

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Interview About My Poetry at the Book Lover’s Haven

Denise Turney, author of the popular novel Love Pour Over Me, runs Chistell Publishing, an independent press with a special interest in African-American and inspirational books. Her free monthly e-newsletter, the Book Lover’s Haven, features freelance writing jobs, literary conferences and events, and author interviews. Subscribe here. We’ve been connected online for several years because Chistell has periodically offered a free writing contest that we profile at Winning Writers. (The most recent submission period was October 1, 2015-February 28, 2016.)

I was honored to be the featured author for her September newsletter, which was headlined: “Bold Writers! Are Writers Too Scared to Write Authentically?” The newsletters are not archived online but she’s kindly permitted me to reprint my interview below. It’s humbling to be mentioned in the same breath as the prophetic truth-tellers she lists in the intro. I’ll try to live up to it!

Book Lover’s Haven Interviews Jendi Reiter

Novels, short stories and poetry demand authenticity. Although writers deal with fictional characters, imaginary settings and hard-to-believe plots, to connect with readers, writings need an element of real life. It’s easy when those real life elements are accepted by the majority of society. It’s harder when most people abhor the ways that a story resembles worldly events or experiences that many wish would just disappear. That’s when writing gets hard.
Yet, talent speaks for itself as it happens with James Baldwin, Jodi Picoult, John Irving, Amy Tan, Richard Wright, Leo Tolstoy, Marilou Awiakta and Alice Walker, writers who tackled issues and experiences like racism, mental illness and family dysfunction that most readers may prefer to turn away from. Our feature writer’s talent has opened doors for her. She covers heady topics that, although mirroring what’s going on in the world, make storytelling a challenge.

Keep reading this Book Lover’s Haven issue to learn more about Jendi Reiter, her poetry, short stories and novels. Her writing talent is undeniable.

