Nature Poetry by Duane L. Herrmann and Samantha Terrell

Two of our prolific Winning Writers newsletter subscribers recently sent me great poems that I wanted to share with you. Duane L. Herrmann is a Kansas poet, farmer, and essayist about the Bahá’í faith. We often compare notes about the weather when he sends me his publications news for the newsletter. In this new poem, he describes cutting down an unusual dead tree before snowstorm season.

SAVING THE FENCE

Tree with seven trunks,
all dead,
like spread fingers,
or an open fan,
against the sky,
but some falling.
More will fall
across the fence
with destruction
unless…
until…
brought down
with purpose
which was, eventually,
done.
Now, vacant space
opens the sky
with stubs remaining.

****

Samantha Terrell‘s newest poetry collection is Dismantling Mountains (Vellum Publishing). From the book blurb: “Terrell uses innovative and traditional poetic forms to shine a light on social and ecological issues, allowing the reader to become part of conscious change. An internationally published poet with a global perspective, Terrell moves naturally between themes, from writing her own creation myth, to motherhood, nature, war, and poverty and abundance.” Samantha promotes her fellow poets on her blog Shine, which features a new author every 2-4 weeks. I loved the unique marriage of hot and cold imagery in the poem that she’s allowed me to reprint below.

LUMIERE

Snowball sun
requests an audience
with our eyes.

Insistently, she presses her glassy
winter white bosom
against the backs of

soldier spruce and
mighty maple’s
bare branches–

forcing great flashes of
her soul through gaps, to
glimpse us.

December Links Roundup: Season of Outrage

It’s December, and you know what that means–the War on Christmas has begun. As opposed to, you know, actual war, which is A-OK. Fox News’s latest outrage cycle brings us this spectacular headline from the Green Bay Press-Gazette: “U.S. Rep. Mike Gallagher aims his ire at The Satanic Temple tree at National Railroad Museum”. Poet and journalist Natalie Eilbert reports:

As part of its Festival of Trees this year, the nonprofit museum included a tree from The Satanic Temple of Wisconsin, decorated in red lights, pentacles and ornaments extolling LGBTQ+ pride, bodily autonomy and the power of reading.

Gallagher, R-Green Bay, said it’s “impossible to overstate how offensive this is to Christians,” and equated the temple’s participation at the Festival of Trees with “waving a Hamas flag in a synagogue.”

The temple’s mission is “to encourage benevolence and empathy, reject tyrannical authority, advocate practical common sense, oppose injustice, and undertake noble pursuits,” according to its website. The National Railroad Museum is a non-religious, private organization focused on the history of locomotives…

…The exhibition at the National Railroad Museum is an exercise in optics. Take, for example, the event name itself: It is called The Festival of Trees. Nowhere in its description does it explicitly refer to the trees as Christmas trees, which invites all sorts of creative interpretations.

Speaking of that Hamas flag, I’m getting pretty fed up with right-wing Israel supporters waving the bloody shirt of anti-Semitism, when the biggest threat to Jews in America comes from white supremacists in the Republican Party. The memory of the Holocaust gets literally weaponized to justify ethnic cleansing of our Palestinian siblings.

According to a damning new report from +972 Magazine, the high civilian death toll in the current war was avoidable and arguably intentional. If you’re not familiar with this publication, their “About” page explains:

+972 Magazine is an independent, online, nonprofit magazine run by a group of Palestinian and Israeli journalists. Founded in 2010, our mission is to provide in-depth reporting, analysis, and opinions from the ground in Israel-Palestine. The name of the site is derived from the telephone country code that can be used to dial throughout Israel-Palestine.

Yuval Abraham’s feature story, “‘A mass assassination factory’: Inside Israel’s calculated bombing of Gaza”, was released yesterday.

