Helen Bar-Lev & Johnmichael Simon: Poems and Paintings about the Land of Israel


Israeli poets Helen Bar-Lev and Johnmichael Simon’s new book of poetry, Cyclamens and Swords, is now available from Ibbetson Press. This collection is beautifully illustrated with Helen’s watercolor paintings of Jerusalem and the Israeli countryside. I highly recommend it for anyone interested in the culture and landscape of the Holy Land, as well as poetry fans generally.

You can purchase your copy by emailing

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. Prices are 65 NIS (including postage to Israel), US$18 (including postage to US or Canada), 14 euro (including postage to Europe or Australia), or 10 pounds sterling (including postage to the UK). Payment accepted by cash, check or PayPal.

See what the critics are saying about this book:

The achingly beautiful cover of timeless trees, earth, flowers and rock, is redolent of Israel’s destiny. This little land, so hallowed in human history, seems the literary and spiritual core of existence to most of humanity. If strife is ever present here, how can there ever be the peace of ancient promise? This land seems to symbolize the eternal quest for harmony where forces of turmoil march ceaselessly. Bar-Lev and Simon explore this theme for us. Cyclamens and Swords will become a treasured classic, echoing as it does so fluently, the longing, fearing and questing that marks these troubled times. Helen Bar-Lev’s poem Beauty sums up the reader’s feelings as we reluctantly finish this special book: “and I,/the ingrate,/ever insatiable,/implore you,/please,/ show/ me/more.”

–Katherine L. Gordon
Author, Editor, Publisher, Judge and Reviewer, Resident Columnist for Ancient Heart Magazine

Bar-Lev and Simon open the reader’s eyes and hearts to Israel as a land of dazzling, sometimes tragic juxtapositions. The timeless tranquility of Bar-Lev’s unpopulated landscape paintings gains poignancy alongside poems that show an equally ancient violence alwayslooming on the border. This elegantly designed book shines with love and gratitude for the small miracles of natural beauty and human kindness that flourish even in a war zone.

–Jendi Reiter, editor of www.winningWriters.com and author of A Talent for Sadness

There is a point where art transcends our daily lives and past experiences to touch deep the old stories from where all of humanity arose. In this volume Helen Bar-Lev and Johnmichael Simon have drunk deep from the wellhead of this locus to combine poetry and visual art into a Jungian statement that illustrates how, when portrayed at its artistic essence, the story of one place becomes a story of us all.

–Roger Humes, Director of The Other Voices International Project, Author of There Sings No Bird

Helen Bar-Lev and Johnmichael Simon bring the beauty of Israel to life in Helen’s lush watercolors and evocative monochrome paintings and in the sensitive poems they both write. Their verbal and visual depictions of the breathtaking scenery, flowers, birds, fish, deer and ants, testify to Israel’s magnificent natural environment. But like an undertow in a dazzling ocean, the ongoing undercurrent of conflict tries to steal the serenity of the scenery. Their book is simultaneously exhilarating and jarring. They reveal the beauty and the pain which live side by side in the compelling, complex reality that is Israel. One shares their hope that serenity will triumph.

–Rabbi Wayne Franklin, Providence, R.I. 

            ****

A selection from Cyclamens and Swords:

Waters of Gaza
by Johnmichael Simon

They moved out of Gaza
not without protest, not without prayer
feeling like ivy ripped off the walls
like irrigation pipes torn from the soil
they moved out on unwilling legs
on buses to nowhere
fathers, mothers, children
and children without fathers
without mothers

They moved into Gaza
not without covet, not without envy
feeling like water released from a dam
bursting into surrendering fields
carrying all before it, trees, houses
places of prayer, fences, gardens
waves breaking over alien temples
again and again till water covered all

After the water came briny hatred
lusting for a redder liquid
and the skies darkened again
lightning and thunder returned to Gaza
rained on this thin strip of unhappiness
writhing between the wrath of history
and the dark depths of the sea

      ****

Cyclamens and Swords
by Helen Bar-Lev

Life should be sunflowers and poetry
symphonies and four o’clock tea
instead it’s entangled
like necklaces in a drawer
when you reach in for cyclamens
you pull out swords

This is a country
which devours its inhabitants,
spits them out hollow like the shells of
seeds,
defies them to survive
despite the peacelessness,
promises them cyclamens
but rewards them with swords

It is here we live with
symphonies and sunflowers,
poetry and four o’clock tea,
enmeshed in an absurd passion for this land
entangled as we are in its history,
like butterflies in a net
or sheep in a barbed wire fence

Where it is forbidden
to pick cyclamens
but necessary
to brandish swords

Book Notes: Proper Confidence


Lesslie Newbigin’s Proper Confidence: Faith, Doubt, and Certainty in Christian Discipleship is a must-read for Christians and others who perceive the sterility of the fundamentalism-relativism debate over the possibility of religious truth, but don’t know where to turn for a third option.

