Poetry, Music, and a Queer Doll Wedding by Nhojj

I connected with singer-songwriter and poet Nhojj through my friend John Ollom, the movement artist. Raised in Guyana and Trinidad, Nhojj has recorded 7 studio albums and published 3 books. Winner of 4 Outmusic awards, Nhojj has shared stages with Norah Jones, Regina Belle and Estelle. Nhojj views his art as multidimensional healing spaces where audiences can experience themselves through the eyes of acceptance and love.

He filmed this adorable gay wedding with two Ken dolls, set to his original song “Faithful”:

Nhojj has kindly allowed me to reprint two of his poems below.

Ritual of Dance…

I
Dance at
Night on a basement floor
Music
Pounding
Tribal vibrations
Sounding
Sweet on my taste buds
Soca
Beats provoke my waist
Flood of
Sweat
Drips down
Body strips down towels wait
Behind the door cause
I aim to leave it all on this homemade
Dance floor

This house hypnotizes
This afro symphony baptizes
Me by the silk cotton tree
Spirits arise & walk in
Moonlight… fireflies
Reggae lullabies
Djembe drum sanctifies
Our dun dun purifies

Eyes closed
Chest exposed
Arms flailing…remake me
Voices wailing…remix me
Feet stomping…rewind me
Speakers thumping…replay me
Over & over & over again…
Gods of Jouvet
Voices
Chanting rhythms
Visions speaking in tongues
Lyrical phenomenons
Spirit of Shango
Magic
Lightning & thunder
Beneath my feet

Turn the dial left…
Left for…
Higher bandwidths
Higher frequencies
Higher planes

Villages of ancestral domains
Calling forth the rains
Come forth
Come now
Fall down &
Water this parched earth
With…

P
E
A
C
E

****

Cherish Yourself

She didn’t notice me at first, but then I turned, and the light bounced off my being, getting stuck in her vision like a speck of dust. Her eyes narrowed, recognizing something familiar… something distasteful.

Of course this wasn’t the first time. There had been many before her, mostly boys in men’s clothing, with that look of recognition in their eyes, trying desperately to erase this thing inside me. They’d used every trick in their books, teaching lessons they’d been taught about what was right and who was wrong.

This time it only took me 3 years… 3 years to feel my fingers and toes again… 3 years below ground to feel my heart beating… wildly at first, then more evenly, with each new breath. 3 years for me to remember my light, always recognized, would not always be cherished.

So now, every day as sun rises, bending light and shadow round table and chair, I write in my journal, read books from the shelf, and recite the words “cherish yourself”.

Poetry by Perry Brass: “The Death of the Peonies”

Author, journalist, and activist Perry Brass explores the intersection of gay male sexuality and spirituality. His books include The Manly Art of Seduction and the novel King of Angels. This poem, which he has kindly allowed me to reprint, was staged as a musical performance at Dixon Place in 2000 with support from the NYC Gay Men’s Chorus.

The Death of the Peonies

At first they are nothing.
A stubble on the earth
and then their stems shoot up
and tangle and gossip with one another,
and twist their leaves about each other
rancorously, grabbing towards the light
thrusting their fingers out in fisted buds
and penis heads, tight, furled, foreskinned out,
and you wait,
anxiously, hesitantly
for a soaking rain to please them, but not
beat them down. And you dream
about their flesh, their baby whiteness
and rich Latin reds and extravagant nights of them—
drifting out to the garden to smell—
then they burst, and you’re shell-
shocked from them: their dazzling, belly-
filling, ruthless gaudiness. Your heart triple
beats around them, a bolero entangled in
cockatiel plumage, a bed
washed with petals and you’re diving in them,
dripping; swimming; sinking obscenely,

licking them—with that scent of apple
and mango and citrus breeze
and the clean creases of babies and a ripened banana
and rain pounding your throat.
And at night you can’t sleep from the thought
that this exalted gallop,
hard, rushing, punching the air—
its moments are numbered. You must go
out and kneel in it, as you once made love
to whale sounds on a boat—insane,
but who could control it?
They go off. Your beloved will forget you
and take new partners, while you
can only watch—but this does not stop you
from rolling in the agony—how unseemly, dreamlike,
yet revolting. They have just taken your heart
and popped it and are eating it,
these awkward, hushed flowers turbaned
in the mating call of earth and testicles;
and you blame them. They made you ashamed.
Stripped you. Reached inside and ripped
some vital piece from you, while you
only wanted to lie face down, drenched in their odor,
in the crotch of their enduring artlessness

as that scent, intimate, fleeting
suddenly clears through you
and you draw up to your knees
and roll into yourself to at last
dissolve what figures between you.
And in a burst, it reaches you:
your own waking nightmare has taken you out
as its victim and pushed its jagged knife
into your chest as the sun beat down,
while you screamed with a gag in your mouth—
God-take-me-now, God-take-me-now,
now, now—owwww—till your blood rushed up
and was met by a heaven of simple lips,
as the Holy Child, knowing, floating
on a cloud of petals blessed you
and kissed that place in your heart
that bled.

Then all folded into One
rolled into its own thrilling head,
presented on its stem, perfect
through infinity, where its blossom
holds and tempts you
with an aroma of such intensity
that it made you stay alone
in the garden all night.

