Poetry by Lawrence Kessenich: “Meditating with a Dog Named Vasana”

Earlier this month we held a ceremony at our house to welcome our 18-month-old, Shane, into my husband’s Buddhist meditation community. We shared some spiritual readings and poetry that celebrated young children’s ability to abide in the present moment, without pretensions or superimposed storylines.

I was reminded of this when I read Lawrence Kessenich’s poem below, which won the 2012 Spirit First Meditation Poetry Contest. Sponsored by a meditation center in Washington, DC, this free contest awards prizes up to $175 for poems on the theme of meditation, mindfulness, stillness, or silence. The current contest is open through January 31.

Like the dog in the poem, the Young Master is very fond of his stuffed squirrel, but he is especially delighted with the singing bowl we bought him for the ceremony. Each morning he reaches for it with a smile, and we have a mindfulness moment as we listen to the ringing echoes fade away. And then he bangs on it and chews on the stick!

Meditating with a Dog Named Vasana*
by Lawrence Kessenich

The mind is not easily ignored.
Told to sit in the corner like
a good little dog, he disobeys
bringing thoughts like toys:
a green rubber block, a stuffed squirrel,
an old, slimy, gnawed-over bone.

Take this simple mantra, I tell him,
and play with that. But he wants to do more.
He barks, licks my face, sniffs my crotch,
drops a brightly colored ball at my feet.
Vasana! I say sharply.
But to no avail. He is my dog
and requires my attention.

I toss his ball across the room
again and again and again.
He brings it back to me
again and again and again.
Until, finally, he drops it,
lays down in his corner, and falls asleep,
dreaming of sticks thrown into rivers.
Good dog, Vasana. Good dog.

*Sanskrit word for concept “monkey mind”

Lawrence Kessenich is an accomplished poet living in Massachusetts—he won the 2010 Strokestown International Poetry Prize, and his poetry has been published in Atlanta Review, Poetry Ireland Review, Cream City Review, Ibbetson Street, and many other magazines. His chapbook Strange News was published by Pudding House Publications in 2008. Another chapbook was a semi-finalist for the St. Lawrence Book Award and finalist for the Spire Press Chapbook Contest. His current collection, Before Whose Glory, was a semi-finalist for the Off the Grid contest. His poem “Underground Jesus” was recently nominated for a Pushcart Prize. Kessenich has also published essays, one of which was featured on NPR’s This I Believe in 2010 and appears in the anthology This I Believe: On Love. His play Ronnie’s Charger was produced in Colorado in 2011.

Belonging, Believing: A Tension at the Heart of Church


There is a paradox buried in the idea of religious community, an imperfect compromise that sooner or later all churchgoers must make, but that we don’t like to acknowledge openly. This is because a church has two purposes, the social and the devotional. We prefer to pretend that these two goals never pull us in incompatible directions, or that the tension can easily be resolved by abandoning one of them with no damage to the church’s mission.

In ordinary circumstances, we adjust our expectations all the time, in order to maintain equilibrium in our relationship to our faith community. We learn to get along with fellow members who make us uncomfortable, because the church is guiding us to serve God together. Or we tolerate preaching and programs that we don’t fully agree with, because we’ve formed strong bonds with our parish family. As in a marriage or a workplace team, a certain level of compromise is healthy. C.S. Lewis discouraged “church shopping” because he believed that members’ acceptance of one another’s imperfections produced spiritual maturity.

But there is an ever-present risk that the tension between our social and spiritual needs will become too great.

A church with robust faith in the Incarnate God and substantial programs for spiritual formation may turn out to be a church that is not safe for authentic personal relationships — for example, because of homophobia, sexism, or a general culture of disregarding boundaries in order to “save souls” (see Dianna Anderson’s incisive post about false intimacy in evangelical small groups).

On the other hand, a church that respects its members’ privacy and diversity may be refusing to provide any leadership about what it means to live a Christian life. Because of a liberal overreaction against fundamentalism, such a church may be a safe social club but no more than that. Our interpersonal roots may be spreading while the plant of our faith withers away for lack of nourishment.

