A Song for All Saints’ Day

stgertrude

I sing a song of the cats of God,
Korat and Russian Blue;
Who purred and pounced, and chased their tails,
For the God who made them mew;

Cat-Lamp
And one was a tabby, and one Siamese,
And one was an alley cat full of fleas–
They were all of them saints of God, if you please,
And I mean to be one too.

Cat-Summer-1973

They lived not only in ages past,
There are hundreds of thousands more;
The Internet is full of cats,
That’s what it was invented for!

Cat-July-1975
You can meet them on Facebook, in blogs or in tweets,
In shelters and homes and on the streets,
For the cats in my life showed God’s love to me,
And I mean to love them too.

Cat-April-1982

(Top to bottom: My beloved Sidney, 1978; my mom Roberta’s Cat, 1973; my cousin Melissa’s Rusty, 1976; my grade school best friend Becca’s Snowball, 1982)

May the communion of feline saints receive Chloe, my friend Greg’s cat, who passed away last month.

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Wag’s Revue Goes Out with a Bang (and Four Poems by Me)

“I feel like someone just gave me some very good news!”

The online literary journal Wag’s Revue launched in 2009 with a manifesto promising to “marry…the editorial rigors of print to the freedoms of the Internet.” Over the next six and a half years, Wag’s published innovative poetry, fiction, essays, and interviews. Each issue also showcased grotesque, funny, and disturbing contemporary artwork, such as Dimitri Tsykalov’s portraits made of meat and Ana Teresa Barboza Gubo’s strangely romantic painting of a lion French-kissing (or perhaps preparing to eat) a woman.

I was honored to learn that a selection of my poems won their 2015 writing contest, now appearing in Issue #20 (alas, their last). Some of my literary heroes who’ve been published in Wag’s include Mallory Ortberg, George Saunders, Saeed Jones, Sarah Schulman, and Alison Bechdel. Browse the archives for hours of radical enlightenment and literary laughs. The editors’ list of faves is a good place to begin. My feature starts here.

The check is in the mail, but I’ve already spent the prize money. On what, you ask? Read on.

What I’d Do With Mine

Breasts are for public feeding,
lose your dirty mind.
So says La Leche League and town law agrees.
Well, I say the penis too is not always for sex.
My penis came in a box.
It was plastic like a president.
I wore it like a secret on national television.

This is not true yet.
So far my penis, like a 1975 Barbie Townhouse on eBay,
only furnishes my dreams.
Somewhere my future penis is riding up and down the elevator
of the cardboard house my mother threw away
because it was unfeminist and too big for the hallway.
It is peeping out the little heart-shaped window.
And it is exactly 11 1/2 inches tall in high heels.

I promise that my penis will fit into our daily existence.
It will not ring the doorbell of your vanilla manpussy.
I wear loose pants anyway.
My penis will not show up at family weddings.
The bride can keep the spotlight on her baby bump,
the little penis growing inside her.

But when my penis arrives, in its shiny pink wrapper,
happier than a tea party in a Christmas catalog,
I might walk down our street scratching an itch I don’t have.
Used to be, I had to go shopping for that.
I might pull it out like knitting during the sermon.
It’ll make me less threatening to the Reverend Mother,
who can sing her welcome solo
uninterrupted by other trebles.
I might use my penis as a mouthpiece
for all my novel characters.
How do children feel? Why do women lie?
It’s like a thumb drive with Wikipedia on it.
Men and women agree,
my penis is a likeable protagonist.

At night I’ll sleep with you, of course,
and my penis, after a useful day
of driving cars and explaining baseball statistics,
will sleep on my desk, in the warm spot the laptop makes,
lazing in the afterglow of news.
While you dream of nipples, and I, of deep-fried shrimp,
my penis may dream of returning to the woods
where the stag leaps beneath a horned moon.

April Is the Cruelest Month: Mommie Dearest Links Roundup

Is it just a coincidence that April is both National Child Abuse Prevention Month and National Poetry Month?

writer_parents_cartoon

(Hat tip to Love, Joy, Feminism.)

