The Spiritual Gift Shop; or, Living in Syncretism

jendi_ash_weds_2015

Ash Wednesday selfie with Buddha outside Namaste Bookshop, NYC.

I spent four days in New York City last week to take Internal Landscapes movement lessons with one of my artistic mentors, the choreographer John Ollom. John’s work invites one to occupy the “liminal space” where mental preconceptions are relinquished and new insights arise from listening to one’s body. He challenges the compartmentalization of sacred and profane, regarding Eros as the undivided source from which flows not only sex but spirituality, art, and interpersonal intimacy.

My visit coincided with Ash Wednesday, the beginning of the Christian season of Lent, when we are encouraged to re-evaluate our lives and renounce obstacles in our journey toward God. Lent can be a time when we shame ourselves and further split off the shadow side of our psyche. Or it can be a hopeful movement into the liminal space where we have to trust God more than our ideas about God.

This year, I’m giving up doubting my intuition for Lent.

How do I know when the cadence of a poetic line rings true? What’s that feeling when my novel characters are telling the truth and surprising me, and how’s it different from the gut-level suspicion that we’re bullshitting each other? How does my body, never trained in dance, free-associate from one gesture to the next during an Internal Landscapes lesson, suggesting new images rather than merely illustrating my pre-conceived storyline? How do I know what gender and sexual orientation I am?

I can’t dissect these intuitive processes the way I can pick apart a theological argument. But I can’t retrain my traumatized nervous system through political analysis alone. My head’s gone as far as it can go. Mistrust, fear, and alienation can only be overcome through openness to receiving the life force wherever it manifests.

My intuition knows that quickening feeling when a new line of inquiry makes me feel vital, curious, clear-headed, creative, and pleasurable. That’s the thread I follow through the labyrinth in my creative writing. Now I’m taking baby steps, with some guilt and anxiety, toward the same non-dogmatic attitude in my religious life.

Religion was where my inner child sought order, stability, clear moral boundaries, and the public accountability created by community norms and rationally defensible creeds. Traditional Christianity appealed to and reinforced my dualistic thinking: faith/superstition, good spirits/evil spirits, magical mystical sacraments/New Age hippie make-believe. At my most conservative, I was afraid to open a box of Women’s Bodies Women’s Wisdom Healing Cards that I received as a gift, because didn’t the Bible forbid divination?

One of the spiritual abuse survivor blogs I follow, Caleigh Royer’s Profligate Truth, this year has chronicled her journey away from Christianity and her process of healing from child abuse while raising her baby son. We have a lot in common. In her most recent post, she disclosed her current intuitive attraction to Tarot. I heard that little “ping” inside myself that tells me when I’m onto a good idea in my writing. I remembered my fascination with Tarot in college before I converted to Christianity. The mysterious symbols and fairy-tale archetypes on the cards had inspired me to write an epic poem based on random (?) cards I drew from my Aquarian deck. (One was Temperance, below.)

My mind instantly threw up a cloud of objections. “You have no reason to believe this is ‘true’. Aren’t you just looking desperately for patterns in random events? That’s not a grown-up thing to do! How can you take seriously a religion without a complex philosophical foundation? Or a coffee hour?”

Look, I don’t know any of that, either. I just feel drawn to Tarot right now as a source of resonant images to spark my creativity and know myself better. As this xoJane article, “Tarot Reading for Skeptics, Cynics, Nonbelievers and Side-eyers”, explains:

Why use tarot cards?

Personally, I use them for focus and meditation. I don’t tell the future, I don’t see other people’s secrets, and I don’t think I’m communicating with the divine. (It’s cool if you do, though — I ain’t judging.) I find the archetypes and stories in tarot symbolism to be resonant and meaningful for understanding myself and my life. I do self-directed readings to give myself points to think about, or to reframe my perspective. For me it’s really just a self-help practice with pretty props.

Do you “believe” in tarot as a supernatural/occult/magic thing?

Personally, no. And in general I believe any sort of faith associated with tarot use is fully optional. People will probably argue with me on this point — as I would have done when I considered tarot reading a spiritual activity — but no, you can be a flat-out atheist and still get use out of tarot cards, if you want.

Rational (if not fully scientific) efforts at explaining the efficacy of tarot for some folks often use what Carl Jung — founder of analytical psychology — termed the “collective unconscious.” Jung believed that this was a separate psychological aspect from our personal unconscious, and was not dictated by our individual experience but by the breadth of human existence, taking shape as our shared ability to recognize a series of basic universal forms that he called archetypes.