And in a week or so,
there before you
is that final retreat
when the air takes their petals and drops them
to your feet. And you watch them, exhausted,
mute, stunned, left . . . left in the waiting room
of a choking, single breath.

June Links Roundup: Books Versus Groomers

Happy Pride Month! Are we excited about the upcoming Barbie movie, or are we straight?

Some friends I brought home from P-Town last summer.

This 2022 article from BookRiot remains relevant amid widespread attempts to censor schools and libraries in conservative states. “Sex Ed Books Don’t ‘Groom’ Kids and Teens. They Protect Them,” writes Danika Ellis, recounting situations where Robie Harris and Michael Emberley’s puberty guide It’s Perfectly Normal had life-changing effects on young people. First released in the 1990s and available in a trans-inclusive updated edition from Candlewick, this book has been repeatedly challenged by right-wingers, who call it “grooming” to give kids information on their sexuality. The facts tell a different story:

[A] 10-year-girl in Delaware…picked up [It’s Perfectly Normal] when at the library with her mother. Her mother let her check the book out, and when they came home, she showed her mom the chapter on sexual abuse and said, “This is me.” She was being abused by her father, and it was the first time she’d spoken about it.

Fashion gets a bad reputation as frivolous (hello, femme-phobia) but here are two stories about how it can make a positive difference. “Turning Debris into Haute Couture” by Harvard Gazette staffer Eileen O’Grady describes a student design festival with an environmental message. In a materials challenge worthy of Project Runway, the participants in the Marine Debris Fashion Show had to craft stylish garments from ocean trash. The attractive and innovative runway show educated people about the role of fast fashion in creating pollution from microplastics.

At New York Fashion Week last September, queer style magazine dapperQ hosted a fashion show at the Brooklyn Museum that spotlighted LGBTQ designers and expressions of queer joy. The organizers also made an effort to include trans, disabled, and plus-sized models, affirming a diversity of beauty standards. Check out the top looks in this NBC News article.

Sophia Giovannitti’s essay “In Defense of Men” in the lit mag Majuscule pushes back against “an accepted truism among left-leaning women online: cis straight manhood is bad, interpersonally and politically; therefore, any other gender or sexual orientation is interpersonally and politically better.” This attitude, dubbed heteropessimism or heterofatalism by various commentators, seems like a familiar feminist complaint from women attracted to men under patriarchy. Giovannitti, however, argues that it’s also a problematic way for cis women to hang onto a moral high ground as “the globally oppressed, the phallus-less, the righteous” at a time when feminism is (or should be) moving on to “a nuanced analysis of gender that accounts for race, class, and transition.”

While the decrying of men by Political Heterosexuals is less overtly bio-essentialist—tending to focus on men’s emotional immaturity, commitment-phobia, poor sexual skills, lack of hygiene, or failure to own a real, off-the-ground bed—it still relies on an implicit or explicit comparison with women, and thus, a binary. What makes these men men is that they are not women; what makes these women, then, women is that they are not men. In my view, professing hatred of men online is not exclusively or even often reflective of individual disappointment or in service of individual absolution; it is in service of the desire to continue to define the political category of “women” by a clean-cut opposite, in a time when it is no longer politically correct to do so…

…The performative online displays of man-hating stem from a longstanding in-person sociality: the age-old tradition of straight women bitching about their boyfriends to one another, which they do precisely to feel a sense of community with other women. It’s a grasping for a pseudo-political solidarity that isn’t as performative as online displays are, but that often feels like the easiest way to make meaning of the confusing, ever-present affective experience of women in straight relationships who feel failed emotionally by their partners. This is not unique to straight women, though. I’d argue it’s the universal experience of romantic love: feeling fundamentally misunderstood or unmet by one’s beloved—a betrayal felt so deeply only because of how known the beloved can otherwise make one feel—and whenever I find myself falling back on a “men are trash” refrain to explain my alienation from male romantic partners away, it’s out of laziness or a desire for connection to those who might feel the same. This is a way to make suffering feel more communal and less punishing—to imagine that failed communication or bad sex are beyond our control, and also, to imagine that something better is out there. In other words, I don’t think heterosexuality is a curse, as is so popular to profess, but desire certainly is.

Finally some good news out of Florida: a federal judge in the Northern District of Florida just blocked the state’s ban on gender-affirming care for trans youth. Erin Reed’s Substack newsletter summarizes Judge Hinkle’s opinion, which said in no uncertain terms that the law was bigoted and unconstitutional. Erin says:

The judge pulled no punches when he resurrected lawmakers own statements to prove their discriminatory intent with passing this bill. Earlier in the year, a Florida GOP lawmaker, Representative Webster Barnaby, referred to transgender people as “demons, mutants, and imps.” Numerous references to transgender people in a derogatory and discriminatory were made in the hearings, as they have been made in statehouses across the country. It turns out that getting the anti-trans Republicans on the record with their statements helped block the bill in court.

