Sisters in Healing: Poetry from Margaret Gish Miller’s “Blood Moon Weather”

English Literature teacher Margaret Gish Miller may be retired, but she’s not resting on her laurels. At age 70, she has published her first poetry collection, Blood Moon Weather, through Dancing Moon Press. In it she lovingly depicts the bond between sisters healing from paternal incest, and looks back with wisdom and self-acceptance at the formative moments of her growth to womanhood.

The poems are written in a simple narrative mode, without stylistic tricks, yet a close reading reveals how nonlinear and complex the story really is. The gaps between facts are not visible on the page but in the mind. Small sensory details and isolated events are vividly remembered while the significance of their juxtaposition is left for the reader to ponder, like retrieving a traumatic memory in non-chronological fragments. At times the incompleteness left me unsatisfied, wanting to know the context for an anecdote, or to draw closer to characters who fascinate from a distance. But this is the kind of personal material that a writer often has to approach in stages, relieved, as here, with lighter and life-affirming poems about love and desire in her long marriage.

Margaret has kindly allowed me to reprint a sample poem below. Read Ed Bennett’s positive review in the July 2016 issue of Quill & Parchment.

Jellyfish

Like lingerie
suspended in
space inside
an aquarium

their pastels delicate,
soft as roses with thorns.
For they say jellyfish

have no heart and
sting in self-
preservation, a part

of their seductive
water dance.
I must have

had the heart
of a jellyfish
at twelve.

For that man, in his
fisherman’s fascination,
caught me. Kept me
as his own. And I
repeatedly stung
myself for this.

This debris
of my heart so sore
I soar into this space

and time
to gather the girl
that was you.

August Links Roundup: The Negative in Sex-Positive

This past March I attended the 5 College Queer Gender & Sexuality Conference at Hampshire College. One of the best workshops was “Sex-Negativity Never Happened”, led by Skramz Geist, a radical philosophy professor at St. Mary’s College of Maryland. We talked about how the “sex-positive” norm in queer communities can be exploited to push people’s sexual boundaries or create an uncomfortably sexualized environment. A theme that emerged was that no community rules are immune to subversion by a determined predator, whether they’re the consent and communication scripts of queer and kink spaces, or the rigid sexual boundaries in conservative churches, where I once sought protection from an emotionally numb and risky hookup culture. I read very little theology anymore, because it failed to perform what for me was its prime function: identifying safe people and creating safe spaces.

Very few hits come up when I Google “compulsory sexuality”, which is sad because this concept would have taught my 20-year-old self that feminism was about more than the right to get drunk at frat parties and have abortions. This 2010 review of Andrea Dworkin’s Right-Wing Women, from the feminist blog Fannie’s Room, provided a rare moment of validation for my motives in becoming a Young Republican:

Dworkin argues that, for good reason, Rightwing women fear the Left. The Left of the sixties was “a dream of sexual transcendence…. It was- for the girls- a dream of being less female in a world less male; an eroticization of sibling equality, not male domination” (91). What this meant in practice, however, was that it essentially freed men to fuck women “without bourgeois constraints” (91). What this meant for women was “an intensification of the experience of being sexually female- the precise opposite of what these girls had envisioned for themselves….freedom for women existed in being fucked more often by more men, a sort of lateral mobility in the same inferior sphere” (93). The Left, that is, continued to construct women as sex, while men continued to be constructed as the Doers Of Important Things.

Further, “sexual liberation” created an expectation that the sexually liberated were ready for sex at any time, effectively negating the concept of consent. Those who were not ready for sex were considered “repressed,” not liberated. For women, for whom pregnancy was sometimes an outcome of this sex free-for-all and for whom abortion was illegal, the consequences of sex were higher than for men. Rightwing women feared sexual liberation as it meant unfettered male sexual access to women, and possibly pregnancy, without the expectation of male support via traditional marriage.