Examples of archetypes are pretty familiar to human storytelling, and include our ideas of the hero, the mother, the self, the wise old person, the trickster, and so on — most of these broad archetypes can be found in myths and folklore throughout time and across diverse cultures. Thus, Jung argued that this collective unconscious passes from one generation to the next as an inherited understanding shared by all humans.

Tarot cards — especially those who take their symbolism from the Rider-Waite standard — often employ these so-called universal archetypes. Even if you think Jung is full of shit, much of the symbolism used, especially in more modern decks, comes from human experiences many of us can relate to on some level — heartbreak, joy, falling in love, achieving a goal, a fleeting moment of feeling in tune with the world around us — and so with practice they will speak to you in their own ways.

On Ash Wednesday, on my way to my Internal Landscapes lesson, I passed the Church of the Holy Innocents to check on service times. I sometimes attended Mass there in 2000-02 when I worked in an office nearby and needed a mid-week spiritual recharge. It’s everything a small Catholic church in Manhattan should be: shadowy, smoky, crammed with aging plaster statues and paintings of beautiful agonized saints. In true on-the-go New York fashion, they were offering round-the-clock imposition of ashes from 7 AM-7 PM in the basement chapel. Next to the prayer station was a makeshift gift shop with elderly ladies selling saints’ cards, rosaries, beaded bracelets with saints’ pictures, and devotional booklets.

I used to have a childlike faith in such items. I attributed protection to the Jesus lucky charm, rather than the relationship with God that it represented. And by “used to” I mean until 2009 or thereabouts, when traumatic aspects of the adoption process made me realize I was a child abuse survivor. I became cynical and bitter about looking for rescuers outside myself. I wanted to stop clinging to the illusion of control over external circumstances, and instead grow stronger by loving myself and seeing my situation clearly. Rituals and saints seemed like painful reminders of a helpless child’s imaginary friends.

I’m just beginning a new stage of my healing journey, focusing on body-mind integration and openness to God’s presence. With that orientation, and with John Ollom’s insights about the undivided energy of Eros, my view of religious tchotchkes shifted once more.

After my movement lesson on Wednesday, I took the subway down to Namaste Bookshop to buy a Tarot deck as a souvenir of my New York spiritual pilgrimage. The colorful, welcoming store is packed with books and trinkets reflecting just about every New Age, Eastern, and indigenous tradition you can imagine: Goddess cards, angel cards, wolf spirit totems, Ganesh statues, charm bracelet Buddha heads… Since New Yorkers are never too spiritual to call a lawyer, the cash register also sports this lovely disclaimer about the store’s fortune-telling services:

Namaste disclaimer

The religious smorgasbord before me brought out my cynical side at first. When all traditions are presented as equally valid and on sale for $14.99, doesn’t that encourage shallowness, cultural appropriation, or a superstitious dependence on any barely-understood totem that gives you a good feeling that day?

But that objection fell away when I understood that the whole world is already sacred, already “charged with the grandeur of God” that shines out from every material object, waiting for us to notice it. The Spirit is not something separate from daily life, which we must bring in by choosing the right set of rosary beads or tarot cards. Any of these objects could work as a point of connection to the life force, just as any of them could become an idol if used in the wrong frame of mind.

I’m not saying “all religions are the same”. Beliefs have consequences: some are conducive to justice and love, others hurtful and misleading. Symbols, on the other hand, exceed the boundaries of any single interpretation. Jesus has been claimed for many contradictory agendas. Does the Cross represent God’s solidarity with abuse survivors, or does it reinforce abuse by romanticizing the suffering of innocents? Does the Incarnation represent the complete reconciliation of human and divine, or does it imply that human beings other than Jesus lack the divine spark? My heart’s attraction to the Cross transcends arguments.

Don’t ask me where I’m going, but I’m having a good time.

Summer Reads: Some Gay Romances

One perk of having a Kindle is the unlimited supply of M/M romance e-books that I can now enjoy, free from concerns about privacy and shelf space. I’ve read a couple of standouts that I’ll discuss below, and meanwhile have been thinking about some peculiarities of the genre.

I was never really a fan of hetero romance novels–I didn’t look anything like the girls on the covers, and more importantly, I wasn’t attracted to the kind of meaty alpha males who conquer these ladies with a blast of pheromones. I don’t relate to the genre’s near-universal construction of female sexual response as surrender, or the notion that falling in love happens on an instinctual level where chemistry overpowers rational free choice.

I’d guess that this critique resonates with the large population of semi-straight women, like me, who read and write stories about two men in love. Besides our simple enjoyment of the male anatomy, maybe we’re looking for alternatives to the genre’s traditional gender hierarchies. We might appreciate some fantasies where we’re just spectators, not worrying how we measure up to the leading lady.