Judge Hinkle not only referenced the comments, but called them out openly as an exercise in overt bigotry. He contrasted the statements of lawmakers opposing the care with doctors, who are acting in a professional manner to alleviate the suffering of gender dysphoria…

…One of the most profound statements in the court documents was also one of the simplest: “gender identity is real.” This statement, obvious to anybody who knows a trans person or is trans themselves, has nonetheless been challenged and disputed by anti-trans organizations. Transgender people are often painted as a “fad,” a “choice,” or a “social contagion.” Judge Hinkle firmly establishes on the record that this is not the case, proclaiming and using as the basis for the rest of his decision that gender identity is real.

This is a profound and impactful statement. If gender identity is real and if trans people are indeed telling the truth about this being an integral part of who they are, then discriminating against transgender people is firmly unconstitutional.

Amazon.com: Respect Pronouns Transgender Devil Gift Funny Transgender Satan Devil Goth Throw Pillow, 18x18, Multicolor : Home & Kitchen

I’m the real thing, baby.

Reflections of a Former Keller Girl

Complex feelings about this Christianity Today obituary/profile of Tim Keller, the Presbyterian pastor who defied conventional wisdom by founding a conservative megachurch in Manhattan. Keller died this week of pancreatic cancer at age 72.

In 2004, new to Christianity and Northampton, and looking for community, I became the protégé of an older female writer who started a Bible study group based on Keller’s sermon recordings. She had a sharp sense of humor about everything except the gospel, so my proposal to name ourselves the Kellerettes never caught on. When she wasn’t around, we sometimes spoke of ourselves as the Keller Girls. I thought I was female at the time. In a different life–one where she hadn’t been raised neo-Puritan and clung to it as the only apparent bulwark against emotional chaos–we might have been gender-nonconforming autistic fellow travelers to this day. We valued each other’s frankness and spiritual intensity, up to the very end, when she concluded that “we worship different Gods,” despite using the same language for our faith. I do appreciate someone who can conduct an honest breakup.

Technically, the bloom came off the Keller rose circa 2008 because I was blossoming into some as-yet-unidentified variety of queer. But 2008 was also when I realized I was a child abuse survivor, which suddenly made a lifetime of theological solutions to self-hatred seem terribly beside the point.

CT’s Keller profile begins with a pull quote summarizing his message: “We are more sinful and flawed in ourselves than we ever dared believe, yet at the very same time we are more loved and accepted in Jesus Christ than we ever dared hope.”

I used to take the first statement for granted. In fact I was relieved that the unnameable could be named. So the second half was good news–perhaps the only possible good news, as traditional Christians argued.

However, when I stopped being in daily contact with a mother who blamed me for her unmet childhood needs (while trying to break up my marriage and sabotage my adoption plans), Romans 7:18-25 no longer seemed like an inevitable description of the human condition:

For I know that good itself does not dwell in me, that is, in my sinful nature. For I have the desire to do what is good, but I cannot carry it out. 19 For I do not do the good I want to do, but the evil I do not want to do—this I keep on doing. 20 Now if I do what I do not want to do, it is no longer I who do it, but it is sin living in me that does it.

21 So I find this law at work: Although I want to do good, evil is right there with me. 22 For in my inner being I delight in God’s law; 23 but I see another law at work in me, waging war against the law of my mind and making me a prisoner of the law of sin at work within me. 24 What a wretched man I am! Who will rescue me from this body that is subject to death? 25 Thanks be to God, who delivers me through Jesus Christ our Lord! (NIV)

Life doesn’t have to be a no-win situation. Just remove one psycho.

Similarly, Keller’s core argument spoke to me and many other anxiously high-achieving New Yorkers, but now I want to deconstruct the pessimism that sets you up for the altar call.

At his church in Manhattan, Keller told the nation’s cultural elites that they worshiped false gods.

“We want to feel beautiful. We want to feel loved. We want to feel significant,” he preached in 2009, “and that’s why we’re working so hard and that’s the source of the evil.”

Keller explained to New York magazine that this was, in a way, an old-fashioned message about sin. But when many people hear “sin,” they only think of things like sex, drugs, and maybe stealing. The modern creative class that he was trying to reach, however, was beset by many more pernicious sins jostling to take the place of God’s love in their lives.

The task of “relevance” was to identify the idols that had a hold of people’s souls. And then tell them that they could be free.

The people of Manhattan “had lived their whole lives with parents, music teachers, coaches, professors, and bosses telling them to do better, be better, try harder,” Keller reflected in 2021. “To hear that He Himself had met those demands for righteousness through the life and death of Jesus, and now there was no condemnation left for anyone who trusted in that righteousness—that was an amazingly freeing message.”

When preachers jump to the conclusion “nothing can be done about this, so you need Jesus” they demonstrate a dangerous incuriosity about the psychological sources of our precarious self-worth. Alice Miller’s Prisoners of Childhood (later reissued as The Drama of the Gifted Child) attributes this syndrome, not to idolatry, but to the pain of growing up with a narcissistic parent. Because the child is not seen and loved for himself, but only insofar as he functions as a projection of his parent’s ego and her needs, he starts trying to earn the attachment that should be his by right.

Once I started trauma therapy and faced this dynamic in my past, I didn’t need to re-enact it with Tim Keller’s God.