Newbigin (1909-1998) was an internationally renowned British missionary, pastor, and scholar. He began as a village evangelist in India, and eventually held such positions as bishop of the Church of South India and associate general secretary of the World Council of Churches. Because he spent so many years sharing the gospel in cultures that were unencumbered by Western philosophical baggage, Newbigin was in a privileged position to perceive our contemporary post-Enlightenment assumptions about knowledge and certainty as merely one ideology among many, open to challenge. He belonged to that rare breed of theologians who not only had genuinely original ideas, but expressed them with clarity and verve.


Proper Confidence is a slim volume (105 pages) that expresses more concisely the ideas in Newbigin’s best-selling The Gospel in a Pluralist Society. Though at times repetitive and dense, this latter book is also a treasure that belongs on every Christian apologist’s bookshelf. 

Newbigin sees a fundamental divide running through Western thought from the Greco-Roman period to the present day. Is ultimate reality impersonal, such that we must maintain a detached perspective in order to know the truth, or is it personal, requiring us to risk involvement in the story that God is telling? There is no neutral perspective from which one can prove the superiority of either option. Rather, which option we choose will itself determine our standards of proof in religious matters.

The gospel shocked the Greco-Roman world because it merged two realms that classical thought had kept separate. Truth was identified with universal, timeless principles. The logos, like the dharma in Eastern thought, “referred to the ultimate impersonal entity which was at the heart of all coherence in the cosmos.” (p.4) How could the logos be identified with something as radically contingent as the life and death of a particular man, Jesus, in human history?

At this point, says Newbigin, the hearer has only two choices. Retain the classical worldview, which has also become the post-Enlightenment worldview, with all its dualisms (fact/value, objective/subjective, reason/faith). Or “listen to those who tell the story, and perhaps (indeed above all)…witness the cruel death of those who would rather face the lions in the circus than disavow this belief. If that course is pursued, then the very meaning of the word logos and the whole edifice of thought of which it is the keystone have to be taken down and rebuilt on this new foundation, this new arche. The language of Scripture, the evangelist announces, will be either the cornerstone or the stone of stumbling; it cannot be merely one of the building blocks in the whole structure of thought.” (p.5)

If we believe that reliable knowledge is best obtained through logical discovery of universal facts — an epistemology that puts us totally in control — then it would be absurd to take up this invitation. However, if we’re open to the idea that knowledge depends on an act of trust, then confidence in the gospel witnesses may lead us to confidence in God.


What is obvious and important at this stage is that the acceptance of the biblical tradition as a starting point for thought constituted a radical break with the classical tradition, whether in its Platonic or Aristotelian form. To put it crudely, in the latter form we begin by asking questions, and we formulate these questions on the basis of our experience of the world. In this enterprise we are in control of operations. We decide which questions to ask, and these decisions necessarily condition the nature of the answers. This is the procedure with which we are familiar in the work of the natural sciences. The things we desire to understand are not active players in the game of learning; they are inert and must submit to our questioning. The resulting “knowledge” is our achievement and our possession.

But there is another kind of knowing which, in many languages, is designated by a different word. It is the kind of knowing that we seek in our relations with other people. In this kind of knowing we are not in full control. We may ask questions, but we must also answer the questions put by the other. We can only come to know others in the measure in which they are willing to share. The resulting knowledge is not simply our own achievement; it is also the gift of others. And even in the mutual relations of ordinary human beings, it is never complete. There are always further depths of knowledge that only long friendship and mutual trust can reach, if indeed they can be reached at all.

There is a radical break between these two kinds of knowing: the knowing often associated with the natural sciences and the knowing involved in personal relations. We experience this radical break, for example, when someone about whom we have been talking unexpectedly comes into the room. We can discuss an absent person in a manner that leaves us in full control of the discussion. But if the person comes into the room, we must either break off the discussion or change into a different mode of talking.

This is a proper analogy of the break involved in the move from the classical to the Christian way of understanding the world. If, so to say, the Idea of the Good has actually entered the room and spoken, we have to stop our former discussion and listen. (pp.10-11)

How does this choice between two philosophies affect us today? Newbigin sees both liberals and fundamentalists as mistakenly clinging to concepts of proof and certainty that belong to the “impersonal” worldview. The former throw out all the aspects of the Christian story that can’t be reconciled with modern science or proven according to the ideal of mathematics, that is, without reference to the personal commitments or situation of the thinker. Their fundamentalist opponents tacitly concede this notion of truth, but tie themselves in knots trying to show that the Bible and Christian doctrine measure up to these standards.

In three chapters titled “Faith as the Way to Knowledge,” “Doubt as the Way to Certainty,” and “Certainty as the Way to Nihilism,” Newbigin surveys how Western theology and philosophy slipped away from the incarnational, personal approach to knowledge embodied in the gospel, and how the quest for certainty failed.