In that spirit, I’d like to share some excellent articles I’ve discovered this month about family trauma and recovery, and a poem from my new collection, My Miserable Life…oops, I meant Bullies in Love. Special #NaPoMo promo: Order your copy of Bullies, email me the receipt (jendi@winningwriters.com), and I’ll mail you a free copy of my award-winning chapbook Swallow. Even if you live in Tasmania.

Swan and Cygnet

I’m a dry tit, a blackened heartsteak.
Since memory
began a pink baby tumor has been cradled
on my ribs, curtaining
my girlhood’s one-act ballet.
Where is it now, inseparable sucking warmth,
sleepless fury, what selfish operation
uprighted me? Pounds of wet fat gone,
the thin belle shivers
in the too-wide spotlight, the crowds of love
never enough to heat the distance.
Don’t blame her for dancing
with such momentum she topples off the stage
like a drill bit spun askew in a splintered board.
I’m that dragged ankle, that pin in the bone remaining
after the symphony has laid down its burden
and the cheap statues
trundled into the closet,
the Act One virgin with no hands to save money
because the plaster baby is supposed to fit there.
Like all frivolous things, it’s a cruel vocation
always to be missing you, mother-
less child, as the feet miss bleeding,
as the red shoes miss being danced to tatters
in the ruthless illusion of flight.

 

My mother was a charismatic, creative person who always acted like normal rules didn’t apply to our family. Including the rules of sanity, I eventually noticed. So it’s both validating and slightly deflating for me to go down the checklists in these articles about emotional abuse and mother-daughter role reversal: “Yeah, we had that… and that.. .and that too… wow, I didn’t know there was a name for that…” She wasn’t even original in her narcissism!

But this late revelation highlights a deficiency in our cultural picture of “abuse”. The movies-of-the-week and PSAs usually feature a man hitting a woman. We have trouble recognizing that women can be equally harmful perpetrators, and that their violations are often disguised as affection that’s hard to refuse. Look at the Internet reaction to Madonna’s forcing a kiss on young rapper Drake at the Coachella music festival last week. Because of the mockery surrounding the whole concept of female-on-male sexual assault (see also: Shia LaBeouf), he’s had to pretend that he didn’t mind it, when his body language tells the opposite story.

And now, the links:

*At the website Womb of Light: The Power of the Awakened Feminine, life coach Bethany Webster discusses the complex interplay of patriarchy and mother-daughter emotional incest in her 2014 essay, “When Shame Feels Mothering: The Tragedy of Parentified Daughters”. This piece was extraordinarily close to my own experience.

The road between a little girl and her mother is supposed to be a one-way street with support flowing consistently from the mother to the daughter. It goes without saying that little girls are totally dependent on their mothers for physical, mental and emotional support. However, one of the many faces of the mother wound is the common dynamic in which the mother inappropriately depends on the daughter to provide her with mental and emotional support. This role-reversal is incredibly damaging to the daughter, having long-range effects on the her self-esteem, confidence and sense of self-worth.

Alice Miller describes this dynamic in “The Drama of the Gifted Child.” The mother, upon having a child may unconsciously feel that finally she has someone to love her unconditionally and begins to use the child to fill her needs that were not met in her own childhood. In this way, the child begins to carry the projection of her mother’s mother.  This puts the daughter in an impossible situation to be responsible for her mother’s well-being and happiness…

…Patriarchy has deprived women to such a degree that when they become mothers, they often turn to the love of their young daughters starving and  ravenous for validation, approval and recognition. A hunger that a daughter could never possibly satisfy. Yet generation after generation of innocent daughters have been offering themselves up, willingly sacrificing themselves on the altar of their mother’s suffering and starvation, with the hope that one day they will finally “be good enough” for her. There is a childlike hope that by “feeding the mother,” the mother will eventually be able to feed the daughter. That meal never comes. You get the “meal” your soul has been longing for by engaging in the process of healing the mother wound and owning your life and your worth…

Why it’s hard to face how your mother was a perpetrator: 

  • As little girls we were culturally conditioned to be caretakers and to not advocate for our own needs
  • Children are hard-wired biologically for unwavering loyalty to mother no matter what she does. Mother love is critical for survival.
  • Having the same gender identification as your mother; the implication that she is on your team
  • Seeing your mother as a victim of her own unresolved trauma and a culture of patriarchy
  • The religious and cultural taboos of “Honor thy father and mother” and the “holy mother” that instill guilt and silence children about their feelings.