I used to believe spreading the gospel was the most important thing I could do, because I defined “the gospel” as freedom from obsessive perfectionism and the shame that drives it. Today, same mission, different gospel. A relationship with Jesus can be a stepping-stone to working on your trauma, as it was for me. But don’t let it be a substitute.

 

May Links Roundup: The Conscience of the King

Starting off with some more Richard III content to make this blog even more niche. Don’t worry, though, you can still count on Reiter’s Block for plenty of trans and autistic links and flat-chested selfies. Someone once said that Yakko from Animaniacs is that guy who’s had top surgery and takes his shirt off whenever possible. Relatable!

My partner has adjusted very well, as you see.

Armchair diagnosis of public figures, living or dead, is more of an entertaining pastime than a science. Still, I found some clues to my adolescent affinity for the last Plantagenet king in “Richard III – A Psychological Portrait” by University of Leicester psychology professors Mark Lansdale and Julian Boon, on the Richard III Society website. Due to his disability (thought to be scoliosis), a childhood disrupted by exile and political instability during the Wars of the Roses, and the death of his beloved wife and son, “A number of reasonably reliable indicators suggest Richard was more than usually intolerant of uncertainty in a way that will have had a marked impact upon his personality and his dealings with others.” The authors go on to describe me as a teenager:

Intolerance of Uncertainty (IU) is a common syndrome that varies between individuals in degree and is associated with their general levels of anxiety. It probably has its origins in childhood as a need to seek safety by being able to control one’s environment. Thus, if a child’s perception of their caregivers is as being weak or vulnerable, one (but by no means the only) response to the social anxiety associated with that is to develop a degree of self-reliance. This can take many forms associated with an IU syndrome. Without suggesting pathological degrees of this, those evident in Richard include: the tendency to show excessive trust, attachment and loyalty in his positive attachments; piety and rigid moral values, possibly to the point of priggishness and inflexibility; a strong emphasis upon justice and the law; a high sense of personal responsibility; and a strong sensitivity to potential threats.

Indeed, in V.B. Lamb’s spirited mini-biography, The Betrayal of Richard III, the king comes across as an Al Gore type in contrast to his elder brother Edward IV’s Bill Clinton: dutiful and reliable, to the point of being mocked for his sincerity, and unprepared for the deviousness of his milieu.

Now, you might ask, who gives a toss about the ethics of a guy from 500 years ago, or the monarchy in general? Lamb’s book is distressingly relevant to our “fake news” era, in that she documents how the next king, Henry VII, systematically doctored the historical record to make Richard look like a dictator who deserved to be overthrown. The medieval English populace had too little access to information, whereas we have too much. But either way, the average person can’t do independent research on every subject, so we may be seduced into believing the story with the best production values, whether that’s a hatchet job by Shakespeare or a Russian deepfake on Facebook.

I told you we’d get around to the trans content. Emotionally charged misinformation about our community is one of the biggest problems we face, too, because it peels away potential allies on the center-left when conservatives pass laws against our existence. I highly recommend subscribing to Erin in the Morning, Erin Reed’s Substack newsletter that tracks state-by-state efforts to attack or protect trans civil rights. Fun fact, Erin just got engaged to Montana State Rep. Zooey Zephyr, who was silenced by her own House Speaker after she opposed the bill banning gender-affirming care. Tell me again how conservatives support free speech?

I do not have the time or attention span for podcasts longer than 15 minutes, so I am grateful when there’s a transcript for any lengthy and information-heavy audio presentation. Death Panel, a podcast about the political economy of health, hosted this great discussion in 2022 in the wake of yet another New York Times concern-trolling article on trans healthcare: “Panic! At the Gender Clinic with Jules Gill-Peterson and Charlie Markbreiter”:

Jules Gill-Peterson and Charlie Markbreiter join us to discuss Emily Bazelon’s recent controversial New York Times Magazine cover story “The Battle Over Gender Therapy,” its harmful and historically inaccurate portrayal of medical transition, and why liberals are so ready to embrace gatekeeping in trans healthcare. Jules Gill-Peterson is an associate professor of history at Johns Hopkins University and the author of the award winning book, Histories of the Transgender Child… Charlie Markbreiter is the managing editor of The New Inquiry.

Gill-Peterson expresses frustration that cis journalists in mainstream papers ignore the politicized history of medicine, no matter how often trans historians educate them about it. The issue gets framed as though neutral well-meaning medical experts are trying to navigate a middle path between angry queer activists and concerned parents. “WPATH” is the World Professional Association for Transgender Health, which sets the guidelines for our medical care, similar to the DSM-V for mental health. Its original standards were crafted by German endocrinologist Harry Benjamin, of whom Gill-Peterson says:

That’s the model where trans healthcare is a special kind of health care that tries to not make itself available to as many people as possible, right. So the whole purpose of transgender health care is to stop as many trans people as possible from transitioning. And Harry Benjamin created the sort of standards by which we would try to do that, in the 1960s. And so those standards included heterosexuality, they included wanting to disappear into society, they included being a well behaved middle class person, they included trying to pass at all costs, right.