In the 13th century, reacting to the influence of Muslim rationalist philosophers like Averroes, St. Thomas Aquinas introduced a fateful two-tier scheme of truths that could be known by reason alone, and truths that required special revelation from God. It was inevitable, as scientific discoveries in the so-called secular realm progressed, that the truths of faith would come to occupy second-class status as private sentiments. Moreover, if there were a truth-seeking method that functioned apart from God, why would we need another method? “If philosophy has to be called in to underpin that knowledge of God which (it is claimed) comes by revelation; if, in other words, the religious experience of those apprenticed to the tradition which has its foundation in the biblical narrative is not itself a sufficient ground for certainty, so that other, more reliable grounds are to be sought; it follows that those other grounds must be completely reliable….But they are not.” (p.19) Science and philosophy constantly overturned old proofs with new arguments and evidence, leading 17th-century Europe into a crisis of skepticism.

In this climate, Descartes proposed to establish religious certainty on a foundation of radical doubt, reversing St. Augustine’s dictum that “I believe in order to understand.” That statement offends us today because Augustine seems to be begging the question. How can he find truth if he’s already chosen the conclusion he wants to reach? Heirs of the Cartesian worldview, we assume that the thinking subject is the only active participant, and everything else is just data. But really, how could we expect an impersonal method to give us knowledge of the God of the Bible, who is a supremely personal God? The God of the philosophers, by definition, can’t walk into the room and tell us something we couldn’t have figured out for ourselves. Newbigin’s insight is that the Cartesian epistemology, no less than the Augustinian, predetermines the types of answers that will be considered legitimate.

In retrospect, it wasn’t inevitable that Descartes chose abstract thought as the bedrock of our knowledge of reality. He could have said “I love, therefore I am” or “I act, therefore I am”. “By isolating the thinking mind as though it existed apart from its embodiment in a whole person and thus apart from the whole human and cosmic history to which that person belongs, Descartes opened up a huge gap between the world of thought and the world of material things and historical happenings.” (p.22) This mind-body dualism, long rejected by science, persists today in popular thought about religion and ethics, from the liberal church’s scorning theology in favor of political and charitable work, to John Rawls’ attempt to define a just society based on procedural values alone (the famous “veil of ignorance“).

By making doubt seem morally and philosophically superior to faith, Newbigin argues, Enlightenment thought ultimately led us into an impasse where no knowledge seems reliable:

The phrases “blind faith” and “honest doubt” have become the most common of currency. Both faith and doubt can be honest or blind, but one does not hear of “blind doubt” or of “honest faith.” Yet the fashion of thought which gives priority to doubt over faith in the whole adventure of knowing is absurd. Both faith and doubt are necessary elements in this adventure.  One does not learn anything except by believing something, and — conversely — if one doubts everything one learns nothing. On the other hand, believing everything uncritically is the road to disaster. The faculty of doubt is essential. But as I have argued, rational doubt always rests on faith and not vice versa. The relation between the two cannot be reversed. Knowing always begins with the opening of our minds and our senses to the great reality which is around us and which sustains us, and it always depends on this from beginning to end. (p.25)
It was left to Nietzsche to pull the thread that unraveled the Enlightenment’s sweater. Rational criticism rests on beliefs which themselves are open to criticism by the same method. The “eternal truths of reason” depend on uncriticized axioms which are the product of particular historical and personal developments. If truth is defined as that which cannot be logically deconstructed, there is no truth, just competing expressions of the will to power. Hence the postmodern skepticism and emotionalism in which we now find ourselves.


The Christian epistemology sketched by Newbigin perfectly matches the Christian understanding of sin, grace and human nature. That is why conservative Christians who claim to possess Enlightenment-style infallibility about religious doctrine are also misguided.


If we are to use the word “certainty” here, then it is not the certainty of Descartes. It is the kind of certainty expressed in such words as those of the Scriptures: “I know whom I have believed, and I am sure that he is able to guard until that day what has been entrusted to me” (2 Tim. 1:12). Note here two features of this kind of assurance which distinguish it from the ideal of certainty we have inherited from the Age of Reason. In the first place, the locus of confidence (if one may put it so) is not in the competence of our own knowing, but in the faithfulness and reliability of the one who is known….Secondly, the phrase “until that day” reminds us that this is not a claim to possess final truth but to be on the way that leads to the fullness of truth….(p.67)

When we speak of God’s self-revelation, we are certainly speaking of more than information and even invitation: we are speaking of reconciliation, of atonement, and of salvation. Our discussion so far has assumed that we are, so to speak, competent to undertake the search for truth — this has been the unquestioned assumption of modernity….The call, so often heard in ringing tones, to “follow truth at all costs,” assumes that we are so made that we know what it is that we are seeking and that we shall recognize it when we find it. Here we have to come to that part of the whole Christian tradition against which the Age of Reason most strenuously took up arms. At the heart of the story of the ministry of Jesus as interpreted by the Fourth Evangelist, there occurs an encounter between Jesus and those of his hearers who had believed in him. It is reported that he said, “If you continue in my teaching, you are really my disciples. Then you will know the truth, and the truth will make you free” (John 8:31). Here we seem to have a direct reversal of one of the axioms of modernity, namely, that freedom of inquiry, freedom to think and speak and publish, is the way — the only way — to the truth. Jesus appears to reverse this. Truth is not a fruit of freedom; it is the precondition for freedom. It is not surprising that it was these words of Jesus which (according to the Fourth Gospel) precipitated an attempt to kill him….