This scenario was all too true for the many women who were mentored and sexually harassed by prominent theologian John Howard Yoder in the 1970s-90s, as history professor Rachel Waltner Goossen details in “Mennonite Bodies, Sexual Ethics”, a recent essay from the Journal of Mennonite Studies, reprinted at the sexual abuse survivor blog Our Stories Untold. Yoder is still widely cited and revered for his theology of pacifism, despite brave dissenters who point out that we should be skeptical of nonresistance preached by a sexual predator. Goossen observes:

For several decades, through the 1970s and 1980s, Yoder approached women with sexual invitations and intimidating behavior at the seminary, at academic and church conferences, and in homes, cars, and gathering places across the U.S., Canada, and a host of international settings. The women’s experiences varied widely. While each was acquainted with Yoder in some way, most of these women were not known to one another nor aware of Yoder’s sexual aggressiveness toward others. (One woman, married and much younger than Yoder, whom he surprised in the mid- 1970s with sexualized physical touching and who reacted with instant rebuke, later remembered the incident as deeply troubling: “It messes with the mind. I wondered, am I special to him? Is he lonely?”10)

Yoder justified his sexual approaches to women as theologically driven. He solicited help from female students and others, describing his entreaties as part of an “experiment” in sexual ethics in which he and a circle of “sisters” tested ideas about sexual intimacy outside marriage. For approximately eight years, over the objections of his supervisor at the seminary, president Marlin Miller, Yoder offered biblical justifications for his behavior based on Jesus’ ministry to women and what Yoder termed “the freedom of the Gospel.”11 Yoder argued that his ministrations to women were potentially therapeutic, and although he lacked formal training in psychological counseling, maintained that he wanted to help women overcome feelings of taboo. He intended to “defang” (or tame) “the beast,” he said, helping Christians to reject notions of sexuality as “a beast or a slippery slope which is … uncontrollable.”12

Yoder’s speculative project, arising as part of the sexual revolution of the 1960s and ’70s, coincided with widening societal expectations about consensual sex. Although sexualized violence against women in the United States did not intensify markedly during the sexual revolution, one leading historian of the era notes that “In the new sexual order, the standard for consent had to be renegotiated. Why would a woman say no if sex presumably resulted in no harm? And who would believe that a woman had withheld consent, given new expectations of participation in the sexual revolution?”13 At a historical moment when lines were blurring about what constituted permissible sex, Yoder exploited notions that loosening sexual boundaries portended no harm.

The historian being cited in footnote 13 is Estelle Freedman, Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation (Cambridge: Harvard University Press, 2013). Hat tip to @GrumpyTheology for this article. Follow her for truth and cat pictures.

Consent and Altsex Culture is another recent gem of a post from Thing of Things, a funny and thought-provoking blog about philosophy, neurodivergence, gender, and nerdy special interests.

…[I]n our culture sex-positivity has a distressing tendency to collapse into compulsory sexuality.

What happens in a lot of cases is something like this: in conventional patriarchal culture, there are people women are supposed to fuck (their husbands) and people women are not supposed to fuck (everyone else). There is a socially legitimate reason for a woman to say ‘no’ to sex to anyone who isn’t her husband. And while there might not be much concept that women can say ‘no’ to sex with their husbands (remember that marital rape only became illegal in every US state in the nineties), most husbands are not rapists, genuinely love and care about their partners, and have no desire to have sex with their wife when she doesn’t want sex. While this is a terrible system in a lot of respects, it did reduce the harm of compulsory sexuality for many women.

Unfortunately, in this system, the natural way to do sex-positivity is to expand the set of people women are supposed to fuck. It is limiting to only have one person you’re supposed to fuck! Now you are supposed to fuck all your friends, or all the people in this intentional community, or everyone! Isn’t that great? We’re helping!

And, of course, if you’re supposed to have sex with a lot more people, then you’re much more likely to have sex with a rapist, or with someone who grew up in a culture that doesn’t give a shit about consent and who doesn’t have any reason to care about your emotional well-being. You’re a stranger, after all.

The worst excesses of the free love movement in the sixties birthed radical feminism, which instituted the rule that sex that one person involved did not want is rape. Most alternative sexuality communities seem to work under a similar rule today. This is a serious improvement, which I am not going to criticize.

However, I worry that a lot of alternative sexuality culture lends itself well to compulsory sexuality in more subtle ways…

…How can we fix this problem? I think part of the solution is just talking about it and trying to be aware of the pressures in our communities and the way that they make some people feel unwelcome. Another part is to explicitly work on including not just the sluts but the prudes in sex positivity– not just the people who want sex more or in different ways than society approves of, but the people who want sex less or don’t like some of the socially accepted kinds of sex. (Not, of course, that these are mutually exclusive.) And I do wonder if there are any simple changes we could make in communities dominated by kinky, poly, slutty, cuddle-prone etc. people to make them more welcoming to vanilla, asexual, monogamous, low-libido, not-in-favor-of-cuddling-strangers etc. people, without sacrificing our own needs and values.