They included basically a kind of extreme respectability politics. And you know, as the 1960s wore into the 70s, and Benjamin was sort of a key player, this Harry Benjamin society, right, sort of was formed and became the kind of rudimentary sort of organization for clinicians. Now, it wasn’t formed in the interests of trans people. It was formed because clinicians who provided hormones and surgery were generally regarded as quacks by other medical professionals. And so they just wanted to band together basically, to help lend prestige to what they were doing and to further their own institutional goals.

Framing themselves as a disinterested higher authority arbitrating between political factions, mainstream outlets like the Times or the Atlantic basically launder Christian Right anti-trans talking points as equivalent to trans people’s accounts of our own lives. Gill-Peterson quips:

This is the sort of emotional attachment to liberalism as process, right, as deliberation, “as I, Emily Bazelon, who is not trans, who is not in the trans struggle, who doesn’t have anything on the line, really went through, you know, an emotionless reflection period, and then bravely wrote this article. So actually, what I have to say is more important than, say, multiple trans people with PhDs who have been doing research for a long time, including decades, at some point,” right.

Markbreiter concurs:

it’s funny because again, this piece thinks of itself as being very neutral and unemotional, but actually, one function of it is an extremely emotional one, which is okay, liberals are increasingly eugenicist, have been increasingly so, you know, since COVID, how do they reconcile the fact that in this case, as in many other cases, they have the same position on childhood transition as literal fascists, right? ‘Cause that might make you think, right, like you’re doing something wrong, like if you’re like, damn, I think like all the same things as like the Nazis, like that’s kind of weird, right? Because I’m not a Nazi. So you’re like, hmm, how do I make sense of that to myself?

And I feel like one function of this piece isn’t to make sense, but just to be a kind of like soothing ASMR, spiritual glow for liberals, to be like, “listen,” like “you’re doing eugenics, but in just like a different way, like the vibes are just different with you. So like, don’t feel bad about it. Like if your kid wants to transition, and you’re going to actively block them from doing that and like make them suicidal, like you’re not a bad person. You’re just a concerned parent, and you are different than those bad Republicans.”

This is where Gill-Peterson’s expertise as a historian of childhood really sets things on fire:

And I actually think it’s a really significant problem that we’re facing in this moment, where I just see this kind of doubling down on sentimental politics, where children are perfect for this, right? This is what children, “child,” the concept was invented for. It was invented for letting your fantasy of how you think the world could work, because you’re a good person, override what is actually happening. And it actually is the way that you ideologically justify violence as humanizing, as caring, as loving kids, right? This article records so much mistreatment, harassment and violence against children, it records and openly discusses the abuse of children by institutionally embedded people who are given responsibility over them, whether it’s parents, educators, politicians, or doctors, psychiatrists, psychologists, and social workers, and they celebrate the harm that they have done as properly caring for those young people, right? That is chilly. Right?

But of course that’s not how the article presents it. But we have to really think about this is the ideological function that we come together around in American culture, right? Loving children means harming them. That is just completely normal business as usual. And it really, really disturbs me, again, to just see how intensely trans children are available to reinforce that structure.

Radical lesbian-feminist playwright Carolyn Gage got a fresh perspective on her childhood when she received an autism diagnosis…around age 70. In this blog post about her inner life with her dolls, I see myself re-enacting the English wars of succession with Lettie Lane and the Ginghams. (I went through a lot of Scotch tape with all those beheadings and resurrections.)

Gage writes:

I would play with the dolls for six to eight hours at a stretch. When most little girls played with dolls, they would change up the outfits or hold miniature tea parties. When Barbie came along about five years later, little girls could put her in her car and drive her to the beach. My idea of playing with the dolls was very, very different. My dolls were engaged in complex plots involving abductions, and magic, and murder, and illicit romance… There were always four or five subplots going on, and the lives of the servants were as intensely dramatic as those of the court. In fact, the heroine of the castle was a rescue doll whose hair had been pulled out and whose body had been vandalized with ink.  She was a doll of mystery, greatly favored by Ginny and the Powers that Be. Her name was Pat, and it was only later, as an adult, I realized that the avatar of my youth had been a survivor and a gender-non-conforming lesbian. ,

There was something else I was doing in the dollhouse. I was plotting an escape from reality. My family was not well. My mother was a practicing alcoholic, as was my brother–who, like me, was on the spectrum. My father was a sex/pornography addict with scary and confusing dissociative disorders. I was terrified of him. He was a tyrant, and, from what I experienced as a child, he was never called into account for his malevolence.  None of us could ever mount a successful revolution, and any signs of resistance were met with cruelty and sometimes violence.  BUT… in the dollhouse, amid all the epic dramas, goodness and innocence would eventually prevail. To that point, the females always won, and matriarchy would always carry the day. Unlike my father, the perpetrators in my stories would be killed, banished, or won over by good. My dollhouse kept my belief in justice alive. It was an alternative world, and, quite frankly, one that I preferred to inhabit… which I manage to do, as much as possible. The dolls were my true family and my dearest friends.

the ginghams paper dolls | sydandgoose | Flickr

Lesbian commune edition: Carrie is the therapist, Katie practices witchcraft, Sarah grows organic marijuana, and Becky fixes the farm machinery.