The work of Christian scholar Diana Butler Bass is popular nowadays in discussions about reinventing the liberal church. Though I haven’t yet read her book Christianity After Religion, from which this framework is taken, I’ve heard talk about her formula of “belonging, behaving, believing”, which represents the current (in my view, unsatisfying) attempt to resolve the tension. Mark Krause of Nebraska Christian College summarizes it well on his blog:

Bass uses the paradigm of Believing, Behaving, Belonging to flesh out her argument. This is the order her analysis of 20th century American Christianity has produced. First, we believe a set of doctrines put forth by a particular church or denomination. Second, we change our lives to conform to these doctrines in the area of personal behavior. Third, we are accepted as part of the community. Bass sees the new spirituality-based Christianity of the 21st century as reversing this paradigm. We begin by belonging, identifying with a faith community based on personal relationships. Second, we behave, although Bass’s understanding of this is far removed from the earlier understanding. She means that we begin to fit in with this community in our lifestyle. However, in the new paradigm, this may be because we have found a faith community that matches our current lifestyle rather than any sense of transformation. Third, we believe; we incorporate the general beliefs of our identified faith community into our lives, largely on a experiential and activist basis.

As I see it, Bass’s formula sets up churchgoers for a crisis of conscience or personal heartbreak down the road. What happens when we have developed close personal ties to a community, but discover that we can’t accept what they believe? The peer pressure to maintain those ties can distort or suppress our search to know God’s will for ourselves.

This is the subterranean flaw in what conservative Christians call “friendship evangelism”, i.e. nurturing a relationship of trust with another person in order to create an opening to convert her. The “trust” and “friendship” turn out to be one-sided because the would-be evangelist is not open to having his own beliefs altered by the encounter with the other. He expects her to prioritize “belonging” while he will always put “believing” first.

To avoid this pitfall, the liberal church often de-emphasizes the “believing” piece. But I’ve noticed that this creates its own kind of cognitive dissonance, in me at least. The church’s retention of authoritarian privileges sits uneasily with its primary branding as a voluntary social club. For instance, we receive strong messaging that we should be attending church. Once we’re there, we’re expected to sit quietly while the person in the pulpit tells us what our shortcomings are, and what good works God commands us to do. We generally hear a lot more about what is needed from us (tithing, volunteerism, charitable giving) than invitations to share our own needs.

If the church is going to foreground “relationship”, it had better make sure that its model of relationship is mutual, consensual, and not guilt-based. That’s not currently happening.

Moreover, relationship is an empty word unless we have a basis for our affinity. To cite C.S. Lewis again, in The Four Loves he offers a memorable image of friendship (philia) as two people standing shoulder to shoulder, together looking at something they both love. For the friendship network that is the church, shouldn’t that “something” be Jesus? But now we’re back to “believing”.

The real B-word that will determine the church’s viability in the 21st century is boundaries. Stay tuned for future posts.

Framing Suffering: Survivors, Victims, and Martyrs


Dear readers, I have been absent from the blogosphere lately because I’ve been making extensive notes for future posts on “envisioning the survivor-sensitive church”. These notes have coalesced around two problem areas in the relationship between abuse survivors and their faith community.

First, I see a need for churches to become safer environments by developing clearer communication channels and greater self-awareness about the community’s feelings, motives, and behavior patterns. Such reforms would particularly help survivors trust the church, but would benefit everyone. Second, there are aspects of the church experience that are not problematic per se, but may be a stumbling block for people with a trauma history. The question then becomes whether the church values this population enough to find alternative ways of reaching them.

I’ll share more specific ideas on this blog after I’ve worked them through. For now, I want to explore a preliminary question that’s often a show-stopper when I debate this project with others (or with myself):

Why present one’s self AS a survivor when doing theology? Or, as it’s sometimes framed, Why cling to a victim identity?

I sympathize with the anxieties behind this question. I don’t want to put myself forward as a special snowflake, the woman who’s allergic to everything. If these reforms really benefit everyone, why do I need to mention the survivor standpoint? And if they’re just my special need, isn’t it distracting and self-centered to ask the church to fit around me?

On the other hand, accusations of “individualism”, “narcissism”, and “consumerism” are too freely tossed around the Christian blogosphere whenever people express dissatisfaction with church. Why is it presumed illegitimate for the people in the pews to voice our needs–not our need for a cooler praise band or a Starbucks in the church lobby, but for faithful guidance through the troubles that actually dominate our lives? For survivors, such guidance starts with bringing our experience out of the realm of the unspeakable.

In a perfect world, we might not require many of the identity labels that currently organize our social sphere. Identities are often asserted under conditions of shame and oppression, to recapture the power to narrate our own lives. No one, for instance, has to come out as straight. Not because straight identity is any more or less real than gay, but because a heterosexist society either assumes you are straight, or applies other, crueler labels to your deviation from “normal” mannerisms.