The Israeli army’s expanded authorization for bombing non-military targets, the loosening of constraints regarding expected civilian casualties, and the use of an artificial intelligence system to generate more potential targets than ever before, appear to have contributed to the destructive nature of the initial stages of Israel’s current war on the Gaza Strip, an investigation by +972 Magazine and Local Call reveals. These factors, as described by current and former Israeli intelligence members, have likely played a role in producing what has been one of the deadliest military campaigns against Palestinians since the Nakba of 1948.

The investigation by +972 and Local Call is based on conversations with seven current and former members of Israel’s intelligence community — including military intelligence and air force personnel who were involved in Israeli operations in the besieged Strip — in addition to Palestinian testimonies, data, and documentation from the Gaza Strip, and official statements by the IDF Spokesperson and other Israeli state institutions.

Inside sources told +972 that Israel’s new artificial intelligence system identifies precisely how many civilians will be killed by bombing a target. The current campaign intentionally hits high-rise apartment buildings and other heavily populated areas with low military value, on the pretext that a Hamas member is inside or has lived in the building recently. These sites, called “power targets” by the Israeli military, are hit without warning the residents to evacuate, a change from previous policy.

The bombing of power targets, according to intelligence sources who had first-hand experience with its application in Gaza in the past, is mainly intended to harm Palestinian civil society: to “create a shock” that, among other things, will reverberate powerfully and “lead civilians to put pressure on Hamas,” as one source put it…

In one case discussed by the sources, the Israeli military command knowingly approved the killing of hundreds of Palestinian civilians in an attempt to assassinate a single top Hamas military commander. “The numbers increased from dozens of civilian deaths [permitted] as collateral damage as part of an attack on a senior official in previous operations, to hundreds of civilian deaths as collateral damage,” said one source.

“Nothing happens by accident,” said another source. “When a 3-year-old girl is killed in a home in Gaza, it’s because someone in the army decided it wasn’t a big deal for her to be killed — that it was a price worth paying in order to hit [another] target. We are not Hamas. These are not random rockets. Everything is intentional. We know exactly how much collateral damage there is in every home.”

This is absolutely grotesque. If this is the price of a “Jewish state,” I don’t want it.

You know who would be fine with it? Henry Kissinger, who went to his eternal reward (good luck with that) this week at age 100. May we all live in such a way that our obituary is less salty than historian Erik Loomis’ headline at Lawyers, Guns & Money: “Kissinger is Dead, Finally Something Good Has Happened in 2023”.

One of the most vile individuals to ever befoul the United States, Henry Kissinger is dead. A man responsible for the deaths of millions of people around the world and yet the most respected man within the American foreign policy community for decades, Kissinger’s sheer existence exposed the moral vacuity of Cold War foreign policy and the empty platitudes and chummy gladhandling of the Beltway elite class that deserves our utter contempt.

Where to begin? The unnecessary prolongation of the Vietnam War to get Nixon elected, the bombing of Cambodia, replacing Allende with the dictator Pinochet in Chile, or backing Pakistan’s massacre of civilians during Bangladesh’s bid for independence? The only good thing I can say about Kissinger is that his longevity gives me hope that I’m not over the hill. I was feeling kind of down this week because I received an AARP magazine with Ringo Starr on the cover.

Let’s close on a hopeful note with Major Jackson’s poem “Let Me Begin Again” on the Academy of American Poets website. Oracular and colloquial by turns, this poem urges us to keep choosing wonder and joy, because our disintegrating world may depend on it.

This time, let me circle
the island of my fears only once then
live like a raging waterfall and grow
a magnificent mustache. Let me not ever be
the birdcage or the serrated blade or
the empty season.

Hat tip to Sarah Sullivan, our 30 Poems in November fundraising coordinator, who sent this poem as one of her daily prompts for the writers raising money for the Center for New Americans. It’s not too late to donate to my page. I’m at $446 as of December 1–help me reach my $500 goal!