Belonging and Believing, Revisited

This video clip from trauma expert Dr. Gabor Maté about authenticity versus attachment took me back to a Reiter’s Block post from 10 years ago. Maté discusses two survival instincts that are put in tension when the family doesn’t accept their child’s true self. On the one hand, with our long maturation period, the human animal needs to stay securely attached to caregivers. On the other hand, trusting your intuition keeps you alive in the wild. A person who learns to suppress his perceptions, in order to preserve relationships, will suffer in other ways.

Is this dilemma avoidable, I wonder? Is the effect significant only in narcissistic or abusive families, or is it the human condition to be torn between loyalties to internal truth and external bonds?

Back when I went to church, I couldn’t find a satisfactory balance. In a consumer society, where free choice and competition rule, a lot of institutions focus on getting you in the door. Have fun, feel welcome, get invested in social relationships, and only later find out what’s expected of you and what the community’s real values are. Or maybe that’s just a description of neurotypical socializing. IDK.

The Temple of Witchcraft is pretty different! The foundational training is all about mind/body self-awareness and discernment of your unique highest goals, what we call True Will. The techniques are highly structured, but your encounter with the divine (theistic or not) is expected to take a form that is personal to you. The ethics resemble Buddhist precepts, not lists of forbidden acts and impure behaviors.

I can only speak to the experience of studying online, which is mainly solitary. I don’t know what it’s like to belong to a coven. Probably some of the same individual-versus-collective tensions arise, because people are people. I’d like to think that our nondualistic and dynamic worldview would make us more flexible in adjusting to these tensions than a church that thinks it has a perfect eternal formula for life.

On the level of spiritual warfare, however, I am taken aback by the short-term effectiveness of authoritarian religious unity. When everyone directs their willpower toward the same image and the same objective, that can create more powerful magic than the scattered journeys of maverick witches. I don’t know what to do about this without changing our core values of freedom and diversity.

Maybe that too is the human condition: “truth forever on the scaffold, wrong forever on the throne,” as the poet James Russell Lowell said. (For a more concise version, because the Victorians sure could info-dump, the hymn “Once to Every Man and Nation” is adapted from this poem.) Something they didn’t tell us in church is that this is an anti-slavery poem, urging antebellum Americans not to stay stuck at their ancestors’ level of virtue, but to emulate their countercultural courage by moving beyond their beliefs. Sounds more like us witches than a lot of churches today.

Ricardians Redux

Richard III | Biography & Facts | Britannica

The most special of my special interests (and that’s saying a lot) from ages 11-15 was defending the innocence of Richard III. As you may remember from Shakespeare’s play, the conventional wisdom is that he murdered his nephews, the so-called Princes in the Tower, to secure his claim to the throne during the Wars of the Roses. Not that it did him much good, since he only reigned from 1483-85 before being killed in battle by Henry Tudor, future King Henry VII and grandpa of Queen Elizabeth I.

At a time when my peers were wearing Canal Jeans Co. buttons on their acid-washed denim jackets, I sported a pin with the last Plantagenet King’s haunted visage. We were big mystery buffs in my household, with a preference for British Golden Age authors like Agatha Christie, Nicholas Blake, John Dickson Carr, and Josephine Tey. In the summer of 1983, or thereabouts, I read Tey’s The Daughter of Time, in which her series detective is laid up with an injury and entertains himself by reconsidering King Richard’s alleged crime as a cold case. His quixotic mission became mine as well.

Why Richard? Besides my love for all things related to medieval and Renaissance England, I was drawn to imaginary men who needed me. It was several decades before I heard the words “hurt/comfort trope” but that was my jam back then. I wanted to be the one who rescued the persecuted and stood by the slandered. It was romantic in the courtly sense, where Richard was concerned, not in the boy-meets-girl sense. I’m trying not to be embarrassed by how common this fantasy is. Our devotion was pure. That deserves more than a cringe.

Perhaps there was also some trans component to my identification with male characters who were maligned for a disability. Richard’s supposed hunchback, actually scoliosis, factors heavily in Shakespeare’s portrayal of him as a monstrous villain. From the Elephant Man to the Phantom of the Opera, I resonated with the storyline of having a physical secret that might make you unlovable. The irony of having to conceal yourself in order to be seen as the person you really were.

(According to the website of the Richard III Society–about which more in a moment–there’s a 17-book manga series, Requiem of the Rose King, depicting Richard as intersex. We trans’ed another one, boys!)

What you have to understand is that pre-Internet, I had zero understanding of the dynamics of fandom. If my mother, who believed herself to be the reincarnation of Queen Elizabeth I, had allowed me to take an interest in contemporary pop culture, perhaps I would have become a D&D dungeon master or a Trekkie, and learned that it was normal to have passionate opinions about incredibly niche topics. Instead, I was wounded by the lack of community around anything that was precious to me. Sometimes this feeling still saps my motivation as a writer, making the usual rejections feel too fraught with the old unmet need to be heard (as I continue to write weird unmarketable shit because normalcy is boring).

So that’s why I re-joined the Ricardians.