Similarly, though I always knew the facts of my past, I didn’t assemble them into a picture captioned “abuse survivor”, until a false mental-health diagnosis forced me to find an alternative to the repulsive funhouse-mirror image that the experts had constructed from my anxious behaviors. Perhaps they saw this persona because she already existed somewhere inside me, the self-hating “bundle of needs” that the neglected child believes herself to be. We internalize victim-blaming because it’s easier to believe in our own depravity, which could supposedly be cured by perfect obedience, than to face the grief and terror of our dependence on unsafe caregivers.

During my lifelong process of recovery, I can expect to be interpreted against my will. The constellation of traits appears whether one is “out” as a survivor or not. I can also expect peer pressure to collude in the misinterpretation of other women who wear their wounds even more visibly. Survivor identity is my gesture of resistance and solidarity. What was once forced upon me, I choose freely: To have no place to hide. To risk being called weak, needy, biased, disruptive, mistrustful, bitter, crazy. To attempt to manifest the triumph of love and justice over the sting of social death.

What a paradox this is, that my credibility to advocate for reform may be compromised by my own enactment of it.

I pull these thoughts from my reading of the gospels, where I meet a God-embodying Jesus who inhabited a stigmatized identity to its utmost limits. But I wish this wasn’t such a do-it-yourself project. The kinship of books and blogs is not a complete substitute for a real-life Christian community working together to develop theology and pastoral care for survivors’ healing.

A common charge levelled at the growing “spiritual but not religious” population is that they prefer shallow and disposable online connections over face-to-face relational commitment. But what if the picture is more complicated? What if they’re finding their virtual support groups to be more genuine and spiritually formative than complacent parishes whose faith is not strong enough to witness evil?

Christianity used to be better at giving suffering a language to express and transcend itself. The mortifications of the saints seem merely morbid to our conventional wisdom, whose highest ideal is the well-adjusted man. Whereas once we sang hymns about martyrs and taught their life stories to our children, now we silence tragic disclosures with the dismissal, “Don’t be a martyr!”

This modern turn toward positive thinking arose because the old ways became corrupted by self-pity and sentimentalizing of avoidable damage. Identification with holy victims can certainly shade over into self-aggrandizement, deliberate masochism, or collusion with abuse in another form (as when a priest tells a battered wife to “bear her cross” instead of helping her escape).

However, that seems insufficient reason to throw out the entire vocabulary of redeemed suffering. We are ALL potential victims because weakness and pain are part of the human condition. As Hans Kung contended in On Being a Christian, the cross, properly understood, is not a reason to seek out suffering, but rather a way to dignify and be accompanied through the suffering that inevitably comes.

Can the church today re-present the cross to survivors, not as a symbol of guilt and fear, but of solidarity and hope?

Poetry by Lynne Constantine: “Confiteor”

Lynne Constantine is on the faculty of the School of Art at George Mason University in Fairfax, Virginia. An interdisciplinary artist and writer, she has, in other moments of her varied career, taught medieval English literature; headed two nonprofits; freelanced as a journalist, speechwriter, ghostwriter and book reviewer; co-authored a book on migraine; and co-founded a communications consulting firm.

I met Lynne earlier this month at the Ollom Art Festival in Northampton, where she gave a lecture on aesthetics that concluded with the wise and funny poem below. In her lecture, Lynne described the shift from classical aesthetics, with its idealized representations and universal theories of beauty, to modern aesthetics, which honors wabi-sabi, “the perfection of imperfection”. With the advent of photography and film, we no longer need art to establish a consensus on how things look or should look. Art can turn inward to express the artist’s psychological response to her environment, without having to hold up that response as the sole correct one.

This lecture reminded me of my own turn towards experience-based theology, and away from the arguments over the one “right” interpretation of doctrine. So it seemed fitting that Lynne ended with this creative reworking of her Catholic upbringing. Rituals and images remain stubbornly embedded in our subconscious despite our conscious rejection of the belief system where they originated. Perhaps this unresolved tension is one of the imperfections that our art must express, accepting that the rift between these parts of ourselves may never heal.