BLH:  What inspired you to write?
JR:   Books have been fundamental to my experience of the world since I was a small child. “What inspired you to write?” feels almost like asking “What inspired you to talk or walk?” Composing poems and stories is just how I make sense of being alive.
Each of my poetry collections reflects the spiritual, emotional, or political dilemmas I was wrestling with at the time. I don’t want to find “answers” as much as to create a space where all possibilities have room to breathe.
For instance, my latest full-length collection, Bullies in Love (Little Red Tree Publishing, 2015), takes aim at myths that confuse us about the difference between passionate love and abusive control. These myths may come from society’s gender roles, religious dogma, or our own wishful thinking about relationships.
My chapbook Swallow (Amsterdam Press, 2009) is the most experimental of my books. Swallow uses fractured language, absurd humor, and collages of found texts to resist the oppressive narrative of psychiatric labels. It was inspired by unethical practices I encountered during my (ultimately successful) seven-year quest to adopt a baby.
BLH:  Tell us about the process that you follow to create poems that pull up a lot of emotion in readers, especially since poetry leaves writers with so little room to connect with readers?
JR:   The scarcity of space is an advantage, I think–the energy bounces faster and harder off the walls as they close in! I mostly write in free verse now, so I take extra care to listen for the difference between poetry and prose in the cadences of my lines. It is an auditory process. Poetry, to me, should sound tighter than prose, with fewer pauses or explanatory transitions between one thought and the next.
Intentionality about line breaks is a big part of that. It’s a pet peeve of mine when breaks in free verse seem random or end on a weak word. The reader is going to hear the “beat” created by that visual break, so it had better come in a spot that makes sense in the musical line.
BLH:  Your poems are powerful. Did you train with a professional poet or take an advanced creative writing course?  Do you recommend that writers receive professional/college writing or communications training? Why?
JR:   Thanks for the compliment! I didn’t, and I neither recommend nor discourage such training. It is a very personal choice. Some writers, like me, are unable to filter out the distraction of other people’s energy when working on first drafts. (I ask for feedback from a trusted writer friend on some of my revisions, but not all.) Others are more extroverted, or not as psychically porous, and thrive on the collective creative ferment of writing in a workshop.
I do recommend that everyone take classes in critical reading of contemporary and classic poetry. The English department at my arts high school (shout out to St. Ann’s in Brooklyn Heights!) taught me everything I know about good technique, other than what I learned through trial and error by actually writing.
BLH:  How did you arrive at the title “Bullies in Love”?
JR:   The title poem was inspired by an episode of the TV show “Glee” where the homophobic high school football player reveals that he’s been bullying the flamboyant young man from the choir because he’s secretly attracted to him. The secretly gay bigot is a common and, in my opinion, problematic twist in many stories about tolerance. It can preserve the dangerous fantasy that we should give our abuser a pass because he really loves us and just doesn’t know how to show it.
BLH:  Please give us a brief synopsis of Bullies in Love.
JR:  This blurb from the back cover says it best:
“Jendi Reiter’s astute observations of the complex nature of love reveal not only its beauty but also its damning consequences. From the child to the adult, the home to the wider world, this collection of affirming yet disturbing tight-knit poetry in various forms kaleidoscopes vivid images, framing the struggle to free oneself from parental and societal expectations from start to finish. These poems span the coming-of-age search for self-respect and love; the ideologies of marketing and religion; teachers’ censorship of children’s literature; and political crimes against sexual minorities.”
-Suzanne Covich, child rights activist and educator, author of When We Remember They Call Us Liars (Fremantle Press, 2012)
BLH:  Where did the idea to include photographs in Bullies in Love come from?
JR:     This was my publisher’s request. His background is in graphic design so he likes to combine art and writing in his titles. I had recently won a Massachusetts Cultural Council fellowship for poetry, so I asked the MCC staff to recommend some visual arts fellows whose work would suit my style and themes. I couldn’t be happier with Toni Pepe, the fine art photographer who agreed to collaborate with me. We share a preoccupation with dark fairy tales and historical representations of womanhood and motherhood. Check out her website at www.tonipepe.com
BLH:  Why you think that poems don’t sell more? They are so powerful.
JR:   Most poetry is published by small presses that have no marketing budget. The average person may feel that poetry is intimidating or old-fashioned, because their education has not included contemporary poetry that feels relevant to their lives. Perhaps the standardized-test-driven modern school is partly to blame for that: poems are ambiguous and complex, harder to summarize (if they’re good!) in a multiple-choice question.
This slippery quality of poetry is also a marketing problem, because how do you give an elevator pitch for what your book is “about”?
BLH:  I recently interviewed another writer who said that, today, there’s more pressure on women to be perfect while juggling more and more. Do you tackle that perception in Barbie at 50? If not, what topics do you tackle in Barbie at 50?
JR:  Barbie at 50 (Cervena Barva Press, 2010) is my most light-hearted book, but with an edge. The through-line is how girls use make-believe games and fairy tales to imagine what it’s like to grow up-and then the reality that is more complex and bittersweet, yet liberating, as truth always is. I am a Barbie collector and a feminist, two interests that some would say are incompatible, but I believe that instead of scapegoating feminine fantasy, we should create a world where people of all genders can try on roles without being confined to any of them.
BLH:  Please share two to three marketing strategies that work for you in spreading the word about your books and reaching your target audience.
JR:  Twitter, Facebook, and YouTube are free, low-tech ways to break your poems out of the obscure printed book or journal and spread them in quick, shareable formats. Does this translate into sales? Not always, but it creates satisfying interpersonal connections and a sense of being heard. Think of the poems that have gone viral on social media in recent years, because they voiced people’s hopes for peace after tragedies and injustices in the news. As poets, we may need to measure our success in terms of impact rather than dollars.
Other than readings at local bookstores and libraries, I haven’t done as much as I should to publicize my poetry books. My first novel, Two Natures, is forthcoming in September from Saddle Road Press (http://www.saddleroadpress.com/two-natures.html), so I’ve been giving myself a crash course in marketing this year, guided by Carolyn Howard-Johnson at HowToDoItFrugally.com. I recommend her highly!
BLH:  What advice do you have for a writer who is publishing her/his first non-fiction book, specifically as it regards finding a publisher or printer (if they are self-publishing) and marketing their first book?
JR:  Nonfiction isn’t my specialty, but my advice would be similar: for marketing, check out Carolyn Howard-Johnson, The Frugal Book Promoter, and Fauzia Burke, Online Marketing for Busy Authors. I am the editor of WinningWriters.com, an online resource site for creative writers. Our Useful Resources pages include a page of self-publishing vendors and advice sites that we have vetted for their honesty, expertise, and cost-effectiveness. (https://winningwriters.com/resources)
If you are going to submit your manuscript to a small press publisher, do your research and trust your instincts: Does their website look modern, and is it easy to find information about their books? Do they have any online marketing presence, such as an e-newsletter, active Facebook feed, or Twitter feed? Are they prompt and clear in responding to emails (or phone calls, if that’s your preferred method)?
I love my novel publishers, Don Mitchell and Ruth Thompson of Saddle Road Press, because of their stellar transparency, friendliness, and ability to hit deadlines. They’re also great writers–check out their books on their website! Interestingly, I found them because Ruth and I admire each other’s poetry and wrote blurbs for one another’s latest books. This just proves Carolyn’s advice that marketing today is about building your personal brand as an author, not just promoting one book at a time.
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September Links Roundup: Could This Be Magic