You see, I am not the only person out there with an inexplicable mystical connection to some guy who died 500 years ago. Last week I saw the movie The Lost King, a dramatization of amateur historian Philippa Langley’s discovery of King Richard’s skeleton in a municipal parking lot in Leicester. A victim of employment discrimination for her chronic fatigue syndrome, Langley saw the Shakespeare play and resented the ableism in his portrait of the king. This set her on a decade-long quest (condensed in the film for dramatic purposes) to find his body, which professional historians had believed was thrown in a river and lost. What I loved about the movie was her heartfelt personal relationship to Richard as a sort of spiritual guide or companion–the way I talk to my novel characters–and how she followed her intuition, as well as her meticulous research, to find what everyone else had overlooked. All these years later, she still believed it was important to set the record straight and give him an honorable burial. There’s something magical about that, a kind of ancestral healing.

Langley followed up with the Missing Princes Project: “a Cold Case History investigation employing the same principles and practices as a modern police investigation…employing forensic analysis of the people and events surrounding the disappearance of the sons of Edward IV…[and] initiating searches for neglected archival material in the UK and overseas,” according to her website, Revealing Richard III.

Never one to pass up a distraction from my dozen existing projects, I emailed them to volunteer my help. The US coordinator says they’re almost ready to release their final report, but the Richard III Society may need my proofreading and editing expertise for their newsletters. Expect more medieval trivia on this blog in coming months.

I Want To Believe - X Files - Sticker | TeePublic

Another fandom I missed the boat on.

Poetry by Raheem Rahman, the Caged Guerrilla

Raheem Rahman, an incarcerated writer in Maryland, recently wrote to us at Winning Writers about his podcast The Caged Guerrilla. Rahman’s twice-weekly show discusses prison life, urban culture, self-improvement, and activism. He’s a raw, dynamic speaker who understands how “prison reform” requires radical change in the power structures outside the prison walls. In one letter to me, he said:

A lot of us did not know that we possessed this talent or even this intelligence until we were put into these type of situations that forced us to reflect or put us into a situation where we can be taught or have the opportunity to learn.

In a way, it makes it sound like I’m advocating for prison but I’m not. I’m saying that if these men and women were granted these opportunities before we got here. It could have saved a lot of heartache and maybe even lives. Furthermore, these talented and intelligent people could have been a benefit to society. A lot of us still can if people get out of their preconceived notions.

Rahman has kindly permitted me to reprint two of his poems below. For more of his writing, check out The Caged Guerrilla, his book based on the show.

A Man Apart

I find myself
(As of late)
Talking to myself
As if there’s no one else
Around to listen
Yet, I’m surrounded by many…

How could this possible be?

Can the stalk
In the field
Surrounded by his brethren
Not find an ear to bend?

Has life become so entangled?

****

Free Me

Locked down, held down, pain now
Heart about to bust.
Love lost, heart constrained.
Foundation crumbled to dust.
Minutes gone, time wasted
Still the situation is the same.
Money’s tight, things aren’t right
Guess who gets the blame.
Mouths to feed, people in need
Nobody to pick up the slack.
Losing all hope, sense of direction
Brains about to crack.
Can’t catch a break, no matter what’s at stake
Still end up losing ground.
Can’t find an out, no matter the route
It all ends up going down.
Irregardless of the cost, I’m tired of the lost
Need something to set me free.
Hand me a map, place a key on my lap
Dear God, please release me.
From life struggles, heartaches
Prison and pain.
From pandemic, poverty, ignorance
And the mentally insane.

April Links Roundup: A Recipe for Transformation

Tonight being the first night of Passover, let’s start off with Rachel Meirs’ graphic memoir “Ruth’s Kitchen,” published in Jewish Currents in 2021. It reminded me of a 1960s cookbook that my husband’s paternal grandma passed on to me, shortly before she died. (This was when I still had time to cook.) The recipes leaned heavily on frozen and canned ingredients, still considered a gee-whiz novelty rather than a target of hipster disdain. Pre-packaged ingredients must have felt like a promise that our moms and grandmas could have it all–a modern woman’s freedom from drudgery as well as the tradition of nurturing our families in the kitchen. Tonight, my mom-of-choice, who taught me to cook, will host a small seder with supermarket rotisserie chicken and non-alcoholic fancy grape juice for our friend in 12-step. Togetherness is what counts.

Liberation is on the menu for us pandemic transitioners. At LitHub, Rafael Frumkin’s essay “The Beauty of the Trans Body” pays tribute to the transmasculine elders who showed him the way forward when his chest dysphoria became comprehensible to him during 2020 lockdown.

Breasts always seem to belong to everyone but the wearer. Freud tells us that infants’ polymorphous sexuality is first expressed through their oral attachment to the breast, leading them to identify their mother as their first external “love object.” Media tells us that breasts are among the most important thing any woman can have, and that they should be full and perky and grabbable. Breasts nurture infants, feed sexual desires: nipples are sucked for both milk and pleasure. One can start to feel like a Christmas tree, branches sagging with ornaments for others to ogle and touch and break.

(All the love to my husband, who sent me this article shortly after my surgery–because even though we live in the same house, we communicate through screens like a pair of nerds.)