Why is self-sabotage a manifestation of the mother wound?

  • As a parentified daughter, the mother-bond (love, comfort and safety) was forged in an environment of self-suppression. (Being small = being loved)
  • Thus, there’s a subconscious link between mother-love and self-attenuation.
  • While your conscious mind may want success, happiness, love and confidence–the subconscious mind remembers the dangers of early childhood in which being big, spontaneous or authentic caused painful rejection from the mother.
  • To the sub-conscious mind: rejection by mother = death.
  • To the sub-conscious mind: self-sabotage (being small)  = safety (survival).

That’s why it can feel so hard to love ourselves, because letting go of shame, self-sabotage and guilt feels like letting go of mother. 

*The Invisible Scar is a website devoted to raising awareness about emotional abuse of children. This article, “Not Only Shouting: Different Types of Emotional Child Abuse”, explains why certain behaviors are so damaging, and why it’s hard for us to name them as such. Again, I am a texbook case. Silent treatment, triangulation, pathological lying, sabotaging… Look, I completed my Bingo card, what’s the prize? Recovery!

…The abusive parent will withhold attention and affection until the child caves in and apologizes for whatever the abuser perceived as a slight or insult. Through a series of silent treatments, the abused child will learn to be silent, to be docile, to never speak against the parent—because if the child does, he will not be loved or spoken to or even acknowledged as a human being…

…“Bunny Boiling is a reference to an iconic scene in the movie “Fatal Attraction” in which the main character Alex, who suffers from Borderline Personality Disorder, kills the family’s pet rabbit and boils it on the stove. Bunny Boiling has become a popular reference to how people sometimes exhibit their rage by behaving destructively towards symbolic, important or treasured possessions or representations of those whom they wish to hurt, control or intimidate.” (Out of the FOG website) Whatever the child treasures, an abusive parent will take away or destroy…

…An emotional child abuser will sabotage a child’s calm and peace. For example, if a child looks forward to a television program, at the last minute, the emotional child abuser may deliberately set forth a ridiculously long chore list to be done before the child can watch the show. (Think of the evil stepmother in “Cinderella,” who set up Cinderella to fail by giving her too long a list of items to do before the ball.) Or the father will deliberately schedule a family meeting at the same time that a child had planned ahead of time to attend a friend’s birthday party. Like all forms of emotional child abuse, sabotaging ruins a child’s sense of security…

That was a real downer, so here’s a picture of two cute bunnies, in what we hope is an emotionally healthy relationship. Thanks for reading this far, kids.

easter_bunnies

(Photo credit: Twiniversity.)

“Bullies in Love” Book Launch Video

My new poetry collection Bullies in Love (Little Red Tree Publishing, 2015) had a successful book launch party this weekend at Forbes Library in Northampton, MA. My collaborator, fine art photographer Toni Pepe, gave a fascinating presentation about her artistic process, inspired by sources as diverse as Old Masters paintings, family snapshots, and Cindy Sherman’s conceptual portraits.

Please enjoy this 37-minute video of my reading, introduced by Little Red Tree editor Michael Linnard.

 

My Poetry Book “Bullies in Love” Now Available from Little Red Tree Publishing

Bullies_in_Love_cover

My second full-length poetry collection, Bullies in Love, with fine art photography by Toni Pepe, has just been published by Little Red Tree Publishing (New London, CT)! Pre-orders available now.

The book launch reading will take place on Saturday, March 7, at 2 PM at Forbes Library, 20 West Street, Northampton, MA. Come buy a signed copy and see a slideshow of Toni’s beautiful photos.