We are not honest inquirers seeking the truth. We are alienated from truth and are enemies of it. We are by nature idolaters, constructing images of truth shaped by our own desires. This was demonstrated once and for all when Truth became incarnate, present to us in the actual being and life of the man Jesus, and when our response to this truth incarnate, a response including all the representatives of the best of human culture at that time and place, was to seek to destroy it. (pp.68-69)

Newbigin’s insight helps explain why the liberal churches have been so eager to water down the doctrines of the incarnation, the atonement, and original sin. For all the political self-flagellation that goes on in liberal sermons about the ethics of Jesus, our central idol — our own moral competence — remains intact. Virtue is within our reach as long as we make more material sacrifices. The modernist worldview attacks the gospel miracles, ostensibly to defend the obvious benefits of science and free inquiry, but really because facing the radical corruption of human nature is intolerable unless we place an equally radical confidence in God’s grace.

The conflict between the Bible and the Enlightenment is only secondarily about Darwin versus Genesis and all the other issues in the “culture wars”. It is about truth-as-propositions versus truth-as-story. At the beginning of the modern era, we decided that universal principles discovered by reason were more reliable than the particular historical narrative which the Bible records and which it calls us to continue. Now that those principles no longer look so universal, we doubt the possibility of all knowledge. The church’s task is not to justify the Bible story according to modernist principles, but to make our lives witnesses to Christian truth in action.


The business of the church is to tell and to embody a story, the story of God’s mighty acts in creation and redemption and of God’s promises concerning what will be in the end. The church affirms the truth of this story by celebrating it, interpreting it, and enacting it in the life of the contemporary world. It has no other way of affirming its truth. If it supposes that its truth can be authenticated by reference to some allegedly more reliable truth claim, such as those offered by the philosophy of religion, then it has implicitly denied the truth by which it lives. In this sense, the church shares the postmodernists’ replacement of eternal truths with a story. But there is a profound difference between the two. For the postmodernists, there are many stories, but no overarching truth by which they can be assessed. They are simply stories. The church’s affirmation is that the story it tells, embodies, and enacts is the true story and that others are to be evaluated by reference to it. (p.76)

Newbigin calls on fundamentalists to abandon their fear of error, their reification of the Bible as a set of objective “facts” whose authority stands or falls together.


At every point in the story of the transmission of biblical material from the original text to today we are dealing with the interaction of men and women with God. At every point, human judgment and human fallibility are involved, as they are involved in every attempt we make today to act faithfully in new situations. The idea that at a certain point in this long story a line was drawn before which everything is divine word and after which everything is human judgment is absurd…. (p.86)

The manner in which Jesus makes the Father known is not in infallible, unrevisable, irreformable statements. He did not write a book which would have served forever as the unquestionable and irreformable statement of the truth about God. He formed a community of friends and shared his life with them. He left it to them it be his witnesses, and — as we know — their witness has come to us in varied forms; we know about very few of the words and deeds of Jesus with the kind of certainty Descartes identified with reliable knowledge. To wish that it were otherwise is to depart from the manner in which God has chosen to make himself known. The doctrine of verbal inerrancy is a direct denial of the way in which God has chosen to make himself known to us as the Father of our Lord Jesus Christ. (p.89)

Whether one accepts or rejects the gospel, then, the quest for truth is never without personal risk. Both liberals and fundamentalists have tried and failed to establish perspective-independent knowledge. If anyone has such knowledge, it would be God alone. Ultimately, the search for truth depends on trust that ultimate reality wants to be known by us. The story of God’s self-giving love in Christ is the best story we’ve found to base that trust upon.

Poetry Roundup: Kelly Cherry, Jean-Paul Pecqueur

This poem by Kelly Cherry from The Cortland Review somehow spoke to me today:


She Doesn’t Care What you Say About Her, Just so Long as you Spell Her Name Right

Would she have fame?
Would she take tea and have fame with her tea?
Or roll a joint, famously?

She imagined approval, applause
A man not bored by her voracity.

In the house to be
Furnished in the future,
There would be intricate, quiet rugs,
Acres of books,
Someone playing the cello.

A late supper after the concert or play…
Outside, the people were clamoring for autographs.

The Madonna Syndrome:

Later, they went home,
And the man who was not bored
By the fact that she loved him
Allowed her to write her name
On his balls with the tip
Of her tongue as many times
As it took to make sure
He got it right.

In other news, those whose interest was piqued by my review of The Case Against Happiness should check out this even better review at the poetry blog The Great American Pinup, and this interview with Pecqueur at the blog every other day.