Gay men in love, at least in theory, have the opportunity to meet each other as equals. Because homophobia is often one of the obstacles to their eventual happy ending, the characters are compelled to be more reflective about the nature of desire–how do they know what their “real” feelings are, and how much weight should they give to eros compared to other moral and social values? Not all M/M romances allow political consciousness to intrude, but the best ones, in my opinion, allow it to deepen the story.

The funny thing is, though, that M/M frequently carries over some of the weird patriarchal themes of the old bodice-rippers. Our imaginations are so thoroughly conditioned that we don’t take full advantage of the genre’s potential for gender liberation.

I first noticed this phenomenon in yaoi, the Japanese manga subgenre also known as “boys’ love”. These romance comics featuring male couples are primarily written by and marketed to women. However, the gender hierarchy is alive and well. There are generally clearly delineated “top” (seme) and “bottom” (uke) characters, with the latter being drawn as a more effeminate or androgynous youth. In fact, sometimes the uke is literally a teen boy involved with an adult man, which echoes another problematic theme of traditional romance fiction–the borderline non-consensual sex that the victim winds up enjoying.

Among the yaoi books I’ve read so far, Tetuzoh Okadaya’s The Man of Tango distinguished itself because both partners are depicted as adult men who switch roles, in bed and out, mutually guiding one another to open up new dimensions of themselves. As for the sex, let me just say that this book was sold in a sealed shrink-wrap and totally lived up to it.

Okadaya’s fellows also have a close female friend who is a sympathetic, three-dimensional character. The same cannot be said for a lot of works in this category, such as Youka Nitta’s hot but silly Embracing Love 1 & 2, about male porn stars who go gay for each other. Too often, women in M/M are either absent or mere foils for the men. They’re needy girlfriends, cold ex-wives, or disposable sex-dolls, who only enter the narrative to prove the male character’s virility and the inadequacy of the relationships preceding the male leads’ pairing. Considering that women are in charge of this genre, why are we building “GIRLZ KEEP OUT!” clubhouses for our sexy boys?

This brings me to another odd trope of gay romance, so common that it has its own acronym: GFY, or “gay for you”. (My mom-of-choice, who has become an expert on foreign lesbian soap operas on the Internet, reports that it’s all over the place in girl-girl plots too.) A typical romance pairs an experienced, comfortably out gay person with a partner who has never had a same-sex lover. The more plausible books (relatively speaking) at least set up some backstory that the GFY had previous gay desires but didn’t act on them because of spiritual conflict, social pressure, or trauma.

In Jamie Fessenden’s amazing Billy’s Bones, for example, the man exploring his first adult same-sex relationship is alienated from his own sexuality because of repressed memories of child abuse. Not only doesn’t he know what he wants, he doesn’t remember what he’s already done. His partner, a therapist, has to learn how to support his recovery without caretaking and controlling him. The result is a genuinely egalitarian partnership between adults. I can’t say enough good things about this book’s responsible, well-informed, and compassionate treatment of a topic that is usually sensationalized or shrouded in denial. Check out Jamie’s blog for insightful discussion of love between men, in books and real life.

Another beautiful novel, Tim Bairstow’s The Shadow of Your Wings, explores the mentor-novice theme via a love triangle among three men with a fraught relationship to the Church of England. (The book takes place in England in the 1990s, when gay priests had to be celibate, although straight priests could get married.) Jack is an elderly monk whose life has been warped by repression of his same-sex attractions. He becomes obsessed with Felix, a beautiful, virginal youth who is staying at the monastery to prepare for ordination to the priesthood. Felix has never dared to act on his sexual orientation. The third player is Jonas, the groundskeeper, a savvy young man who loves Felix and helps him see through Jack’s spiritual manipulations. This book is not heavy on the sex; it spends far more time mapping the emotional terrain of love, self-knowledge, and spiritual awakening. A must-read for theology nerds everywhere.

Felix’s loss-of-virginity plotline, the GFY trope, and the plethora of coming-out stories in M/M made me reflect on how a romance novel establishes that the central relationship is “special”. Here, too, I smell the lingering influence of purity-based morality from traditional heterosexual norms.

Romantic convention provides two main tracks for setting up this specialness, both of which I find problematic. The more experienced partner (the male in hetero romance) has had a lot of meaningless flings, but now he’s going to behave better because he’s found The One. (E.g. Jonas in Shadow, Angie in Man of Tango.) The less experienced partner is letting down his defenses for the first time because he’s found The One.