American Book Award winner Pamela Uschuk says of this collection: “In her remarkable collection of poems, Bullies in Love, Jendi Reiter has created an complex odditorium of characters with unique and often disturbing voices: poems peopled with bullies, the disenfranchised, monsters, prostitutes, criminals, the abused and forgotten, all searching for meaning, for faith and love in a postmodern, often cynical world.”

Enjoy a sample poem below, inspired by the Young Master. (He took this selfie on Grandma’s phone.)

IMG_0052

Two-Three

Son, it is time to begin breaking
your awakeness into wedges of five, twelve, sixty
rotations of pinned hands,
to pace off the sermon, the cartoon, the billable hour.

Why is it not spitting time? Why is the song over?
You pound like CPR on your teddy’s voice chip
till he squeaks again, That’s right,
a circle is round and has no corners.
Of the alphabet, you took to O first,
pointing it out on toothbrushes and tattoos.

Son, it is time to position P and Q
and fork and knife and light and dark washing
in the baskets where we say they belong.
Why is milk white? Why do shoes match?
You want to choose and cry at both choices.
Not that hat. Not that tomato.
Not that story.

Why is the bird lying on the ground? Why isn’t it tomorrow?
I read you the page about Pig Robinson’s aunts:
They lived prosperous uneventful lives, and their end was bacon.
Goodnight loom, goodnight soon.
You whisper to sleep
counting the wallpaper stars
with the only number-words you know:
two-three, two, three.

Sponsor Me: Fall Fundraisers for Literacy and Domestic Violence Services

Two opportunities are coming up for blog readers to sponsor me for a good cause.

First, I’ll be writing a poem a day in November to raise money for the Center for New Americans. CNA is a community-based, nonprofit adult education center that provides the under-served immigrant, refugee and migrant communities of Massachusetts’ Pioneer Valley with education and resources to learn English, become involved community members and obtain tools necessary to maintain economic independence and stability.

When I did CNA’s 30 Poems in November fundraiser in 2010 and 2011, it helped me recapture a sense of fun in my poetry and push myself to find fresh subject matter. The poem-a-day challenge generated prizewinning poems such as “After October Snow” and “Depression Is My Happy Place“, and other slightly less substantial works, like “The Ballad of Trader Joe’s Dimidiated Turkey”. The project wraps up with a group reading and celebration at Smith College in early December. Please join us if you’re in the area, and sponsor me at Razoo: Jendi Reiter’s 30 Poems in November

Second, our family-of-choice, a/k/a Freedom Team, will be walking in Northampton’s annual Hot Chocolate Run for Safe Passage on Sunday, December 7. This 5K run and 3K walk supports Hampshire County’s domestic violence shelter and advocacy organization. Please sponsor my page or Shane’s page at PledgeReg!

Now, for your delectation, the official poem for November 17, 2010:

The Ballad of Trader Joe’s Dimidiated Turkey

When only half a turkey will do,
When only half a turkey will do,
When there’s an empty place at table and you’ve eaten all you’re able,
Baby, I’m the better half for you.

You been stirring up that pot of beans ‘n rice,
You been stirring up that pot that smells so nice,
Cook that dinner year on year, while he sits ‘n drinks his beer,
Baby, you won’t have to heat me twice.

Grandma’s boyfriend took her on a cruise,
You sit and watch the blizzard on the news,
When your daughter calls collect, ’cause her flight did not connect,
Baby, I got just one wing and it’s for you.

You been rollin’ out that cherry pie,
You been rollin’ out sweet cherry pie,
He’s lost in halftime doze, dripping gravy on his clothes,
C’mon baby, lemme show you some thigh.

That tender meat is fallin’ off the bone,
You can share it with your friends or eat alone.
Serve me hot with sausage stuffin’, and I won’t let on you’re bluffin’
When you smile and say you made it all at home.

My Poem “Lord of the Storm” at Utmost Christian Writers

The poetry website Utmost Christian Writers, edited by Nathan Harms, has offered me a regular home for my spiritual writing for over a decade. This year I was honored to win First Honorable Mention in their annual poetry contest. My entry, “Lord of the Storm“, was inspired by memories of a family vacation on Martha’s Vineyard when Shane was about six weeks old. Nathan has kindly permitted me to reprint it below. The contest deadline is usually February 28, with prizes up to $1,000. Read the winners here (more runners-up will be posted on the site during the next week).