Confiteor
by Lynne Constantine

Confiteor deo omnipotenti
I am here to confess

I do not know how long it has been
Since my last confession
But I’m here now
And I’m hoping for absolution
For whatever can be absolved

I confess
that I am not the person I want to be

I confess
That I have made up statistics
In the heat of an argument
Which have turned out to be true
Because so much of this shit is predictable

I confess
To pretending not to understand
what the homeless vet in the street asks
   me for
and for that I am grievously sorry
and for the fact that he’s in the street I am
   grievously sorry
mea culpa

I confess
To making up sins when I went to confession
   as a teen:
“I laughed and talked in church six times,
I took the Lord’s name in vain two hundred
   times.”
I made them up so I could get absolution for
   all the other sins
That I wasn’t going to be telling the priest,
   that old pervert.
For this one I’m not really sorry
But I probably need forgiveness anyway
For something
Mea culpa

Absolution is a beautiful concept
But I confess
That I am not very forgiving
Especially when forgiveness is not followed
By a sincere effort to amend your life…

…Congress
…the Federal Reserve
…AIG
…Fannie Mae
…banks too big to fail
Are you making a sincere effort to amend
   your lives
After screwing the entire world
And then getting paid?
Do they make a penance for that?

I confess
That as a child I cried for hours
when I found out
that people don’t really turn the other cheek
I am noisy when I am inconsolable
I may cry right now
Mea culpa

I confess
That I want to believe in hell
For racists
I confess that I would like to pick their
   punishment

I confess
That I want to believe in heaven for
   the poor
And for my dogs

I confess that I hate the concept of
   purgatory
It’s a do-over for mean, petty people
Who should have turned the goddamn
   other cheek
And amended their lives
While it could have done somebody
   some good.
But that’s just me.
Mea culpa.

I confess that I am stubborn and proud.
I confess that I cry at stupid capitalist
   manipulative commercials.
Damn you Hallmark.
I confess that I can have a nasty mouth.
I confess that I am not as kind as people think
Nor as generous as I could be
Nor as ready to forgive
As I would like to be forgiven.

And yes, I would like to be forgiven.

For these and all the sins of my past life
And all the sins I will be committing
And repenting
And committing
And repenting
I ask absolution.
I promise to go forth and amend my life.
Amen.

New Writing by Conway: “City Elegy III”

While my prison pen pal “Conway” waits for news on his petition for early release, he’s been dreaming of returning to work on those motorcycles and racecars he loves. It’s been almost a year since California repealed its harsh “three-strikes” sentencing law for nonviolent offenders, but my friend’s case is languishing due to the usual bureaucracy and the slow and inconsistent work of his public defenders. The prose-poem below comes from his ongoing series of odes to urban car culture.

Meanwhile, in prison reform news, the FCC finally capped the exorbitant phone rates that were preventing many prisoners from maintaining contact with their families on the outside. Such connections are crucial to keep them from re-offending. Donate to the Campaign for Prison Phone Justice at Nation Inside to thank them for their decade of work on this issue. (Don’t be put off by their unfinished website.)

City Elegy III
by “Conway”

No musical sound true as traffic, has moved these senses so strongly.

Lost songs echo endlessly in this ear’s memory.

Low rumble at idle, or burn-out then roar away.

How can one hand, or foot, hold back the temptation of acceleration, without testing all limits?

I have dared to invoke those hidden horsepowered reins just straining to be released.

*

What does anyone know. Anyone who has not conspired to call upon an unstrained throttle. Especially the song. A mechanical throat that’s been closed for too long sings. (A reborn derelict.)

Oh to behold the hollow night growling. Deep as an empty stomach. As another restored machine announces its hunger.

An ancient frame vibrates in anticipation, twists as it shakes off the crusted rust of ages. Then unleashes the force of factory-born flame harnessed free-wheelin’ thunders voice, as it bellows out loud a groundpounding — Move!

*

Momentum begins, as adrenaline purges each driver to quicken forward movement. Pushing gravity beyond simple attraction. Like: an ancient call into battle.

A charge on horseback towards the final clash of combat, or competition. When Hannibal’s men came tramplin’ in on elephants. To crush all those who dared to oppose.

But, even those beasts proved their flesh, to be almost as weak as man.

So, man made machines, cherished steeds became formed from metal. Each iron horse or motorized chariot was forged of stronger stranger magic.

One machine can release the sound of a thousand horses, hooves pounding at full charge.

Or, cruise by slow with the rhythmic thump of drumbeats parading by, like armored knights in their glory, celebrating a victorious return.

*

This is what I imagine; This is what I hear.