Book Notes: The Case Against Happiness

One of my favorite literary discoveries this year was Jean-Paul Pecqueur’s poetry collection The Case Against Happiness, which won the 2005 Kinereth Gensler Award from Alice James Books. That’s happiness as in “life, liberty and the pursuit of”. Pecqueur isn’t the first contemporary author to question the standard American Dream, but he stands out for his good-natured, funny and humble narrative voice, as well as his willingness to examine philosophical foundations instead of remaining at the level of shallow political polemic.

Pecqueur’s offbeat characters include an Aeschylus-quoting barber, a girl voguing for a supermarket security camera, and a shoe salesman who observes that Muzak makes him think of death. Like the narrator, they are constantly groping for a more substantial mode of existence that always remains just beyond the margins of thought and language. The poems’ wild associative leaps mirror the author’s inability to find the coherent, contented self that the Enlightenment promised. “Discord at the Cartesian Theater” begins:


Of how it came to be
that we can do what we like,
mostly, yet cannot know what we like
until we set the reconnaissance 
      dinghy adrift
upon the quarry pond of a fully 
      rationalized desire
you insist that we cannot profitably 
      speak.

And yet you have seen what follows: 
      the cow
path meandering across the great 
      divide
with great gangs of bored thrill 
      seekers
rambling on about how there must be 
      a beeline
to Sublime Overlook…

There you have it: the history of the past two centuries in 11 lines. The post-Enlightenment autonomous self is freed from moral and communal constraints on the fulfillment of its desires, only to be imprisoned by a new dogma of the intellect, which declares that anything that can’t be proven by science and logic is unsayable and therefore meaningless. Freedom collapses into sentimentalism and subjectivity, as we seek a shortcut to spiritual bliss without discipline. Pecqueur takes another stab at the rationalist metanarrative in “Like an Avant-garde Classic in Braille”:


Why all this Sisyphean fuss
and bother? Just the way it is,
you say? Well, let me reassure you —

that standard modernist yarn
about what there is and what
we can think about being
two different things like two
sweet peas in a pod

is simply that, a loose thread
loose in box of like threads.

A god-sized box.

A thread-sized thread.

There’s no cynicism or bitterness in this book, a rare achievement. Pecqueur does not place himself above his characters in the manner of Flaubert. To the contrary, their sincere bewilderment and nearly inarticulate aspirations are treated tenderly; their realness offers a glimpse of escape from the sterile world of intellectual systems and institutions, whose promises he finds hollow. In “We’ve Been There. Done That.” he writes:


I’ve met machines designed to 
      measure
the heart rate of the wingbeat of the 
      dying

luna moth, machines guided by inner 
      lights
projected from alphabetic satellites.
They were sleek and hairless post-
      human machines.
Meaning, forget about the Great Chain 
      of Being.

Forget about the woegriefgloom of 
      forgetting.
We are not links broken off Orion’s 
      silver belt.
We’ve been there. Done that. We’ve 
      boarded ships
piloting themselves across oceans 
      portioned out

to the last molecule just as we have 
      daytripped
over the sunburst the bountiful plains. 
      So go ahead,
tell me again; say something I don’t 
      already know
or couldn’t just as easily find out the 
      hard way.

At first glance, it seems absurd that everyone at the mall would want to talk about the duende, or that the narrator’s mother would cite the burning of the library at Alexandria while looking for the stereo’s remote control. But rather than mock their pretensions, Pecqueur makes us recognize their unexpectedly rich inner lives. If this hodgepodge of erudite references (“these fragments I have shored against my ruins,” as T.S. Eliot would say) seems an insufficient vocabulary for them to voice their spiritual yearnings, the fault lies in the language, not its users. They believed in good faith that the life of the mind really was democratically available to all, whereas the opening poem informs us, “The door to the Center for Educational Renewal is never open./This is not a metaphor.”

Fans of John Ashbery, which I am not, may get more out of some of the poems in this book that I found unnecessarily hard to follow. Pecqueur’s playful spirit is hard to fault, even when he leaps a little too far. You have to love someone who writes, “Asked where I wanted her to place the flowers/I responded that everywhere would be fine.” This book contains hope for escape from the prison of self through sympathy and humor.