Lord of the Storm

Here is the ocean I promised you
salting your forehead with my fingertips.

Inconsolable joy.
Motherless, I mother.

Brown foam sucks the sand from under my toes,
digging a hollow shaped like my standing.

Six-weeks boy, swaddled blue as Cape waters,
your cries scouring my heart.

Down the driftwood stairs, down to the eroded coast,
carrying you, the first trust in my arms.

You came from a longer sea,
a more constant sun.

Neither of us belong to time,
un-homed from the country of sleep.

I’d thought waking for you would be no harder
than my old midnight pattern of terrors.

Three a.m. in the mildewed sunroom,
no one breathing but us and the dark waters.

All the silences wore off at once.
My ghosts became baby birds pleading not to starve.

Today’s ocean has hush enough
to spread spangled to the pearly horizon.

Each glinting wavelet a day of my history,
washing my hands as I lose it.

Your shrimp-pink fingers curl at my neck.
You open stone-blue eyes to summer’s glare.

You have no name for yourself or mother
or drowning or birth, so I will tell you:

That solid shape rocking on the distant current
could be a boat where a friend lies sleeping

as bravely as we will sleep tonight,
a man who knows where he comes from and where he is going.

Talkback to Sinatra: My Poem “I Wish I Were in Love Again”


My poems “I Wish I Were in Love Again” and “third day” have just been published as contest semifinalists in Issue #7 of OSA Enizagam, the magazine (get it?) of Oakland School for the Arts. “I Wish…” is a critical gloss on Frank Sinatra’s ballad of the same name, which romanticized a violent conflict between lovers. This poem originally appeared in Atlanta Review. (That’s right, OSA E will take previously published work. How cool are they?)

“third day” is a collage poem using phrases from a news story about the desecration of a gay man’s corpse in Senegal. The formatting can’t be reproduced in this blog template, so you’ll just have to go buy this great magazine, which features work by Donna Steiner, Anneliese Schultz, Linda Leedy Schneider, and many other accomplished poets and storytellers.

I Wish I Were in Love Again

When Sinatra sings,
I wish I were in love again,
I imagine Love is the name
of a violent town in Texas
where the one stoplight
took a bullet long ago,
dusting the dry street with ruby glass.

Where the sheriff,
big-bellied as Cupid,
didn’t see the evidence
of the split rope, the double-smudged lipstick,
the blacksnake-cold gun under the belt.

Sinatra’s voice pours the golden
whiskey of nostalgia to shimmer
over the icy rocks, like the foothills
outside Love where nothing
lives but tumbleweeds and chicken thieves.
He misses the spat of cat and cur,
the flying fur, the sparks
that burned down Love’s one church
when the preacher’s daughter
fell asleep smoking.

Lucky in Love
is the man who didn’t miss the train
in or out of town.

Love is a Many-Splendored Thing,
the mayor says,
hoping to attract
a branch of the Houston bank,
a brassworks factory or even a circus
to settle in Love,
create jobs for the men
and scarcer women who lie
in saloon alleys all night clutching
souvenirs of Love to their hearts:
a postcard, a clump of red dirt.
Who wouldn’t want such a loyal workforce?

Love is just around the corner,
if you’ve got a first-class horse.

City-trippers in the mood
for the blackened eyes
Sinatra sighs for
take the spur line to Love
en route to Laredo or Dallas.
Fanning themselves with transfer tickets,
the ladies breathe,
I’ve never been in Love before,
mistaking the crash of plates
for an emphatic whorehouse piano.

The general store hawks banjos
with one string, plasters for the knees
of old folks who fall in Love too easily,
and of course, bullets.
If you break a hip in Love
you know what happens.