During another power-filled night of hot rods and motorcycles.

The music of oil pans dragging down hard streets and avenues.

*

I salute all those passengers, who have lost their lives, in the ultimate pursuit of velocity. Those who have sacrificed their flesh to a crush of twisted mangled metal.

I do not count your sacrifice in vain. You! Who knew the danger and felt the pure rush of living unstrained.

You, who attained the last great flash of life without regret.

You, whose headlights form a constellation of stars, up above the Earth and everywhere else.

*

I cannot see your vehicle, you’re now too far to recognize.

But your light shines down, like the traffic I still hear.

*

I wonder; Are you still racing up there? Is this the sound the Cosmos creates. Is that just one huge Avenue of cars, trucks and motorcycles?

Are all those demolished vehicles polished and rollin’ again — Rolling into view, down the Avenue. Cruising with the Gods…

 

Celebrate Poetry and Dance at Ollom Art Festival Aug. 9-10 in Northampton

This weekend in Northampton, I’m hosting a literary reading as part of the Ollom Art Festival, an interdisciplinary event on the theme of Body, Mind & Heart. Please join us!

Choreographer John Ollom and Ollom Movement Art celebrate the release of his new book, Internal Landscapes, with the Ollom Art Festival on August 9-10 in Northampton, MA. This multimedia event includes the premiere of his show “Prisoner of My Projection” at the Academy of Music Theatre, short films, visual and performance art installations, and a literary reading hosted by Winning Writers.

Come to the Neilson Library Browsing Room at Smith College at 4 PM on August 10 for an hour of poetry and prose by Jendi Reiter, Diana Holdsworth, Ellen LaFleche, Lesléa Newman, Charlie Bondhus, Robert F. Gross, and an excerpt from Internal Landscapes. Proceeds from the festival benefit Diabetes Education. Purchase tickets from the Academy of Music website.

John has been a great influence on my creative process. Inspired by Jungian depth psychology and ancient myths, his work centers on finding one’s inner truth and overcoming shame.

For a glimpse of his teaching style and Internal Landscapes, his original method of “archetypal movement that leads to art creation”, watch this 5-minute video by Emma McCagg, whose work will also be on display at the festival.


Poetry by Thom Adams: “eternal questions for a birthday bash”

I first encountered the writer Thom Adams when I critiqued his philosophical poem “Entropy Road” for the Winning Writers newsletter in 2008. He recently shared some other poems with me, one of which moved me so much that I asked to reprint it here. (Trigger warning for suicide.) Visit Thom’s website for more verse, both serious and light, and articles on contemporary issues.

eternal questions for a birthday bash

who walked those final steps with you,
or danced your darkest hour?
who steadied you or tied your knot;
did you grimly smile, or weep
when the rope went taut?

what moment tipped the balance
of your dire choice?
yesterday, when you looked
happy as you bathed our only child,
or later when your words and eyes assured me
that you trusted… but you lied?

when did the painful reality occur
that no longer is no more and forever,
and latent regrets are not nearly enough?
wasn’t the love you felt for your suckling baby
enough testimony to us mortals
that god lives, but only for the living?

where did your magic meet its pleasant rest?
on a windy breeze that never stops,
or in a flash of light that seared memory clean,
or in a tiny box of lead?
or, does it spread and blend your lovely scent
in a contented whiff of… universal swirl?

why not just live life’s ups and ills
as if choices weren’t limited but that you
   had been cheated?
while others said their jealous prayers
with hopes of only being as lucky.
did your fearless conspirators fan their
   scary flames?
did demons laugh, or cross their fingers toward
   your twisted end?

how is it for you today… considering our son
   turns three?
but pees and wakes me in tortured sweat,
buries watered eyes and sobs till hurt subsists.
how nice to think of mama’s touch, yet feel only
   daddy’s calloused grip.
while he waits to watch the window’s evening
   strollers,
knowing the “what might have been” will never
   be…. for him.

MUST I ask again… or has your tidy damage also
   done you in?
is there something better nothing worse than live?
is something gained or lost again?
was it a silent whimper, or a screaming grin?
can you tell me why or what’s at stake?

… as I light three little candles on love’s birthday cake.