In hetero storylines, I call this the “not like other girls” delusion–an actual quote from high school stud Jake’s pursuit of virginal Marley on the TV show Glee, which consciously referenced John Travolta’s pursuit of “Sandra Dee, lousy with virginity” in the musical Grease. In both cases, he tries a little harder not to be a dick because she is purer than other girls, not because…uh, every girl should be respected? Being a dick is bad? In real life, this is not a man who is ready for a healthy relationship. He hasn’t done any of the inner work to transition from pick-up artist to husband. The clever but frustrating Steve Carell rom-com Crazy Stupid Love makes this point, but then throws it away in the interest of tying up all the plotlines with a happy ending.

“The right person will change you” is apparently very deep-rooted in the romance genre, regardless of gender and sexual orientation. While I enjoy these books, I think it’s disappointing that gay men (and their female fans) aren’t given more role models for relationships between two sexually experienced, mature adults.

Then again, my sample is limited. More research is needed. Gee, is it getting hot in here…?

Charlie Bondhus: War Poet for the Post-DADT Era


Charlie Bondhus’s masterful, heart-wrenching new poetry collection, All the Heat We Could Carry (Main Street Rag, 2013), could not have been written in any previous generation. In the closeted centuries following the Greco-Roman era, the poetry of gay male love and the poetry of war have only been permitted to overlap in sublimated and metaphorical ways. Bondhus merges them candidly, but the story this book tells is more elegiac than celebratory.

The alternating narrators of Heat, a veteran of the Afghanistan war and his homefront lover, seem free from their forerunners’ self-conscious anguish about sexual orientation. They can admit openly how sex between men is like martial arts grappling, how killing can be orgasmic and the camaraderie of soldiers more intimate than lovers. They can savor the flowers in their backyard garden without weighting down those fragile stems with the entire burden of their erotic communication, and without fearing that attention to beauty makes them unmanly.

But despite this unprecedented openness, an unbridgeable rift separates the lovers, and that is the tragedy at the heart of this book. Combat changes the veteran in ways that his partner cannot comprehend first-hand. His feelings are hardened like scar tissue. He can’t fit in, can’t understand the relevance of the civilian routines that he left behind. He eventually goes back to the war, not because he believes in it, but because it’s the only place he feels at home.

The past few years have brought high-profile victories for gay and lesbian inclusion in mainstream (some would say conservative) institutions like marriage, the church, and the military. After the celebrations fade, there’s an opportunity to look critically at the social structures into which one has been assimilated. Heat suggests that participation in systems of oppression doesn’t end with the waving of the rainbow flag.

Charlie has kindly permitted me to reprint these poems from his collection, which won the 2013 Main Street Rag Poetry Book Award.

Sharing a Bed

I remember the first evening in bed,
making love with the lights on.

Outside the window, a hanging basket
of red impatiens
and a ruby-throated hummingbird.

In late spring’s greenish light
my head was a bowed peony,
     
your torso,
     
a grand urn
     
of tissuey ranunculus.

Summer found us sharing a home
with mismatched furniture,
plagues of ragweed and clover
choking the thin, dark spaces
between our together-time.

Like angel’s trumpet, I craved
the cool white suddenness
the moon brings,
and when it came
     
silent as a cloud
our limbs were not the marble of roses,
or the patrician regularity of zinnias,
but the cheap, unsung beauty
of daisies, wild pinks.

Hornets nested in our heads.
Butterflies settled on our eyelids.
Morning’s first finches began to sing.

My arms were full of nettles and lamb’s ear.

****


Wood Gathering

In November we gather
straight branches into bundles,
and carry them

past flowerbeds
we stopped tending
last spring, to the shed

door which always sticks
in cold weather.
I want to ask you

how long since the seasons
became the same,
neither sun

nor perennials penetrating
our ribs, to the place where organs
slump like frozen vegetables?

When the snow starts,
you will cross
the backyard, and tugging

and grunting, pull open
the shed, where what
we’ve gathered is stacked neatly

as bones. Wordless
(we have no use for lips),
you will track dirt and ice

across the carpetless floors
and drop the flaking
wood on the fire,

filling the house
with the easier
kind of warmth.

First, pink rushes
to fingertips. Next,
skin cracks as heat

refills the heart
like hot water
into a cold glass. And then

like a body
rising
from a thawing lake,

and bumping heavily
against the sheet ice:
a pulse

or what remains of love,
brushing the underside
of the wrist,

a feeling
brittle as firewood,
finite as frost.

Celebrate Poetry and Dance at Ollom Art Festival Aug. 9-10 in Northampton

This weekend in Northampton, I’m hosting a literary reading as part of the Ollom Art Festival, an interdisciplinary event on the theme of Body, Mind & Heart. Please join us!