Despite the weather,
Love’s no place to retire.
The all-you-can-eat buffet closes at five.
When the moon climbs the sky again
like a drunk husband going upstairs,
the city ladies take their seats
in the second-class carriage,
each with a purple bloom
aching under her blouse, or against her cheek.
It won’t fade for days.
It’s almost like being in Love.


My Poem “Robot Deer Shot 1,000 Times” at New Millennium Writings


I was privileged this spring to receive publication in New Millennium Writings, one of my favorite literary journals. My poem “Robot Deer Shot 1,000 Times” won an honorable mention in their Winter 2011-12 contest. The winners of the shared first prize included my dear friend Ellen LaFleche. Read more poetry from the current issue here. (“Robot Deer” is on page 146 of the issue, page 28 of the PDF.) The current contest, with prizes of $1,000 for poetry, fiction, flash fiction, and essays, is open through June 17; this deadline is typically extended to July 31.

This poem was inspired by one of those “News of the Weird” wire stories about a mechanical deer that cops deployed to trap poachers. The hunter’s backstory, however, simply emerged on its own as soon as I put pencil to page. You never know what your imaginary friends will tell you over a few drinks.

Robot Deer Shot 1,000 Times

Some buckshot-toting boys can’t resist
that hat-rack head lofting into view
in the sweep of the pickup’s dusty headlights,
a come-on like the barmaid’s at the Blue Note
when she slaps your hand but you know she means maybe
by how her tail switches away.
It’s poaching to shoot from the road
at night, one of those rules
on the same page as don’t drink with a married woman
or drive a locked van to Mexico,
even if your brother asks.
Maybe the barmaid can tell a pro tattoo
from the tic-tac-cross your cellie carved with a pen filler.
But you believe the buck is real
and that its brown eyes, glassy
with trust, are the worn-down night’s gift to you,
even when you shoot and shoot but it won’t fall,
clicking its proud head slowly round
like the barmaid’s heels when she glides
her tray of foaming mugs over to the college boys.
Then the Staties roll up with their toy-car lights
joking Bambi sure can take a beating,
and cuffed on the hood you’re forced into a close-up
of the felted frame, pocked with pellets,
and it looks like your brother’s skin after the last radiation.
Tomorrow you’ll be more of a fool
at the Blue Note than you were today,
not because of the deer but the white envelopes
the cops found stuffed in your glove compartment
with poems inked on them, that some joker will shout out
during a lull in the jukebox,
and you’ll think the barmaid, brown eyes soft, is listening.

My Poem “The Name-Stone” at Utmost Christian Writers

My poem “The Name-Stone” just received an Honorable Mention in this year’s contest for Christian poets at Utmost Christian Writers. This Canadian website has been very supportive of my work over the years. Read all the winners here. (Some are still in the process of being posted as of today, April 18. Check again in a few days if you don’t see a link to the one you want.)

The poem was inspired by a discussion in my church’s adult education group about a verse from the Book of Revelation: “To the one who is victorious, I will give some of the hidden manna. I will also give that person a white stone with a new name written on it, known only to the one who receives it.” One of our members, a retired Anglican priest, said this could refer to the ancient Near Eastern practice of friends making a keepsake at parting. They would write their names on a stone or lump of clay and break it in half, each one retaining a piece that uniquely fit the other.

The Name-Stone

(Revelation 2:17)

I will give you a stone
with a secret under it.

As children in the Galilee
wrote friendship’s names on both ends
of such a shard, and broke it
and went away, each to his own desert.

Dirt-born,
nothing to give one another
but a ragged edge
that, fit
to its companion, meant love.

Where do the gouged letters lie,
in temple midden or the royal road’s thorns?
What hands crushed the clay?

I will give you a piece
of unmarked earth.

Not the name
your mother pressed onto your lips
to seal the scroll of her sorrows.

Not the name
your father spilled
like an ox-dragged harrow,
a plow with no sower.

They only know the name
that decoy, death,
reared above the spot
where you left this ground.

Granite praises granite,
butchers weep
over the marble lamb,
speak both parts
of the absolving script.

But I will give you a riven rock
to drink from its flood heart,
the rock I broke myself
to fit you.