Hat tip to poet friend Lauren Singer, on whose Facebook page I discovered the artist Shona McAndrew. This Vulture article, “An Artist Reckons with the Fat Body,” profiles McAndrew’s sensual, dreamy series of nude self-portraits.

“As a fat woman,” Shona McAndrew explains in the catalogue for her new show, “I came to believe that I didn’t deserve intimacy, shouldn’t express happiness in the presence of others, and certainly shouldn’t be proudly showing my large naked body to anyone.”…

In Too Deep depicts McAndrew guiding the finger of her lover into her belly button as she fondles one of her breasts. Flesh abounds, falls, forms a landscape. She peers down the visage of her own body while withdrawing into her psyche. The penetration echoes Jesus guiding the finger of Thomas into his open wound.

Hold You Tight features a seated McAndrew as she embraces Stuart, her partner, who is standing. Her eyes are closed; she seems to be partaking of a world of sensual and spiritual sustenance — like she’s savoring the first taste of something she’s denied herself until now.

In Harvard Magazine, Lydialyle Gibson profiles the formerly incarcerated artist Jesse Krimes. In 2017, Krimes and Russell Craig co-founded Right of Return USA, which offers artist fellowships to other ex-prisoners. The article showcases the resourcefulness and determination of people who desperately need tools of self-expression, but are denied these materials by the carceral system:

Behind bars, art became his escape. Krimes studied philosophical texts—Agamben’s The Kingdom and the Glory, Foucault’s Discipline and Punish, Frantz Fanon’s The Wretched of the Earth—and developed new artistic techniques, foraging for whatever creative supplies he could find. He made a series of small portraits using newspaper mug shot images, playing cards, and thin slices of soap. His monumental opus, which took three years to produce, was a 40-foot mural made from prison-issue bedsheets, plastic spoons, New York Times clippings, and hair gel from the commissary. Because the artwork itself was contraband, Krimes had to smuggle it out by mail, piece by piece. “It was almost like sending out pieces of myself out of the prison walls,” he says in the film. After his release, he was able to assemble the bedsheets into a whole for the first time: a colorful meditation on heaven, hell, sin, redemption, and purgatory.

I just loved this flash fiction by Christopher Hyun, “A Taxonomy of Gay Animals,” in Electric Lit. It’s one of those clever pieces that uses humor and surrealism to capture an experience more accurately than literal explanation ever could.

In my world, we have an animal code. It goes way beyond the generic gay bears and gay otters. There are gay fish, gay hippos, and gay raccoons…

Like raccoons, owls are more active at night than during the day. Owls are always asking who. Who’s going to be there? Who’s paying? Who’s lost weight? Who’s more popular? And when you answer them, they act like they don’t care. They can turn their necks almost all the way around. They also eat mice.

You know that guy.

Since April is Autism Awareness Month, whatever the heck that means, I recommend poet Cyrée Jarelle Johnson’s 8-minute TED Talk about “autism neutrality”. Let’s stop scaremongering about autism and treat it as an equally valid cognitive style, with its own strengths and challenges.

After 500 years, the Catholic Church has disavowed the “doctrine of discovery,” which had encouraged European Christians to colonize and convert Indigenous people in Africa and the Americas. (Hat tip to Lakota People’s Law Project for the link.) In the UK newspaper The Globe and Mail, Kent McNeil calls out the “err, that was other people” tone of the Vatican’s course-correction. FYI, papal bulls are like official position papers from the Pope.

Though the Church claims that the bulls were “manipulated for political purposes by competing colonial powers in order to justify immoral acts against indigenous peoples that were carried out, at times, without opposition from ecclesiastical authorities,” the Vatican is wrong to depict itself as being so passive. The bulls empowered Portugal and Spain to further the Church’s Christianizing policy by forcibly acquiring the lands of Indigenous peoples and subjecting them to the control of the Catholic monarchs of these countries.

The 1455 bull Romanus Pontifex, which relates to West Africa, is one document mentioned in the statement. In that bull, Pope Nicholas V asserted that, as successor of St. Peter and vicar of Christ, he had a responsibility to Christianize the world. Toward this end, he authorized King Alphonso V of Portugal “to invade, search out, capture, vanquish, and subdue all Saracens and pagans whatsoever, and other enemies of Christ wheresoever placed,” seize their property, and “reduce their persons to perpetual slavery.”

The 1493 bull Inter Caetera, authorizing Spain’s colonization of the Americas, starts by asserting that the highest-ranking work of the pope is that “the Christian religion be exalted and be everywhere increased and spread, that the health of souls be cared for and that barbarous nations be overthrown and brought to the faith itself.” After praising King Ferdinand and Queen Isabella for recovering “Granada from the yoke of the Saracens” and for discovering lands previously unknown to Europeans, Pope Alexander VI’s decree purports to grant the Catholic monarchs “all rights, jurisdictions, and appurtenances, all islands and mainlands found and to be found, discovered and to be discovered,” west of a line in the Atlantic Ocean from pole to pole 100 leagues west of the Azores and Cape Verde Islands. The stated purpose of this grant is religious – namely, to spread the Christian faith and convert the inhabitants of these distant lands.

Colonization was not an accidental distortion of Church doctrine but an official policy. But I guess when you pretend to be infallible, it’s hard to repent.