Choreographer John Ollom and Ollom Movement Art celebrate the release of his new book, Internal Landscapes, with the Ollom Art Festival on August 9-10 in Northampton, MA. This multimedia event includes the premiere of his show “Prisoner of My Projection” at the Academy of Music Theatre, short films, visual and performance art installations, and a literary reading hosted by Winning Writers.

Come to the Neilson Library Browsing Room at Smith College at 4 PM on August 10 for an hour of poetry and prose by Jendi Reiter, Diana Holdsworth, Ellen LaFleche, Lesléa Newman, Charlie Bondhus, Robert F. Gross, and an excerpt from Internal Landscapes. Proceeds from the festival benefit Diabetes Education. Purchase tickets from the Academy of Music website.

John has been a great influence on my creative process. Inspired by Jungian depth psychology and ancient myths, his work centers on finding one’s inner truth and overcoming shame.

For a glimpse of his teaching style and Internal Landscapes, his original method of “archetypal movement that leads to art creation”, watch this 5-minute video by Emma McCagg, whose work will also be on display at the festival.


WTF, Supreme Court? Gay Marriage Victory, Civil Rights Fail


It’s been a madly inconsistent week for civil rights at the U.S. Supreme Court.

First the good news. As you’re no doubt aware, in U.S. v. Windsor, the Supremes struck down the provision of the Defense of Marriage Act (DOMA) that barred the federal government from recognizing same-sex marriages legally contracted under state law. This means that couples legally married in Massachusetts and a dozen other states now have equal access to some 1,100 federal rights, including tax benefits, hospital visitation, and the ability to sponsor one’s partner for U.S. citizenship.

Still extant, however, is the provision of DOMA that permits states without gay marriage to refuse to recognize such marriages from their sister states. In light of this week’s ruling, it seems unlikely that the remainder of the law would survive a challenge under the Constitution’s Full Faith and Credit Clause, since the 5-judge majority in Windsor basically said there’s no legitimate reason to single out same-sex couples to take away rights already given them by their home state. Now that these couples have federal rights as well, one could argue that unless these rights are portable from state to state, their constitutional “right to travel” has been impaired. (Since the court in recent years has restricted the scope of the once-broad Interstate Commerce Clause, I would make that only a secondary argument.)

A second court challenge may not be needed, since Congress is considering the Respect for Marriage Act to overturn the rest of DOMA. President Obama said he would support this bill in 2011. For the latest on this strategy and how you can help, visit the Freedom to Marry website.

Now the bad news. This same week, the Court handed down three decisions that seriously weakened suspects’ Miranda right against self-incrimination, the 1965 Voting Rights Act, and the Indian Child Welfare Act. More details on each of these cases can be found here, here, and here.

Section 4 of the Voting Rights Act required 9 Southern states with a history of racial discrimination to pre-clear changes to their voting laws with the U.S. Department of Justice or a federal judge. This week, the Court struck down that section of the law, saying it was based on an outdated formula rather than on present-day data about state interference with minorities’ voting rights. How’s this for fresh data: according to ThinkProgress, 6 of those 9 states have already moved ahead with voter ID laws and redistricting plans that had been previously blocked under the VRA. Without neutral federal oversight, redistricting has often been abused to dilute the voting power of people of color, young people, and the poor, by clustering or dispersing them in such a way that they never form a majority voting bloc. Voter ID laws have been shown to have a disparate impact on poor and Hispanic voters, who are less likely to possess the documentation required.

One of my transgender activist friends, who’s been critical of the mainstream LGBT movement’s focus on gay marriage, speculated that the Court made the Windsor decision more palatable to Tea Party social conservatives by giving them what they wanted even more–a rollback of civil rights for racial minorities. I can certainly see how these other three decisions could stave off the extreme attacks on the Court’s legitimacy that became the norm after Roe v. Wade. Sinister stuff.

That’s why we need to emulate the great civil rights leaders, like Harvey Milk and Martin Luther King Jr., who understood that all struggles against oppression are connected. Dr. King is best known for his leadership of the African-American civil rights movement, of course, but he also preached against the Vietnam War, over the objections of some of his African-American followers who feared he would dilute his primary message and lose political capital. Milk built bridges to constituencies not traditionally supportive of gay rights, when he stood up for the Teamsters’ Union in the Coors Beer boycott.

The Windsor decision is important. It makes life a lot more secure for gay couples and their children–IF they happen to live in states where same-sex marriage is, or plausibly could become, legal. But the imminent disenfranchisement of traditionally Democratic voting blocs in conservative states all but ensures that same-sex marriage won’t be a reality there anytime soon. LGBT activists should work to restore equal access to the polls, not only as allies, but also because these struggles directly intersect.
 