The Poet Spiel: “Glut”

Friend of the blog Tom W. Taylor a/k/a The Poet Spiel may be in his 80s, but his appetite for life remains strong, as the comic-horror poem below demonstrates. Have a tasty spooky season.

glut

six plate-size blueberry pancakes,
a half dozen eggs sunny side up
and a pound of bacon and sausage
serve as little more than a prompt
for a couple of fresh baked apples
drenched in cinnamon and butter
to start your day.
four fun-size baby ruth candy bars,
six butterfingers and one snickers bar
plus another baked apple
are only a prelude to
one whole bag of potato chips and
one cup of salty peanuts bathed in sugar —
not enough to pacify

your need to bite
into something that will satisfy
the rip and tear with teeth
your dentist has sharpened twice
in the past six months
because your penchant
for chewing has worn them down.

so you thaw a slab of pork loin
then slather it with honey sauce
and bake it in the same pan
you’ve used to bake the dozen apples
and turkey breasts you finished off
yesterday before the sun went down,
then topped that with your usual bedtime snack
of a bag of popcorn with catsup.

at noon you choke on soy free gluten free no wheat
angel hair noodles twisted round your uvula.
soon as your gagging fit ceases
you gulp a twelve ounce glass of milk
then shove down two large meatballs —
make that three or four, five or six
if you’ve got extras

all day every day and night
each bite of anything
persuades your saliva to bathe
the next bite of whatever
you’ve got ready-to-eat
in your pantry, fridge
and nuts and candy jars.

so look out
mister 300 pound footballer
with thighs like a side of beef,
if you wander into view,
be advised a fork and butcher knife
are in hand.

Poetry, Music, and a Queer Doll Wedding by Nhojj

I connected with singer-songwriter and poet Nhojj through my friend John Ollom, the movement artist. Raised in Guyana and Trinidad, Nhojj has recorded 7 studio albums and published 3 books. Winner of 4 Outmusic awards, Nhojj has shared stages with Norah Jones, Regina Belle and Estelle. Nhojj views his art as multidimensional healing spaces where audiences can experience themselves through the eyes of acceptance and love.

He filmed this adorable gay wedding with two Ken dolls, set to his original song “Faithful”:

Nhojj has kindly allowed me to reprint two of his poems below.

Ritual of Dance…

I
Dance at
Night on a basement floor
Music
Pounding
Tribal vibrations
Sounding
Sweet on my taste buds
Soca
Beats provoke my waist
Flood of
Sweat
Drips down
Body strips down towels wait
Behind the door cause
I aim to leave it all on this homemade
Dance floor

This house hypnotizes
This afro symphony baptizes
Me by the silk cotton tree
Spirits arise & walk in
Moonlight… fireflies
Reggae lullabies
Djembe drum sanctifies
Our dun dun purifies

Eyes closed
Chest exposed
Arms flailing…remake me
Voices wailing…remix me
Feet stomping…rewind me
Speakers thumping…replay me
Over & over & over again…
Gods of Jouvet
Voices
Chanting rhythms
Visions speaking in tongues
Lyrical phenomenons
Spirit of Shango
Magic
Lightning & thunder
Beneath my feet

Turn the dial left…
Left for…
Higher bandwidths
Higher frequencies
Higher planes

Villages of ancestral domains
Calling forth the rains
Come forth
Come now
Fall down &
Water this parched earth
With…

P
E
A
C
E

****

Cherish Yourself

She didn’t notice me at first, but then I turned, and the light bounced off my being, getting stuck in her vision like a speck of dust. Her eyes narrowed, recognizing something familiar… something distasteful.

Of course this wasn’t the first time. There had been many before her, mostly boys in men’s clothing, with that look of recognition in their eyes, trying desperately to erase this thing inside me. They’d used every trick in their books, teaching lessons they’d been taught about what was right and who was wrong.

This time it only took me 3 years… 3 years to feel my fingers and toes again… 3 years below ground to feel my heart beating… wildly at first, then more evenly, with each new breath. 3 years for me to remember my light, always recognized, would not always be cherished.

So now, every day as sun rises, bending light and shadow round table and chair, I write in my journal, read books from the shelf, and recite the words “cherish yourself”.