Essay on Jack Gilbert at Poets.org

The Academy of American Poets website has posted a fine essay by Dan Albergotti on the poetry of Jack Gilbert. Now in his 80s, this reclusive poet is equal parts Desert Father and Zorba the Greek. His work combines the spiritual purity of long solitude with an earthy, almost childlike delight in physical pleasures. Of his fourth and most recent collection, Refusing Heaven (2005), Albergotti observes:


Fittingly, there is a sense of finality to these poems. In a recent interview with John Freeman for Poets & Writers, Gilbert said multiple times as a matter of fact and without self-pity, “I am probably going to die in the next few years.” With characteristically perfect self-awareness, he understands and accepts the declining arc of this life that he has dedicated to poetry. In fact, Gilbert has always embraced his mortality in a way that recalls Keats. He believes in the inevitability and finality of our bodies’ failure, but also in the redemptive power of the heart and imagination in the time we are allowed. In “The Manger of Incidentals,” he insists, “We live the strangeness of being momentary, / and still we are exalted by being temporary.” Though we may all be doomed to ultimate failure, we can achieve momentary triumph, like Camus’s Sisyphus, with perspective and courage. Even Icarus, a character traditionally mocked for his foolishness, is rehabilitated from such a viewpoint. In “Failing and Flying,” Gilbert says, “Everyone forgets that Icarus also flew.” The flying was worth the fall. The revelation was worth the hardship. At the end of the poem, Gilbert makes an assertion that I cannot help reading in the context of his refusal of literary stardom and his embracing of obscurity and poverty: “I believe Icarus was not failing as he fell, / but just coming to the end of his triumph.”

I had the privilege of hearing Gilbert read at Smith College two years ago. Though wizened and frail, he still had a fire in his eyes that might well attract a sensitive young poetess. He couldn’t see the words on the page too well, and at one point, after stumbling over the words of his poem, he shrugged and smiled, and said, “Whatever.” That mix of humility and virile assurance is the basis for his unique charisma —
a word that comes from charism, an anointing, a sacred gift.

Ain’t That Good News? (Da Vinci Code 2)

Having finished this rather dopey book, I have only one question: Why would so many people want to believe it? I admit, I’ve sometimes felt it was unfair for Jesus to be given a human body but never have a girlfriend. And millions of men probably jumped for joy when they read that we were meant to access God through sex rather than church attendance. But, because Dan Brown taps into popular anxieties about the hierarchy, authority and secrecy of the Catholic Church, it’s easy to miss how elitist and exclusionary his vision is, compared to orthodox Christianity.

“I don’t need the church to mediate my encounter with God.” Whether you’re a Protestant clinging to sola scriptura or an ordinary American individualist who resents having your spirituality crammed into pre-set rituals and doctrines, this sentiment should be very familiar. It sounds so democratic, right? But the church and the sacraments are open to all comers. What does Dan Brown put in its place? Heterosexual intercourse. Bad news if you’re gay, underage, physically incapacitated, or the pimply kid standing by the punchbowl all night at the senior prom. We want so much to believe in transcendence through pleasure, to skip the disciplines that help us endure pleasure’s fading.

Another conceit of the book is that Christ was not divine, just a human prophet who had a real wife and a royal bloodline that continues to this day. That’s an interesting story, but as irrelevant to my life as Zeus and Hera. The Bible says Christ’s bride is the Church, that is, all of us. Through him, our souls can be as intimate with God as Dan Brown’s Jesus was with Mary Magdalene. Why would anyone prefer a story about a royal family that we worship from afar? If Jesus wasn’t divine, what makes his kids better than the rest of us? (Does God drive a SmartCar with a bumper sticker saying “My son is an honor student at Galilee Elementary School”?)

Finally, I don’t get why so many people find relativism more comforting than sincere belief. Brown’s fictional hero, Harvard symbologist Robert Langdon (another reason I never give to the Harvard College Fund), explains thus his decision not to publicize evidence that the gospels are a fraud:


“Sophie, every faith in the world is based on fabrication. That is the definition of faith — acceptance of that which we imagine to be true, that which we cannot prove….The Bible represents a fundamental guidepost for millions of people on the planet, in much the same way the Koran, Torah, and Pali Canon offer guidance to people of other religions. If you and I could dig up documentation that contradicted the holy stories of Islamic belief, Judaic belief, Buddhist belief, pagan belief, should we do that? Should we wave a flag and tell the Buddhists that we have proof that Buddha did not come from a lotus blossom? Or that Jesus was not born of a literal virgin birth? Those who truly understand their faiths understand the stories are metaphorical.” (pp.369-70, paperback edition)


My husband’s a Buddhist, and I don’t think the lotus blossom legend plays a big role in their activities over at the sangha. On the other hand, if there were proof that no one had ever achieved enlightenment by meditating, and the stories to the contrary were a plot to get Tibetans to sit still while the Chinese took over their country, I’m sure he would want to know.

Again, what seems like liberal openness is the worst kind of elitism. The world is divided into “those people” who need their illusions, and “our kind of people” who know better. Because “we” don’t believe that religious ideas have real-world consequences, we don’t mind that billions of people are misled about the nature of ultimate reality. (This is what my minister believes, BTW, which is why I’m blogging this morning instead of going to church. “Resistance is futile!”)

Someone, please explain to me the appeal of this kind of thinking. Is it that you want the warm feeling and pageantry of church membership but can’t manage to agree with the doctrines? Are you afraid of dividing the human race between true and false believers (a line that relativism merely redraws, not eliminates)? Do you actively disagree with Christianity and want to appropriate its cultural capital for other ends? As for me, I’d rather live in a world that God loved enough to die for, instead of a world where most people have to swallow comforting lies in order to avoid eating a bullet.