A Faith That Makes Space for Mourning

Just this morning in church I was thinking about the Middle Ages, how their artwork was full of death, real death with grinning skulls and rotting flesh, and how this is considered the era in Western history when Christian belief was most alive and all-pervasive. How many of us who walked through the door this morning literally believe the words on the banner over our heads: “Christ is Risen”? Do I believe it? And by “literally” I mean “in a way that robs death of its power”. For me that also means “historically true”. For you it may not. But either way, that’s the job that “Christ is Risen” has to do.

I’m reading this absorbing, brilliant, painful novel called Swimming, by Nicola Keegan, which I found through this excerpt in Narrative Magazine. It’s about an Olympic gold medalist swimmer whose competitive drive is fundamentally an escape from her oppressive consciousness of death, triggered by family losses in her childhood and her mother’s subsequent spiral into housebound depression. Replace swimming with academic achievement and you have my life story. As I near the book’s end, I keep wondering why the heroine is proceeding down the very modern track of turning to therapy rather than religion when talent fails her and she has to face her long-buried feelings. Unlike my largely secular childhood, this fictional girl was immersed in Midwestern Catholic-school culture and has great respect and affection for the nuns who mentored her. Yet that framework proves powerless to help her or her family surmount their despair when confronted with mortality. Why?

Maybe it’s because modern Christianity doesn’t depict death enough. The church doesn’t spend enough time on the shadow side, allowing sorrow and pain to have their say, not prematurely silenced by happy endings. (If I ran the world, I’d have a second Lent halfway through Pentecost. Do we really need 29 weeks of ordinary time, people?) Those who are still angry and grieving may feel that the only way to validate their feelings is to reject the faith.

Later today I found some of these sentiments echoed in Robert Gross’s paranormal gay romance story “Dark Lapis“, published in the online journal Wilde Oats. Reiter’s Block readers may recall his poem “Poor Souls” reprinted here last month. The plague that passes through his fictional Renaissance city is reminiscent of the AIDS crisis of the 1980s-1990s, and the younger generation’s tendency to dismiss it as old history even though new infection rates remain high. It also reminded me of post-9/11 New York City and the shallow slogans (“Fight back! Go shopping!”) that were supposed to return a stricken populace to business as usual.

From “Dark Lapis”:

…The city was returning to its weddings and babies, lawsuits and public executions, and the anomalies were generally spoken of with a sigh, a shake of the head, a pious reference to the long-term costs of the pestilence, and an abrupt change of topic. But Magnus was drawn to anomalies. Though he would not admit it to anyone, he distrusted the return of the city to normalcy just as much as he was horrified by the return of spring. He preferred the fog, the darkness, the lapis lazuli ring on his finger. The incised griffin turned inward toward his palm, caressed with a thumb.

The cruel fact was Magnus missed the pestilence. He could scarcely contemplate the immensity of this truth to himself, nor could he communicate it to others. To think of it was like holding a hot poker to your flesh, but there it was-the truth-and it rarely left him. Not that he was anything like the mad monks who raved on the street corners at the height of the pestilence, relishing how the Scourge of God had smitten the sinners. Not that he wished another human soul a moment’s suffering. But he was not yet willing to put it out of his mind as the others seemed to have done, and he walked at night searching for proof that it had not yet lapsed completely into forgetfulness.

The city had marshaled its efforts behind recovery; religion had become reasonable, gentle, and omnipresent. Services were watercolor washes of music and flowers, and the ministers wore white as if they were officiating at weddings. The goal, their flock had been admonished, had been to persevere and in time forget the bad memories and continue with only the good. As if, Magnus thought, the horror were the flesh, the final memory the skeleton, and time were decomposition. He found this offensive. How could he ever forget the worst that had happened? The boils. The vomiting. Fever and ravings. The remedies as violent as the pestilence, which never worked for long if at all. Later he found it loathsome. What good was memory that was so skittish and indulgent, so afraid of pain that it locked the door and boarded it over?

Those days had been a light so unspeakably brilliant you could neither open your eyes to it nor close your eyes tightly enough to keep it out. Even with your eyes shut you were blinded by it. It was so intense that only in retrospect could you take in its excruciating vibrancy. The change, the loss, the revelation; the multiple obliterations of them, of everything. The vividness of one minute corner of existence until it threatened to set you and the whole universe ablaze or tear you open like a knife ripping through canvas. And now nothing had that. Not even the spring blossoms could match it.

Wednesday Random Song: Macklemore, “Same Love”

Rapper Macklemore is best known for his comical music video “Thrift Shop”, which went viral this year. But it turns out his awesomeness goes way beyond an ode to my favorite pastime. His song “Same Love” provides the soundtrack for this heartwarming 7-minute movie in support of gay marriage.