Poetry by Perry Brass: “The Death of the Peonies”

Author, journalist, and activist Perry Brass explores the intersection of gay male sexuality and spirituality. His books include The Manly Art of Seduction and the novel King of Angels. This poem, which he has kindly allowed me to reprint, was staged as a musical performance at Dixon Place in 2000 with support from the NYC Gay Men’s Chorus.

The Death of the Peonies

At first they are nothing.
A stubble on the earth
and then their stems shoot up
and tangle and gossip with one another,
and twist their leaves about each other
rancorously, grabbing towards the light
thrusting their fingers out in fisted buds
and penis heads, tight, furled, foreskinned out,
and you wait,
anxiously, hesitantly
for a soaking rain to please them, but not
beat them down. And you dream
about their flesh, their baby whiteness
and rich Latin reds and extravagant nights of them—
drifting out to the garden to smell—
then they burst, and you’re shell-
shocked from them: their dazzling, belly-
filling, ruthless gaudiness. Your heart triple
beats around them, a bolero entangled in
cockatiel plumage, a bed
washed with petals and you’re diving in them,
dripping; swimming; sinking obscenely,

licking them—with that scent of apple
and mango and citrus breeze
and the clean creases of babies and a ripened banana
and rain pounding your throat.
And at night you can’t sleep from the thought
that this exalted gallop,
hard, rushing, punching the air—
its moments are numbered. You must go
out and kneel in it, as you once made love
to whale sounds on a boat—insane,
but who could control it?
They go off. Your beloved will forget you
and take new partners, while you
can only watch—but this does not stop you
from rolling in the agony—how unseemly, dreamlike,
yet revolting. They have just taken your heart
and popped it and are eating it,
these awkward, hushed flowers turbaned
in the mating call of earth and testicles;
and you blame them. They made you ashamed.
Stripped you. Reached inside and ripped
some vital piece from you, while you
only wanted to lie face down, drenched in their odor,
in the crotch of their enduring artlessness

as that scent, intimate, fleeting
suddenly clears through you
and you draw up to your knees
and roll into yourself to at last
dissolve what figures between you.
And in a burst, it reaches you:
your own waking nightmare has taken you out
as its victim and pushed its jagged knife
into your chest as the sun beat down,
while you screamed with a gag in your mouth—
God-take-me-now, God-take-me-now,
now, now—owwww—till your blood rushed up
and was met by a heaven of simple lips,
as the Holy Child, knowing, floating
on a cloud of petals blessed you
and kissed that place in your heart
that bled.

Then all folded into One
rolled into its own thrilling head,
presented on its stem, perfect
through infinity, where its blossom
holds and tempts you
with an aroma of such intensity
that it made you stay alone
in the garden all night.

And in a week or so,
there before you
is that final retreat
when the air takes their petals and drops them
to your feet. And you watch them, exhausted,
mute, stunned, left . . . left in the waiting room
of a choking, single breath.

Poetry by Raheem Rahman, the Caged Guerrilla

Raheem Rahman, an incarcerated writer in Maryland, recently wrote to us at Winning Writers about his podcast The Caged Guerrilla. Rahman’s twice-weekly show discusses prison life, urban culture, self-improvement, and activism. He’s a raw, dynamic speaker who understands how “prison reform” requires radical change in the power structures outside the prison walls. In one letter to me, he said:

A lot of us did not know that we possessed this talent or even this intelligence until we were put into these type of situations that forced us to reflect or put us into a situation where we can be taught or have the opportunity to learn.

In a way, it makes it sound like I’m advocating for prison but I’m not. I’m saying that if these men and women were granted these opportunities before we got here. It could have saved a lot of heartache and maybe even lives. Furthermore, these talented and intelligent people could have been a benefit to society. A lot of us still can if people get out of their preconceived notions.

Rahman has kindly permitted me to reprint two of his poems below. For more of his writing, check out The Caged Guerrilla, his book based on the show.

A Man Apart

I find myself
(As of late)
Talking to myself
As if there’s no one else
Around to listen
Yet, I’m surrounded by many…

How could this possible be?