Ozy’s blog is an unusual place: the comments are intelligent, and trolling is swiftly stopped. The ones below this post are worth a read. And of course feel free to share your own experiences and suggested solutions in my comments box too.

Don’t #DiagnoseTrump: How Progressives Exploit Mental Health Stigma

Cards on the table: I preferred Bernie Sanders’ leftist economics but am content to vote for Hillary Clinton this fall. Neither the persona nor the politics of Donald Trump hold any appeal for me. That decision made, I’ve skipped most of the election coverage that clutters my newsfeed. But I haven’t been able to ignore the slew of headlines labelling The Donald with various mental illnesses and personality disorders, culminating in the Twitter hashtag #DiagnoseTrump. This level of ableism from my supposed progressive allies scares me almost as much as a Republican president’s Supreme Court picks.

Speculative diagnosis of public figures is a common, yet basically unethical, tactic in modern journalism. The trend has gotten so out of hand in this election that the American Psychiatric Association had to issue a warning, as reported in yesterday’s Washington Post. The APA publicly reminded its members of the “Goldwater Rule” it issued in 1964 in response to a similar feeding frenzy around another GOP presidential candidate:

On occasion psychiatrists are asked for an opinion about an individual who is in the light of public attention or who has disclosed information about himself/herself through public media. In such circumstances, a psychiatrist may share with the public his or her expertise about psychiatric issues in general. However, it is unethical for a psychiatrist to offer a professional opinion unless he or she has conducted an examination and has been granted proper authorization for such a statement.

Simply put, it’s inappropriate to diagnose someone you haven’t treated as a patient, or to share that diagnosis without their permission.

My concern is not so much for Trump’s feelings or privacy, as for the climate of fear and shame this diagnosis-mania creates for ordinary people with mental health conditions. “Nothing about us without us” is the guiding principle of disability activism. To make better policies that protect the mentally ill and support their recovery, we need elected officials who’ve experienced the problems firsthand and are motivated to prioritize them. This can’t happen when we think it’s fair game to mock and disqualify any candidate with a diagnosis.

Moreover, there’s a huge difference between diagnosing someone in order to help them heal, and diagnosing in order to humiliate or silence them, which is what #DiagnoseTrump is all about. The latter is an abuse of power, plain and simple, which many of us have already encountered in our brushes with the psychiatric profession. Sometimes I think social workers should be required to give Miranda warnings. The current political discourse reinforces our fear of seeking professional help.

It gives me great anxiety to see my liberal friends on social media happily sharing bullshit from wellness guru Deepak Chopra about how Trump is “emotionally retarded”, and to have them push back when I explain how this language makes life harder for the non-neurotypical. Is Trump a narcissist? Maybe, but for what it’s worth, I was once diagnosed with narcissism for talking faster than the clinician could take notes, needing hourly bathroom breaks, being a virgin when I got married, and not being able to take a multiple-choice test when the radio was on. If the GOP is looking for a replacement candidate, I’m ready to serve.

For additional disability-informed perspectives on politics and daily life, follow @thisisableism, @riotheatherr, @crippledscholar, @theoriesofminds, @punkinonwheels, and @rsocialskills on Twitter.

Julian Gets Around: New “Two Natures” Reviews and Author Interviews

The countdown continues to the launch of Two Natures on September 15! Readings are scheduled for New York City, Northampton, and Greenfield, MA this fall. Watch this space or visit our Facebook page for exact times and directions. With guidance from The Frugal Book Promoter, I’ve garnered some encouraging pre-publication reviews and author interviews online. Here are the latest stops on Julian’s PR tour.

Our Queer Art, a project of Canada’s QueerDeer Media, profiled me on July 27. An excerpt from the interview:

What do you define yourself as? Or do you not? Why/Why not?
I define myself as a creative artist whose medium is writing. A revelatory and sometimes painful aspect of writing Two Natures was facing the truth that this identity is more fundamental than other labels that I thought would fit me forever, including “Christian” and “female”.

How long have you been practicing?
I’ve been a writer since before I could write! I dictated my first poems to my parents when I was about 4. They were about fairy princesses, of course.

What interests you about your medium or why do you use this medium?
I grew up in a family that loved books. The magic of communing with characters from an intangible world was my first, and (I’m finally realizing) my most formative, spiritual experience. It’s a great honor to be able to practice that magic myself.