Talkback to Sinatra: My Poem “I Wish I Were in Love Again”


My poems “I Wish I Were in Love Again” and “third day” have just been published as contest semifinalists in Issue #7 of OSA Enizagam, the magazine (get it?) of Oakland School for the Arts. “I Wish…” is a critical gloss on Frank Sinatra’s ballad of the same name, which romanticized a violent conflict between lovers. This poem originally appeared in Atlanta Review. (That’s right, OSA E will take previously published work. How cool are they?)

“third day” is a collage poem using phrases from a news story about the desecration of a gay man’s corpse in Senegal. The formatting can’t be reproduced in this blog template, so you’ll just have to go buy this great magazine, which features work by Donna Steiner, Anneliese Schultz, Linda Leedy Schneider, and many other accomplished poets and storytellers.

I Wish I Were in Love Again

When Sinatra sings,
I wish I were in love again,
I imagine Love is the name
of a violent town in Texas
where the one stoplight
took a bullet long ago,
dusting the dry street with ruby glass.

Where the sheriff,
big-bellied as Cupid,
didn’t see the evidence
of the split rope, the double-smudged lipstick,
the blacksnake-cold gun under the belt.

Sinatra’s voice pours the golden
whiskey of nostalgia to shimmer
over the icy rocks, like the foothills
outside Love where nothing
lives but tumbleweeds and chicken thieves.
He misses the spat of cat and cur,
the flying fur, the sparks
that burned down Love’s one church
when the preacher’s daughter
fell asleep smoking.

Lucky in Love
is the man who didn’t miss the train
in or out of town.

Love is a Many-Splendored Thing,
the mayor says,
hoping to attract
a branch of the Houston bank,
a brassworks factory or even a circus
to settle in Love,
create jobs for the men
and scarcer women who lie
in saloon alleys all night clutching
souvenirs of Love to their hearts:
a postcard, a clump of red dirt.
Who wouldn’t want such a loyal workforce?

Love is just around the corner,
if you’ve got a first-class horse.

City-trippers in the mood
for the blackened eyes
Sinatra sighs for
take the spur line to Love
en route to Laredo or Dallas.
Fanning themselves with transfer tickets,
the ladies breathe,
I’ve never been in Love before,
mistaking the crash of plates
for an emphatic whorehouse piano.

The general store hawks banjos
with one string, plasters for the knees
of old folks who fall in Love too easily,
and of course, bullets.
If you break a hip in Love
you know what happens.

Despite the weather,
Love’s no place to retire.
The all-you-can-eat buffet closes at five.
When the moon climbs the sky again
like a drunk husband going upstairs,
the city ladies take their seats
in the second-class carriage,
each with a purple bloom
aching under her blouse, or against her cheek.
It won’t fade for days.
It’s almost like being in Love.


Two Poems from Marsha Truman Cooper’s “A Knot of Worms”

I discovered the work of Marsha Truman Cooper when her poem “You Had to Be There” won third prize in our 2004 Winning Writers War Poetry Contest. Since the judging was anonymous, I was quite surprised to learn that this searing account of a young man’s tour of duty in Vietnam was not autobiographical, so convincing was her first-person storytelling.

Cooper’s poetry chapbook A Knot of Worms was published this summer by Finishing Line Press in their New Women’s Voices series. These quiet poems are charged with a sacred attention to healing the wounds sustained by our bodies and ecosystem. In the aftermath of war or illness, the human spirit finds wholeness by recovering our common bond with whales, dragonflies, and yes, even worms. She kindly shares two sample poems below. “Ashes” was first published in Poetry Northwest.

Ashes

She will not do
what you expect, not even
if you make love to her.
She can never tell
what she has learned,
no matter how safely
she rests under your arm.
But one day, she may open a jar
she brought from that place.
She will say
it holds the burnt bones
of hands, just the hands,
of people she has known.
Though it cannot possibly
be true, you’ll believe her.
You’ll pour out
her pieces of calcium
as if they were uncut jewels.
You’ll sort through them,
wondering which bone
was the finger of a thief,
which held a violin,
and how the tiny ones
could have belonged to anybody
but a child.
Then you will see
why she can be so positive
that we are all joined.
There will never be a way
to separate these friends.