Can the stalk
In the field
Surrounded by his brethren
Not find an ear to bend?

Has life become so entangled?

****

Free Me

Locked down, held down, pain now
Heart about to bust.
Love lost, heart constrained.
Foundation crumbled to dust.
Minutes gone, time wasted
Still the situation is the same.
Money’s tight, things aren’t right
Guess who gets the blame.
Mouths to feed, people in need
Nobody to pick up the slack.
Losing all hope, sense of direction
Brains about to crack.
Can’t catch a break, no matter what’s at stake
Still end up losing ground.
Can’t find an out, no matter the route
It all ends up going down.
Irregardless of the cost, I’m tired of the lost
Need something to set me free.
Hand me a map, place a key on my lap
Dear God, please release me.
From life struggles, heartaches
Prison and pain.
From pandemic, poverty, ignorance
And the mentally insane.

The Poet Spiel: “interpretive solo”

This enigmatic character study by The Poet Spiel brings up some questions that are never far from my thoughts. When does ritual become neurosis? Can compulsion ever cross back into something sacred? The observers’ tenderness towards the solitary man in this poem suggests that his strange routines have summoned some blessing after all, though maybe not in a way that he could expect or notice.

interpretive solo

this red-faced man
stoops his shoulders
as if to keep his heart
from view

he dabs his pointing finger
into his wasting cola
then presses it
against the center of his chin

to create
a sticky dimple
then reaches downward
with his tongue to lick it off

methodically
he fishes thru his pockets
for those same old books
of paper matches

and lines them three across and
three down then flips their covers
then repeats the sugar dimple
lick-it-off stoop-his-shoulders

as in a prayer to wendy
his goddess of this hamburger joint
where i find his bicycle
and his helmet chained and locked

every noon tending
to this sacred business of
three cups of ketchup
a double wendy burger phasing cold

no tomato just the bottom bun
wipe his palms on his knees
never let the bun touch the matches
fold them toward him

sequences no one knows
except there is a perfect way
and if he gets it wrong
he puffs his lips his face

turns redder than his ketchup
and his shoulders nearly meet
until the puffing
and the redding disappear

then he returns to the counter
where the cashiers know his name
and they know no tomato
and not to bother

with the top bun
on the double burger
he will leave
to waste

January Links Roundup: God’s Second Draft

Happy 2023, folks. My resolutions this year are to organize, downsize, and appreciate my resources.

Because even when I was a woman, I didn’t need this many handbags.

Caps for Sale!

R.L. Maizes’ satire piece at Electric Literature, “On the Eighth Day God Attended a Writing Workshop,” imagines giving feedback on Genesis:

Levi, flipping through pages: The beginning was a quite a slog. Does anyone honestly care about the firmament? (Workshop participants shake their heads no.) Maybe just start with the apple incident and give us information about the rest of creation when we need it.

Selena, looking up from her laptop: Is the book supposed to be nonfiction? Because I don’t get how a couple like Adam and Eve who are just starting out can afford to live in Eden when I can’t even make the rent on my Jackson Heights studio.

God: Can I just—

Jason: Sorry, Ya. The Author doesn’t get to talk during the discussion. You’ll have a chance later.

This fantastic erasure-poem from J I Kleinberg in the latest issue of DIAGRAM, “Joining the Academy: A Job-Match Game,” discovers gems in found text. Would you like to attend the “College of better odds” or visit “The Museum of jam”? Perhaps you are qualified to become a “professor of sweaty foot smell” or the “Prefect of Lips”.

Also in DIAGRAM 22.6, this set of illustrations from a 1975 ornithology textbook shows birds multi-tasking by eating a lizard during sex. Their facial expressions suggest they know you’re watching and they enjoy it.

In the Jan/Feb 2023 Harvard Magazine, Nancy Kathryn Walecki profiles happiness researcher Arthur Brooks.

The way Brooks sees it, happiness is a combination of enjoyment, satisfaction, and purpose. The “four pillars” that support that trifecta are family, faith, friends, and work.