Whip It Good (Da Vinci Code 1)

The day after Christmas seems like a good time to defend corporal mortification. (Memo to world: stop giving me cake unless you’re going to reinforce my office chair.) Anyhow, with the shining obliviousness to social trends that has always been my hallmark, I am just now getting round to reading The Da Vinci Code, and finding it both as exciting and as annoying as I expected.

I mean, poor Silas. In case you don’t know, he’s the tormented albino monk who likes to whip himself when he’s not assassinating people. The book makes a little effort to arouse our sympathies about his abusive childhood, but the overall tone is voyeuristic and superior. Just as in Chocolat, a film that made fun of the Lenten fast, we’re supposed to apply our little pop-Freudian insight that anyone who would deny himself bodily pleasure (or worse, deliberately undergo suffering) for the sake of spiritual formation must be repressed and neurotic at best, a lustful hypocrite at worst. By implication, nothing that this character believes should be taken seriously.

I’m not a big fan of extreme ascetic practices, as they can feed un-Christian ambitions to bring about perfection by our own efforts. Meditation, therapy and a sense of humor about one’s inevitable weaknesses are a healthier path for most everyday struggles with temptation. BUT — a little respect, please, for anyone who loves righteousness so much that he’s willing to tear his own flesh to conquer the devil within.

Ask yourself: would Dan Brown mock a vegan? a bodybuilder? an anorexic? a U.S. Marine? a Buddhist monk who set himself on fire to protest the Vietnam War? Like Silas, and unlike me most of the time, these folks have made some extreme physical sacrifices, sometimes for a noble goal, other times for a questionable one (you do the match-up yourselves, kids). I’m with Simone Weil, who saw something godly in every effort to transcend one’s self through discipline, even a mundane one like doing your math homework when you hate math. Christianity needs its freaks.

Book Notes: Jonathan Edwards, America’s Evangelical

I’m currently reading Philip F. Gura’s brief, lively biography Jonathan Edwards: America’s Evangelical, which holds special interest for me because the great 18th-century theologian and preacher spent the first two decades of his career in my adopted hometown of Northampton, Mass. The issues of church discipline and unity that Edwards confronted seem uncomfortably familiar, 250 years on.

Casual students of church history know Edwards only as the author of the infamous “spider” sermon, “Sinners in the Hands of an Angry God,” where he thunders that God’s unmerited mercy is the only thing keeping Him from dropping your loathsome soul into the pit of hell. This leads modern readers to picture Edwards as a dour, witch-burning sort of fellow, because we’re no longer comfortable with the theology of damnation that was pretty standard in his day. According to Gura’s very sympathetic portrait of the Puritan minister, Edwards’ true passion was not fire-and-brimstone but awakening sincere “religious affections” in a church that had become hidebound and hypocritical. He preached and wrote copiously on the beauty of God’s holiness and the love and joy that arise in a heart transformed by grace.

Because he was a Calvinist, however, he insisted that spiritual transformation happened solely on God’s initiative. He fought all his life against Arminian tendencies in the New England churches, as Enlightenment philosophy and the colonists’ increasing economic security made people more inclined to trust their own efforts to attain salvation. Ironically, the spiritual revival known as the Great Awakening, which Edwards helped spark, also released a spirit of resistance to church authority that made the absolutely sovereign God of Calvinism seem less appealing.

Gura reveals the power struggles behind Edwards’ ouster from his Northampton pulpit, which is sometimes misperceived as a triumph of liberalism over repression. Two teenage sons of prominent families were getting their kicks from a forbidden textbook on female anatomy, and the congregation was not happy with Edwards’ attempts to discipline them. It’s easy to side against Edwards as Puritan censor, when the material in question seems laughably tame by our standards. When Gura points out that the boys were using the book to sexually harass young women, and that the underlying issue was the minister’s moral authority over wealthy and powerful laymen, one feels more sympathy for the beleaguered cleric. Edwards reportedly had a happy marriage (with 13 children, surely no prude), and respected his wife’s piety so much that he made her born-again experience a central feature of one of his narratives of the revival.

Despite the very different cultural context, Edwards’ story closely mirrors some important tensions that persist in the churches today. One such is the role of communion (a/k/a the Mass or the Eucharist). Is it a privilege reserved for those with certain beliefs or religious experiences, or is it more like an altar call? In the 17th century, the Puritan churches had required testimony of a born-again experience before one could be admitted as a full member with communion privileges – a status that had social and political implications as well as spiritual ones. Edwards’ grandfather and predecessor in the Northampton pulpit, Solomon Stoddard, had eliminated this requirement as not based in Scripture, arguing also that it inappropriately set men up as judges of one another’s spiritual state. Stoddard opined that the experience of taking communion might trigger a spiritual transformation in itself. Edwards continued this policy until late in his Northampton career, when he was deeply disappointed to see that many who had been caught up in the revival enthusiasms quickly backslid into immoral behavior. Requiring born-again testimony was his way of distinguishing the victims of temporary hysteria from those whose hearts had really been changed by God. Unfortunately, it also cost him his job.