Apologies for another long blog hiatus due to book promotion, practicing witchcraft, and reading the picture book Construction Trucks twice a day to the Young Master. (I highly recommend this one, by the way: very informative, with illustrations of multi-ethnic male and female workers. Bet you didn’t know how cement gets to the top of a skyscraper.)

A high blood pressure scare this summer motivated me to rethink my expectations and self-image with respect to health. I wondered, what if I set my sights on true wellness, instead of settling for functioning on top of a constant feeling of fatigue and fragility?

I remain deeply conflicted about how much to have faith in this vision. I have enough friends with PTSD and chronic illness, not to mention the brilliant disability activists I read online, to know that positive thinking can’t wish away every limitation. Our idea of “wellness” is partly constructed by a society with unforgiving norms about bodies and productivity. On the other hand, I’m well aware of my learned helplessness as a trauma survivor and the health toll of a habitually over-activated nervous system that hasn’t learned that the danger is past. As the bumper sticker says, I don’t have to believe everything I think.

A friend sent me Louise Hay’s self-help book You Can Heal Your Life, which gave them great hope during a low point in their recurring health problems. I achieved some stress reduction through her mantras; “I trust in the process of life” was an appealing re-framing of prayer because I’m going through a phase of mistrusting anthropomorphic god/parent figures. However, I found her wider philosophy kind of crazy-making for my personal trauma recovery.

Hay is also a child abuse survivor, and like some other spiritual teachers with this background, e.g. Teal Swan, she has coped by believing that we attract all our negative experiences–either in order to grow spiritually, or because we had the wrong beliefs. This feels to me like a flight from the painful truth of being powerless at our parents’ hands. It also elides the political dimension of trauma, an analysis that has empowered me more than any mantra. I prefer Alice Miller’s advice that our psychosomatic illnesses will clear up when we listen to the child inside. Hay overstates the case by framing all misfortune–medical, financial, relational–as an individual psychosomatic symptom.

I got a reality check from this 2010 article from Tikkun Magazine, reprinted on the blog Common Sense Religion. Be Scofield’s “When Positive Thinking Becomes Religion: How ‘The Secret’ and Law of Attraction Poison Spirituality” skeptically examines the historical lineage of the positive thinking movement, from 19th-century opponents of Calvinism through Christian Science to today’s Oprah Winfrey Show celebrities. These movements always run the risk of becoming cultish and neurotic because there’s no process for recognizing factors outside an individual’s control (boldface emphasis mine):

While there are no claims of virgin births or bodily resurrections made by the new prophets of positive thinking they do preach many miraculous and magical ideas. And the law of attraction’s most prominent promoters borrow tactics from the play book of Christian fundamentalism, ones that are found in any group based on psychological totalism. Like other religions the law of attraction (as it is taught) promises salvation from the difficulties, anxieties and tensions of everyday life. Charismatic leaders viewed as Godlike shout the gospel in auditoriums and halls instead of churches, practitioners meet in small groups comparable to Bible study and devotees believe they have discovered a revelatory truth. The storyline of many of these new prophets is that they were once lost but are now saved.

The law of attraction is actually the perfect example of a postmodern salvation. It is individualistic (no community needed, one person’s thoughts run the world); narcissistic (the universe will supply ME with anything I ask for); focused on immediate gratification (its central teaching is to “feel good now”); materialistic (strongly emphasizes achieving money and wealth); detached from structural reality (lacks an awareness of political/social/cultural systems) and is hypocritical (claims to be free from religious dogma when it is actually reproducing it). Just like Christianity created a religion about Jesus which most often disregards the teachings ofJesus, a religion has been created about positive thinking while distorting its real meaning.