“Faith is anything transcendent that helps you escape the boring sitcom that is your life,” he says. It could be a meditation practice, time in nature, religious faith, or even playing music (he recommends fugues by his favorite composer, Bach). Work, on the other hand, is anything that helps a person sustain herself and her family. It doesn’t necessarily have to be a passion, but it should be something that makes a person feel useful in the world…

Americans have an inalienable right to pursue happiness, Brooks says, but are not always good at the pursuit. Instead of putting their energy toward building their four pillars, they chase the four idols: money, power, pleasure, and the admiration of others. “Mother Nature doesn’t care if you’re happy,” Brooks likes to say. “She cares if you reproduce. So, the things we crave are not always the things that are going to make us happy.”

…Most of Brooks’s [Harvard Business School] students have an incorrect definition of happiness when they start his “Leadership and Happiness” class, he says. They tell him happiness is a feeling. “That’s like saying that Thanksgiving dinner is the smell of your turkey. Happy feelings are evidence of happiness, not the whole thing,” he likes to say.

Perhaps unsurprisingly, this December article from PsyPost reports that “People with unhappy childhoods are more likely to exhibit a fear of happiness, study finds”.

Aversion to happiness beliefs were stronger among people who were younger, more lonely, and more perfectionist. They were also more common among people who believed in collective happiness, believed in black magic or karma, and recalled an unhappy childhood.

“The results show that people from collectivistic cultures are more likely to show an aversion to happiness than people from individualistic cultures,” Joshanloo told PsyPost. “At the individual level, perfectionistic tendencies, loneliness, a childhood perceived as unhappy, belief in paranormal phenomena, and holding a collectivistic understanding of happiness are positively associated with aversion to happiness.”

Importantly, reporting an unhappy childhood predicted aversion to happiness even after controlling for current loneliness. As Joshanloo explains, “This suggests that traumatic experiences as a child may have a long-lasting impact on the person’s perception of happiness, independently of the individual’s satisfaction with current relationships in adulthood.”..

…“It is worth noting that happiness can be defined in different ways,” the researcher added. “People are far more likely to be averse to emotional definitions of happiness (based on pleasure, fun, and positive feelings) than virtue-based definitions (based on finding meaning in life and fulfillment).”

For myself, I am noticing a connection between my vast amounts of disorganized possessions and my trauma-habit of believing that fulfillment is exclusively located in the future. When you live in a constant state of emergency, pleasure can seem like an unaffordable luxury in the present. The affirmation “I have enough” risks reconciling you to an untenable situation. The line between equanimity and despair is hard to perceive.

Transgender historian Jules Gill-Peterson’s feature “Doctors Who?” in The Baffler (October 2022) finds present-day political lessons in the hidden history of transitioners who bypassed the medical gatekeepers.

Fifty years ago, a small group of women of color boarded a bus in Southern California bound for Tijuana, Mexico. They may or may not have stuck out in the crowd of Americans who crossed the border daily for the cheaper rates on goods and services. Once in Mexico, these women, who had journeyed all the way from San Francisco, walked into a pharmacy, bought out its entire stock of estrogen, and then carefully hid it inside their luggage. Back home, they made straight for the Tenderloin.

These women were trans—poor, many unhoused, and most sex workers who faced unending street harassment from the police, clients, and other Tenderloin residents. They were also the self-appointed doctors of their community. In hotel rooms, shared apartments, and sometimes the back bathrooms of quiet bars, they resold and administered the estrogen to their friends—other trans women who could pay in cash for injections. At the turn of the 1970s, this group of ad hoc smugglers and lay doctors were part of a vast and informal market in hormones that stretched along most of the West Coast…

…As the liberal principles of bodily autonomy and the right to privacy are eviscerated, the history of DIY transition offers one path out of the quagmire of zero-sum legal arguments and toward what might come after, or in the place of, state-sanctioned care.