Nowadays, we see the same tension between two visions of the Lord’s Supper, and by extension the church. One impulse leads us to form a community of the pure; the other stresses radical openness. So, on the one hand, you have the Catholic Church, which restricts communion not only to Christians, but to Catholics, and within that sect, to those who do not openly defy church teaching in selected areas (particularly abortion). On the other hand, you have my Episcopal parish, which extends communion to “all who are worshipping with us,” baptized or not. The looming schism in the Anglican Communion over homosexuality similarly forces us to ask how much doctrinal variation and error we can tolerate and still remain one body. (FYI, I am in favor of full acceptance of gays and lesbians; that and the 1982 Hymnal are the only things keeping me away from Mother Rome’s embrace.)

Picking heroes and villains in this debate misses the point. The church needs both impulses in order to fulfill its mission. Communion and membership rules should always be informed by Jesus’ willingness to mingle with sinners before they became cleansed. (Having briefly attended a church where you were expected to be “slain in the spirit” every week, I’m suspicious of demands for Christians to work up a particular emotion on cue.) On the other hand, if one can fully participate in church life without having made a commitment to Christ, the church edges toward irrelevance; it becomes hard to answer the aging boomer who asks “Can’t I worship God just as well looking at the sunrise from my hot tub?”  

How should that “commitment to Christ” be manifested, then? Baptism has the virtue of being an objective, bright-line rule, compared to the fuzziness and potential emotional dishonesty of experiential signs. Again, Edwards’ trajectory is instructive. His efforts on behalf of the religious revival stemmed from his perception that many people’s faith had become empty formalism. However, once the Holy Spirit is on the loose, it’s hard to put Him back in the bottle again. Edwards found himself struggling to reassert his moral authority as a clergyman after God had seemed to speak directly through low-status laypeople such as women and children. The balancing act between openness and leadership never ends.

I wasn’t expecting to find this much common ground with Edwards, since I instinctively recoil from the Calvinist doctrine of predestination (all people deserve hell but God arbitrarily saves a few). Gura’s book summarizes Edwards’ creative attempt to reconcile this doctrine with free will and moral responsibility. According to the Puritan preacher, we are all free to do whatever we want to do, and therefore morally accountable for doing it. But what we want to do is determined by the good or evil disposition that God predestined us to have. Thus Jesus, for instance, was simultaneously free to sin but incapable of sinning.

This analysis made me realize that the problem I have with Calvinism is not that it’s unfair, but that it’s unkind. The whole idea of calculating our moral deserts is sort of beside the point if you believe in salvation by grace. Let’s even assume Edwards is right that we all deserve damnation. However, if God has decided to save some people anyhow, out of the goodness of His love, why wouldn’t he choose to save everyone, if it were totally up to Him? Isn’t His love infinite?

Edwards’ psychology also makes me uneasy. At least by Gura’s description, he believed our dispositions were fixed, unless changed instantaneously by God’s
grace. This all-or-nothing mentality stands in stark contrast to contemplative traditions like Buddhism or medieval Catholicism that heavily emphasized spiritual practice; through cultivating good spiritual habits, they say, one can gradually change one’s character and reorient one’s affections. This seems healthier to me than the bipolar cycle of revivalism. Evangelical Protestantism’s move away from “slow and steady” spiritual disciplines, in favor of emotional moments of decision, may be both a symptom of its co-optation by anti-intellectual and subjectivist tendencies in American culture, and a reason why its critique of this culture is less effective than it might be.

Book Note: Best American Mystery Stories 2006

Nearly all the fiction I read is mystery or sci-fi, so I’m very interested in how genre is defined and which genres are considered “respectable” in the literary world. This year’s installment of the Best American Mystery Series anthology, edited by Scott Turow, has undeniable literary quality but also left me feeling hollow. I love mystery stories because they look honestly at human evil, an obsession of mine, but also place it within a moral universe where order is brought out of chaos, and justice is possible. Contemporary realist fiction about the darkness within has a tendency to wallow in perversion, irony and hopelessness.

The stories in the 2006 anthology aren’t mysteries but crime stories, stories in which a crime occurs but is usually unpunished. Many of them come from mainstream literary magazines, which isn’t a bad thing in itself, but when combined with the overall mood of amoral violence, suggests that Turow and series editor Otto Penzler were feeling insecure about their genre. I had the same reaction when I read McSweeney’s Mammoth Treasury of Thrilling Tales a couple of years ago. No matter how many femmes fatales and circus elephants you have, it still tastes like anomie.

Genre fiction is refreshingly sincere at a time when sincerity in the arts still labors under the accusation of naivete. Mr. Penzler: Be true to your school.