Many Christians believe that Jesus is the answer for everything. All you need to do is accept him as your savior and pray when in need. When Jesus (the invisible, magical and wish granting friend) doesn’t answer a prayer the error can never be with the doctrine or dogma but rather it resides in the individual who doesn’t have enough faith or hasn’t prayed hard enough. This aspect is perhaps one of the greatest ironies in the history of positive thinking because as the new thought pioneers in the late 19th century broke away from the harsh Calvinism of the day they kept its most central element: incessant and obsessive self-monitoring of the internal landscape. Both the conservative Christian and law of attraction devotee must continually purge themselves searching for either sin or negative thinking. But rest assured both are not allowed to question the doctrine or dogma because this is just more evidence of their own shortcomings. Once the idea that the doctrine is perfect, flawless and divine has been planted the believer has only one place to examine and deconstruct when something goes wrong: his or her own mind and soul. Critical thinking in both cases is portrayed as dangerous and harmful.

The same conflict causes me to waver in my commitment to my new spiritual path, which is turning out to be a combination of Tarot, spell-casting, and some vestiges of folk Christianity (saints, hymns, the Holy Spirit). In both liberal and conservative churches, I used to shield myself from the weakness of my faith through intense engagement with theology. My current practice is intuitive and charismatic–not in the sense of speaking in tongues, but in expecting effects from my invocation of spiritual forces. I have to conceive of prayers (which is what spells are) as making changes in this world, not merely as a psychological trick to make myself feel better.

Some of my new role models for responsible magic are the bloggers Clementine Morrigan and Maranda Elizabeth. They’re both queer, disabled, survivor witches who use Tarot and creative rituals to re-center themselves in their life stories. Morrigan’s seawitch ‘zines are affordable ($3 US & Canada, $4 elsewhere) and filled with experimental essays, poems, and collages placing ripped-out phrases from psychiatric reports into a ritual context. Magic serves as critique of a mental health system with no room for non-normative bodies or spiritual modes of healing. In her recent post “Theory, Magic, More-Than-Human Worlds, and the Arts”, she reflects on a summer writing conference and the difficulty of translating her sources of inspiration into academia’s approved ways of knowing:

From a theoretical standpoint I am interested in how the more-than-human world can be a source of relationship, solidarity, and strength, in the face of trauma and violence. My lived experience as a survivor of child abuse has shown me that the more-than-human world can be sustaining. My relationship with trees, birds, and landscapes are what allowed me to survive. These relationships, which continue to be central to my recovery and growth, are difficult for me to articulate. These relationships were never linguistic and they were not relationships I spoke about with others. The safety I felt in the presence of trees was a private wonder, one which I now long to express.

As a writer and artist I am interested in how the arts can create space in which to speak trauma, in ways which traditional discourses do not allow. Because the violence I experienced happened within the family, within the home, as so much violence does, and because this violence existed in the double-reality of simultaneously being true and untrue, as so much violence does, and because the body experiences violence in nonlinguistic ways, I have found that mainstream discourses of trauma fail in expressing the complex embodied realities of trauma. The arts have opened up space for me to express aspects of trauma which I have been unable to express in any other way. The arts have also offered me the work of other trauma survivors which are instrumental in the process of my own healing…

… As much as I feared bring my creative practice into conversation with academic work, I feared bringing my spiritual practice into the conversation even more. Again and again, in subtle and overt ways, spiritual ways of knowing are dismissed and laughed at within academic writing. Each time I read theory which quickly and without engagement dismisses spiritual ways of knowing, I feel discouraged from being honest within my academic work. My creative practice and my magical practice bleed into each other. They both involve ritual, pause, noticing, intuition, and awareness of the connectedness of things. Writing poetry, filming plants, planting a pollinator garden and noticing bees, each of these practices returned me to my magic. This return opened up a deep space of sadness and longing. I began to feel deeply ambivalent about my academic work. I use language like ‘more-than-human relationships’ but I am not honest about the spiritual nature of these relationships. My creative work this summer resulted in a crisis of faith, not in magic, but in academia. I began to wonder if I could exist within academia if I could not be honest about the role that witchcraft plays in my experience of the world, and in my knowledge production. This resulted in the writing of a paper titled “Can Theory Be a Spell?” in which I unpack the importance of spirituality in my life, as a survivor of violence and sober alcoholic, and take the first steps toward bringing my magic into conversation with my theory.

Buy “Can Theory Be a Spell?” as a ‘zine for $3 here.