And he wears your granddad’s clothes.

(Hat tip to blogger Dannika Nash. Read her post about why young Christians are leaving the church to stand on the side of love.)

“Crime Against Nature”: A Lesbian Mother’s Poetic Manifesto

Minnie Bruce Pratt’s Crime Against Nature is everything a poetry collection should be. Politically urgent but never one-dimensional, in language that’s always clear but never pedestrian, this groundbreaking book recounts how the author lost custody of her sons when she came out as a lesbian, then forged a beautifully honest relationship with them later in life.

The speaker grieves, rages, yet bravely refuses to take the blame for the impossible choice forced upon her. “This is not the voice of the guilty mother,” she writes. Connecting her loss to other forms of oppression and violence against women, she dares to dream of a world that “will not divide self from self, self from life.”

Crime Against Nature was originally published in 1989 by Firebrand Press and won the 1989 Lamont Poetry Prize, a second-book award from the Academy of American Poets. A Midsummer Night’s Press, in conjunction with the lesbian literary journal Sinister Wisdom, reissued it this year in an expanded edition with historical notes and an author essay. It is the first book in their “Sapphic Classics” series reprinting iconic lesbian poetry that is now out of print. Subscribers to this excellent journal will receive future Sapphic Classics (one a year) as the equivalent of one magazine issue. Crime Against Nature does double duty as Issue #88.

Sinister Wisdom editor Julie R. Enszer has kindly given me permission to reprint a sample poem below. I chose this one because I could relate to the speaker’s dilemma between speaking and not speaking about trauma. In the end it is better to speak, even when it hurts. It sets free others’ “tongues of ice”, as well as your own. Thank you, Minnie Bruce Pratt.

Justice, Come Down

A huge sound waits, bound in the ice,
in the icicle roots, in the buds of snow
on fir branches, in the falling silence
of snow, glittering in the sun, brilliant
as a swarm of gnats, nothing but hovering
wings at midday. With the sun comes noise.
Tongues of ice break free, fall, shatter,
splinter, speak. If I could write the words.

Simple, like turning a page, to say Write
what happened,
but this means a return
to the cold place where I am being punished.
Alone to the stony circle where I am frozen,
the empty space, children, mother, father gone,
lover gone away. There grief still sits
and waits, grim, numb, keeping company with
anger. I can smell my anger like sulfur-
struck matches. I wanted what had happened
to be a wall to burn, a window to smash.
At my fist the pieces would sparkle and fall.
All would be changed. I would not be alone.

Instead I have told my story over and over
at parties, on the edge of meetings, my life
clenched in my fist, my eyes brittle as glass.

Ashamed, people turned their faces away
from the woman ranting, asking: Justice,
stretch out your hand. Come down, glittering,
from where you have hidden yourself away.

 

National Child Abuse Prevention Month: Why It’s Personal


The first day of April, the day after Easter. A breezy spring day, clouds speeding across the shining blue sky. Outside our town courthouse, a new flag has joined the Stars & Stripes atop the flagpole on the lawn. On a red ground, six paper-doll cut-out children, all blue except for one red body.

It’s National Child Abuse Prevention Month.

Awareness months and colored ribbons have their drawbacks. They can feel hokey and self-congratulatory, or smack of tokenism for issues that deserve year-round attention. But they can also provide a conversational opening to broach an uncomfortable topic. As my Lenten discipline recedes into the rearview mirror, I can attest that a month of anything is a manageable spiritual practice, while a lifelong resolution can seem overwhelming and self-defeating.

I had all those reactions, positive and negative, as I gazed up at the red and blue flag snapping in the wind. One child was different from the others. It didn’t help me to think about that. I guessed it was a reference to the “1 in 6” statistic, meant to send the message that child abuse is more prevalent than we’d like to believe. The logo was probably a gesture toward normalizing survivors, but my gut reaction was the opposite. It looked like a representation of how abuse victims feel–singled out, conspicuously tainted, separate from the human community. The logo reified this division. Red and blue. Us and them.

I don’t know how you’d put this on a flag, but my version of awareness would be more radical. It would emphasize what survivors have in common–with each other, across different kinds of abuse, and with everyone who breathes in abuse-enabling myths in the air of our culture. We may not all be in a position to identify abused children and find services for them, but we can all ask ourselves: What do I believe–about God, power, knowledge, sexuality–that contributes to the silencing and minimizing of abuse? What might I be telling myself to silence myself?