What kind of work do you want to create, or what work are you inspired by that you would like to strive for/emulate?
I am inspired by artists who challenge binary thinking, whose work offers both sensual pleasure and an intelligent perspective on the human condition. Donna Tartt’s The Secret History and The Goldfinch are ambitious in this way: action melodramas that are also philosophical treatises on the troubled relationship between art and morality. So are some of my favorite works of fiction that blend horror and political critique, such as George Saunders’ Pastoralia, Matt Ruff’s Lovecraft Country (a Cthulhu Mythos pastiche set in the Jim Crow South), and Jenna Leigh Evans’ Prosperity (an American dystopia set in debtor’s prison, winner of our 2015 Winning Writers North Street Book Prize for genre fiction). The poetry collections that are touchstones for me include Atlantis by Mark Doty, The Cow by Ariana Reines, Four Quartets by T.S. Eliot, and Live or Die by Anne Sexton.

Trudie Barreras, a popular Amazon Vine reviewer, gave Two Natures a 5-star review on Goodreads:

…[T]his book offers an amazing level of honesty and insight. Like the earlier work of Patricia Nell Warren, Reiter’s representation of gay male psychology and eroticism is clear-eyed and unabashed. Although her descriptions of male-male sexual encounters are no more explicit than the similar descriptions of heterosexual lovemaking in many modern-day romances, some readers may find this unpalatable. To them, I can only say, “Get over it, people!”

Although Reiter is investigating the link between sexuality and spirituality in this narrative, as well as presenting a deeply incisive exploration of the social and cultural aspects of the urban LGBTQ community during the AIDS crisis, she is not heavy-handed or in any way “preachy”. Her main characters and many of the peripheral cast members are sympathetically and vividly described. Julian himself is voiced with wry and biting humor.

A trigger warning: for those who, like me, have “been there and done that” with respect to losing dear ones to AIDS, and who have experienced the anger, disgust and grief resulting from the vicious and callous rejection of gays – especially those stricken with HIV – by the so-called Christian establishment, the honesty of this book is stark…

Book blogger Amos Lassen wrote in this July 13 review:

It is a pleasure to read a novel that is literary in all of its aspects. I also found that the issue of faith that is so important to me is beautifully handled here… We all know someone like Julian and many of us see ourselves in him. The highest praise that I can give this book is to say that ‘I love it’ and I do. Julian is an everyman and in that he is a composite of so many gay personalities. You owe to yourselves to read this wonderful novel.

A.M. Leibowitz, author of the excellent gay Christian novel Passing on Faith and many others, scored Two Natures 10 out of 10 fountain pens in this Aug. 1 review and author interview. She doesn’t let Julian off the hook for his moral failings, though!

This is a difficult book for me to review. On the one hand, despite its length, it’s surprisingly fast-paced. There isn’t a lot of wasted space; everything has a purpose, so it doesn’t feel as though it’s lagging anywhere in terms of moving forward. The writing style is superior, in the style of the best literary fiction. At the same time, my reaction to it is very much along those lines—I’m not here to be entertained by this book. It’s not a feel-good love story or a tale of tragedy-to-triumph. It’s meant to be appreciated mainly for its historical value and technically skilled craftsmanship. For a number of reasons (the heavy topics, the highly literary style, the depth of the psychology), this is one to read with a group for the purpose of discussion.

There’s a lot covered in this novel, and the title says it best. Everything in Julian’s life is split, and he spends most of the story trying to make whole the things he sees as fractured. Despite the fact that there’s a sub-thread about the religion of his youth, it actually doesn’t factor in much beyond his musings until near the end. However, his broken trust in his faith and family of origin drive nearly every other relationship he has. It’s vital for people of faith to read this with the understanding of how religious institutions create and contribute to the oppression specifically of the LGBT community…

…Ultimately, I could probably talk for days about this book because it’s impossible to capture everything about such a dense read in a short review. My own personal grievances with the characters aside, I do think this is a phenomenal work, and I highly recommend it. It should be required reading if for no other reason than that we’ve already forgotten what life was like in those days.

Love Julian or hate him? Pick up a free copy and find out. Join the Goodreads M/M Romance Group and sign up for the “Don’t Buy My Love” giveaway starting August 25! Fifteen e-book copies of Two Natures are on offer in exchange for an honest review.