Gill-Peterson describes how institutional trans health care “was explicitly designed to limit access to transition” to those patients who would pass as cisgender heterosexuals after treatment.

As feminists and trans activists struggle against the liquidation of the right to privacy, digging into the connections between DIY transition and DIY abortion is instructive. Both reject how medicalization and the state collude to restrict people’s autonomy. And DIY history suggests that one of the core lessons of trans feminism is that you can steal your body back from the state—not to hold it as private property, but because the state power that polices and punishes your body, just like the doctors who execute its arbitrary policies, is fundamentally illegitimate. DIY treats legitimacy as arising from the people whose lives are most affected by resources and care, not from the abstract power of the state or medical gatekeepers.

The trans liberation activists of the 1970s who dreamed of free clinics were part of a political movement that wanted to depathologize transition, so it was no longer treated as a mental illness or a medical condition that required diagnosis and supervision from clinicians with no vested interest in trans people’s happiness…

…DIY has envisioned freedom in starkly different terms. Instead of pathologizing people to grant them access to medical resources, or relying on the state’s flimsy blessing, activists imagined community-run clinics where people to whom transition matters most would support one another and distribute the care they needed. In that framework, both abortion and gender transition would be something like resources for personal and collective autonomy—means to a life characterized by abundance, not dramatized medical procedures contingent on bizarre criteria of deservingness.

 

Poetry by Duane L. Herrmann: “Enlarging the Meadow”

Winning Writers subscriber Duane L. Herrmann emailed me with his latest poetry publications news for our newsletter, and we got to chatting about his Kansas farm and the chores he’s doing to prepare it for wintertime. When he used the phrase “enlarging the meadow,” I suggested it would be a good poem title. Now, here is the poem! Check out more of his work in the anthology Atelier of Healing and the online journals Soul-Lit and I Write Her, among many other venues. His eighth collection, Zephyrs of the Heart, was published this year by Cyberwit.

ENLARGING THE MEADOW

Low bushes invade,
creep into grass,
then additional forbs,
generally called “brush,”
quickly follow.
Their broad leaves,
larger than grass,
encourage tree seeds
to root and sprout,
all causing the edge
of the meadow to move.
After decades it
becomes forest.
To restore supremacy
of grass
all woody plants
must go–back breaking
under hot sun.

Helen Leslie Sokolsky: “In the Company of Books”

Winning Writers subscriber Helen Leslie Sokolsky has just released a new poetry collection, When We Had Orchards When We Had Moonbeams. I favorably reviewed her earlier book Two Sides of a Ticket on this blog a few years ago. Helen has kindly allowed me to share a poem from her new book below. She says, “It was written for a dear friend of mine, an Auschwitz survivor. She and her two sisters were in the camps and her love of life for all the years I knew her was an inspiration to so many of us. Regina loved literature and poetry. That poem was on her night table when she died in her apartment a year ago last June. I was told by her neighbor next door that she had asked to hear it read shortly before she passed away.”

In the Company of Books

I sit on the other side of the table reading to her
she grasping the pages in a long good-bye
she who for so long has struggled to hold back an endless night.
Now with light beginning to abandon her as shadows move into her lens
she reaches for my hands to guide her back to a familiar landscape
that hallowed place she has created
a pyramid of nested books, many of them shelved in weathered jackets.

I look at myself in the lens of her glasses, featureless
trying to imagine what it is like in that sea of darkness
and continue reading to her believing in the power of language
letting the music of words flow into her hands
which she cups as if they were scattered butterflies.
Outside the window birdsong trill their scales across the field
the wind chases in and out of sycamore branches
like a cloud reshaping itself sounds become the new vista.

I pause for a moment, let that moment rest on my lap
nothing moves but my hand across the page.
Here in the company of books we share I keep turning the pages
applaud a smile that slides across her face
when she tilts her head to listen and inhale
the crickets just beginning their nightly crescendo
a welcome background chorus.
Sounds continue to magnify within her lens
leaving behind a filtered beam of light
as if someone had just lit a candle for her.