I didn’t realize I was a child abuse survivor until a few years ago, because the violations weren’t physical (as far as I can remember). My biological mother was physically abusive and controlling to her partner, which took center stage in how I thought about my childhood. I had to encounter abuse in other contexts, as an adult, before I recognized the pattern in my past.

First, vicariously, as an advocate for gay rights, I started to notice how the religious arguments against homosexuality would forcibly rewrite a gay person’s interpretation of his own bodily sensations and affections, trying to brainwash him into feeling pleasure as pain, integrity as brokenness. This is similar to how a sexual abuser teaches a child to dissociate, to disbelieve what her body tells her. As Martha Beck contends in Leaving the Saints, her memoir of incest in the Mormon Church, a religion creates split personalities when it commands adherents to accept demonstrably false facts. Such training primes people to be both abusers and victims.

I was raised by two moms, but the homophobic theology didn’t just offend me as an ally. It felt like it struck deeper. It was like a sword poised to sever me from my awareness of God. And I couldn’t explain why.

When I spoke up about this, I hit an emotional brick wall with some Christian friends. Our study groups were no longer a safe place for honesty, for me at least. Some conversations detoured around me as if I hadn’t spoken. At other times, my boundaries around discussing certain personal matters were ignored, because my feelings were merely human preferences that couldn’t stand in the way of my friend’s obligation to save my soul. We were adults sitting in a room having tea; why was I speechless with terror at my sudden invisibility, why tearfully desperate to wring compassion from a heart gone cold?

Searching for a better way to re-imagine my faith, I obsessively read feminist and pro-LGBT Christian websites. One of these led me to the “escape from Christian patriarchy” blogs such as No Longer Quivering and Love, Joy, Feminism. Though my upbringing included neither Christianity nor a patriarch, I was astounded to find how closely my experience mirrored that of girls raised in a fundamentalist breeder cult, right down to the “prairie muffin” dresses.

The penny dropped when these blogs did a series on emotional incest. I never knew that was a thing. I used to say, “Well, my mother was really really enmeshed and co-dependent with me…and OCD…and she hated it when I got married…and she had a breakdown when I tried to have a baby…and…and…” Now, I was like, “So that’s why I have so much in common with my BFF who just recovered her incest memories!”

The point is, I wouldn’t have been ready to face this truth about my past if I hadn’t been prepared with analogies to other forms of oppression, such as homophobia and spiritual abuse. These common factors gave me a sense of solidarity, overcoming some of the isolation and stigma I relived when I saw the courthouse flag today. I had a political outlet for my anger instead of expending it all in the secret confines of a therapist’s office. This solidarity continues to help me overcome the memories of being stunted, shut away, wasted, consumed.

Should I be telling you this, my readers? Should I embarrass the person who gave me life, whose own life is lonely and empty now because of a thousand choices to turn away from health? All I can say is, I could blog about “child abuse” in the abstract, I could link to a dozen resources run by “out” survivors whom I admire immensely, but I would still be dishonest if I kept silence in a way that implied, I’m one of the blue children on the flag, not that red one. No, I was just a child. This is my story.

Poetry by Robert Gross: “Poor Souls”

Poet and dancer Robert Gross, whom I met last year at the Ollom Movement Art summer program, has kindly given me permission to reprint this prose-poem. It was first published in the current issue of the St. Sebastian Review, an LGBTQ Christian literary webzine. As I read it, “Poor Souls” suggests that every sin and regret that seems to separate us from God is trivial compared to the magnitude of God’s love, if we could only see it properly.

Poor Souls

Little by little, they unfold out of purgatory; origami figures undone in silence, each a metaphysical yawn, a backbend out of time. Everything slow-motions to the beat of rosaries and suffusions of incense, the unclocked passage of steady repentance. Atom by atom, the gilt wears off; innocence emerges. Back then, I would’ve given anything . . .

They stagger out of the dead-letter office, each one exhausted by the dusty bins of misaddressed intentions, insufficient postage, the vast shabbiness of venial offenses. They squint, contemplate the deserted plaza, sigh. No such thing as an original sin, they chuckle, just the steady dissipation of extenuating circumstances, endlessly recycled . . . the gun misfired. . . I couldn’t get it up . . . I thought desirously of his lips, then sneezed . . . sins of omission and implication, of reverie and miscalculation, inertia and cliché. Nothing and everything mortal.

I was determined to offend big-time but my mother came to visit . . . Imperceptibly, each infraction becomes unfascinating, silly, dwindles before the massiveness of love. I even considered . . . I know this sounds ridiculous . . .I can’t remember how . . .

One by one, the penitents come unmoored and are carried out to sea. A delicate flotilla awash in perpetual indulgence and plainchant; crystalline buoys impelled toward a luminous horizon.