****

After the Man Who Counted Dragonflies

died, he opened his eyes and discovered
he was still in Oregon, his research tent
still pitched in a forest of pines
near the edge of a snow-fed, mile-high lake.
He took off his clothes and walked
across the beach pebbles hot as coals,
splashed into icy water— a contrast which,
if he did say so just to himself, felt heavenly.
Apparently, it was still July. A blue darner
dragonfly touched down on his index finger.
He saw the indelible ink dots he’d used
to mark the animal, a pattern recorded
by date for an insect whose life cycle
ended long ago. He wanted to ask him,
a male he’d decorated, the question
that had deviled him in life. He raised
his arm skyward, but before he could speak
more of his subjects joined them. By tens,
then hundreds and finally by thousands
his friends flew to greet him. Nymphs
he had saved from extinction cracked
their shells, split open, crawled up a reed
and darted into summer. They all whirled
around the man, a blue darner wind. Then,
they landed in a mosaic of iridescence—
their wing tips touching randomly in what
looked like sunshine— while his spirit
skittered over acres of their humming surface.
As the sun lowered, he realized that there
might be darkness. At last, he thought,
they would show him what nobody on earth
could find— where they go at night.

WTF, Supreme Court? Gay Marriage Victory, Civil Rights Fail


It’s been a madly inconsistent week for civil rights at the U.S. Supreme Court.

First the good news. As you’re no doubt aware, in U.S. v. Windsor, the Supremes struck down the provision of the Defense of Marriage Act (DOMA) that barred the federal government from recognizing same-sex marriages legally contracted under state law. This means that couples legally married in Massachusetts and a dozen other states now have equal access to some 1,100 federal rights, including tax benefits, hospital visitation, and the ability to sponsor one’s partner for U.S. citizenship.

Still extant, however, is the provision of DOMA that permits states without gay marriage to refuse to recognize such marriages from their sister states. In light of this week’s ruling, it seems unlikely that the remainder of the law would survive a challenge under the Constitution’s Full Faith and Credit Clause, since the 5-judge majority in Windsor basically said there’s no legitimate reason to single out same-sex couples to take away rights already given them by their home state. Now that these couples have federal rights as well, one could argue that unless these rights are portable from state to state, their constitutional “right to travel” has been impaired. (Since the court in recent years has restricted the scope of the once-broad Interstate Commerce Clause, I would make that only a secondary argument.)

A second court challenge may not be needed, since Congress is considering the Respect for Marriage Act to overturn the rest of DOMA. President Obama said he would support this bill in 2011. For the latest on this strategy and how you can help, visit the Freedom to Marry website.

Now the bad news. This same week, the Court handed down three decisions that seriously weakened suspects’ Miranda right against self-incrimination, the 1965 Voting Rights Act, and the Indian Child Welfare Act. More details on each of these cases can be found here, here, and here.

Section 4 of the Voting Rights Act required 9 Southern states with a history of racial discrimination to pre-clear changes to their voting laws with the U.S. Department of Justice or a federal judge. This week, the Court struck down that section of the law, saying it was based on an outdated formula rather than on present-day data about state interference with minorities’ voting rights. How’s this for fresh data: according to ThinkProgress, 6 of those 9 states have already moved ahead with voter ID laws and redistricting plans that had been previously blocked under the VRA. Without neutral federal oversight, redistricting has often been abused to dilute the voting power of people of color, young people, and the poor, by clustering or dispersing them in such a way that they never form a majority voting bloc. Voter ID laws have been shown to have a disparate impact on poor and Hispanic voters, who are less likely to possess the documentation required.

One of my transgender activist friends, who’s been critical of the mainstream LGBT movement’s focus on gay marriage, speculated that the Court made the Windsor decision more palatable to Tea Party social conservatives by giving them what they wanted even more–a rollback of civil rights for racial minorities. I can certainly see how these other three decisions could stave off the extreme attacks on the Court’s legitimacy that became the norm after Roe v. Wade. Sinister stuff.

That’s why we need to emulate the great civil rights leaders, like Harvey Milk and Martin Luther King Jr., who understood that all struggles against oppression are connected. Dr. King is best known for his leadership of the African-American civil rights movement, of course, but he also preached against the Vietnam War, over the objections of some of his African-American followers who feared he would dilute his primary message and lose political capital. Milk built bridges to constituencies not traditionally supportive of gay rights, when he stood up for the Teamsters’ Union in the Coors Beer boycott.

The Windsor decision is important. It makes life a lot more secure for gay couples and their children–IF they happen to live in states where same-sex marriage is, or plausibly could become, legal. But the imminent disenfranchisement of traditionally Democratic voting blocs in conservative states all but ensures that same-sex marriage won’t be a reality there anytime soon. LGBT activists should work to restore equal access to the polls, not only as allies, but also because these struggles directly intersect.