Maranda Elizabeth offers online Tarot readings “for weirdos, queerdos, misfits, & outcasts!” Her series “Exploring Trauma, Madness, Chronic Illness, & Disability with Tarot” meditates on selected cards with an emphasis on their significance for these issues. She wants us to discover the elders or role models in our “lineage” as mad people–a provocative question, since I’ve always thought of my family’s mental health history as a curse or a burden. My biological mother owned several popular books on magic (I suppose everyone did in the 1970s, but still…), used to brag that she had psychic powers to know what I was thinking (it usually wasn’t good), and was somewhat proud when my aunt pointed out her resemblance to the Wicked Witch during our annual viewings of The Wizard of Oz. Embracing my magic potential scares me because she didn’t use her powers for good. Some part of me would rather have no power than risk being connected to her this way.

Not coincidentally, this year I’ve been binge-watching Once Upon a Time on Netflix. This fantasy-melodrama features fairy-tale characters trying to change their fates in the modern world. I wouldn’t say it has a consistent theology, but it tackles the great questions of religion: Do people have free will to choose good or evil, or are they predestined by the Author or their own intergenerational trauma? Is anyone completely good or bad? Does magic always come with a price that’s too high?

By the end of the first season, supernatural events convince the skeptical characters that their enchanted cosmos is not a delusion. The town psychologist is bumbling and ethically compromised (and also doesn’t remember that he’s really a cricket) so no one makes a strong sanity-saving case against magical thinking. So far, no villains have tried, cult-leader style, to make people believe in fake magic as a smokescreen for real abuses of power.

In the world I live in, belief in magic is riskier than that. And under “magic” I include the Law of Attraction and other New Age philosophies that attribute practical power to your intentions, as well as Christian prayers and rituals. I return as always to the Serenity Prayer: “God grant me the serenity to accept the things I cannot change; the courage to change the things I can; and the wisdom to know the difference.” The wisdom is the kicker. In my abusive family of origin, I was groomed to fix adult problems that I actually had no power or duty to change, while having to resign myself to unnecessary physical pain and fear. So every time I light a candle to ask St. Dymphna or Ursula the Sea Witch for protection, I wonder, “Is this just my child self escaping into a fantasy world, avoiding the knowledge of my helplessness?”

Perhaps the conclusion of that Tikkun article can offer some guidelines. The author asks “What is a healthy spirituality?”

…[A]ny holistic system of spiritual or psychological development and transformation embraces the shadow. The law of attraction’s incessant avoidance of all things “bad” and obsession with feeling happy all of the time is what leads to narcissism and a dangerous denial of reality. A much more healthy but difficult approach is to learn to be present with what is arising in your awareness whether it is feelings of sadness and anger or joy and happiness. There is very little depth to a spirituality that is based on a superficial and shallow attempt to be happy all the time, but yet this depth is crucial for true growth. When devotees of the law of attraction are unable to be perfectly happy it is easy for them to blame themselves for failing to apply the law properly, thus doubling the pain or sadness…

…[I]f a spiritual tradition makes cosmological and metaphysical claims about the universe it needs to be done in the context of the reality of immense structural inequality, oppression and injustice. We can ask, can this idea about the nature of existence hold up in the face of racism, Imperialism and war? Or does the idea simply justify the dominant powers that be by empowering them to believe the divine or cosmic order of the universe is on their side? These are just a few of many elements that can be described as part of a spiritual system that is ethically sound and responsible.

Come to think of it, the characters in “Once Upon a Time” do sort themselves into reality-based or denial-based worldviews. Belief in magic is not the dividing line. Rather, it’s the kind of magic they practice. Good magic is powered by true love; takes moral responsibility for using power; sometimes requires sacrifice; is merciful even to wrongdoers; doesn’t trample on others’ free will; and is used for the benefit of others as well as one’s self. Bad magic tries to acquire love through control and deception; is frequently focused on revenge, blaming everyone but one’s self for bad outcomes; benefits at others’ expense; can be defeated by true love; and if practiced by women, causes them to expose more cleavage. (Hey, I never said the show was immune from sexism.) While practitioners of both types of magic may feel trapped by intergenerational trauma, the bad magicians use it as an excuse to repeat their forebears’ misdeeds, while the good ones say, “The buck stops here,” even if they have to give up something they really want.

In other words, the power of magic–the power of intention, desire, and belief–is like any other power. Delusional, selfish people wield it badly, and self-aware, empathetic people wield it as well as possible (though not perfectly). I can’t protect myself from all possible harms or errors by refusing to commit to anything. I guess I’m an existentialist witch.

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Regina the (reformed?) Evil Queen from “Once Upon a Time”.  (Source)