Nonbinary Femme Thoughts

Coming out is peculiar when you don’t know what you are yet. I’ve been having a lot of conversations like this: “Um… I wanted to tell you… I’m decided I’m genderqueer now? But I’m not going to do anything about it? Like, I still use female pronouns and my husband likes boobs, so…” At which point my patient and understanding friends (because I’ve fired all of the other kind) smile and say that’s cool, and we go back to eating our fried rice.

The confusion is mainly in my own mind. I am certain of the reality of my masculine other self (he wrote a whole novel, after all) and my lifelong discomfort with assumptions that I should feel at home in women-only spaces. Beyond that, though, I struggle with the fear that this is all ridiculous unless I operationalize it somehow.

One problem is my limited imagination about what non-surgical genderqueerness looks like. I picture slender, androgynous, man-tailored women like these Beautiful Tomboys of the 1930s. I’d love to be them, but I don’t have that kind of body. I’d rather be a man who’s masculine enough to wear purple ruffles and eyeliner, like the late great musician Prince. That wasn’t in the cards for this lifetime either. When I dress femme, with a curvy female figure, I brace myself for being challenged that my queer identity isn’t real. But I don’t want to split the difference and wear asexual clothing, as I was pressured to do as a teenager because my mother didn’t think I was pretty enough to show my body. If I never see another plaid flannel shirt, it’ll be too soon.

And don’t get me started on the pronouns issue. I respect whatever anyone wants to be called, but for me it’s not worth the effort to insist on something different when people perceive me as a “she/her”. I’m not a “he”, and although I have a lot of personalities, “they” feels too neuter for me. Does that make me less queer? Am I a sell-out for passing?

There’s no getting away from sexism, however one identifies. Androgyny and masculine-of-center styles will be seen as cooler, and more represented in the media, because we’re still struggling with the second-wave feminist critique of femme fashion as inauthentic and oppressive. Magazines and TV prefer to show female-born bodies that are slim enough to get away with flat-chested male clothing, because women are better when they’re smaller, right? Don’t get me wrong, I have a serious crush on Emma from “Once Upon a Time”, but I’d like some gender-bending fashion role models in my size too.

The intersectional feminist website Wear Your Voice offers a fresh perspective. Ashleigh Shackelford writes about reclaiming femme beauty as a plus-size woman of color in “Why I’m Nonbinary But Don’t Use ‘They/Them'”:

Long before I came out as nonbinary, for most of my life, I struggled with gender and gender performance. I spent most of my childhood, adolescence and adulthood being violated for being a Black fat girl. I was often treated as if I was “one of the boys” or an “it” because I wasn’t feminine or girl-enough to be seen as attractive, worthy of being treating like a human, or seen as innocent/controllable. My blackness and fatness and proximity to girlhood was always othered in a way that most others did not experience.

As we see in the media and within our interpersonal spaces, femininity is significantly scripted through whiteness and thinness. I am none of those things. So my body being bigger, being Black and being read as cisgender/ or being assumed to be DFAB (designated “female” at birth) but not being seen as a girl/woman has forced me to grapple with gender in specific and violent ways. As I was growing up, I couldn’t fit into the girl clothing most of the time, so I was forced to shop in the boys’/men’s department to find attire. This alone is a queering of gender, incorporating a lens of fatness as a gender non-conforming quality, because girls’ bodies are supposed to be petite and small, be seen as controllable (fatness reads as “overpowering” to the gaze of masculinity), for consumption but only when you fit within certain beauty and humanity standards. My body was none of those things. And my only opportunity to find ways to present my gender in ways that would allow me to be seen as “more feminine” were denied to me because the clothes that would affirm my girlhood/womanhood were not available in my size…

…I don’t like using they/them pronouns because it feels so foreign to me. It’s really no shade to those who have found a home in they/them, but more so calling into question the terms “gender neutral” and “neutrality” in a world where nothing is neutral or objective, and often all defaults are based in masculinity and whiteness.

Shackelford’s piece reminds us that femme presentation doesn’t mean the same thing to all women. It’s forced on some of us and denied to others. Like Shackelford, I got all the downside of being perceived as female (body-policing, tone-policing, constant threat of harassment) without any validation that my gender performance was successful. When I put on lipstick and skirts, I thought I looked like Dustin Hoffman in “Tootsie”: my body was too clunky, assertive, and large to be pretty. When I put on button-down shirts and corduroy pants, I felt childish and drab next to the other girls in high school. I was afraid I’d be mistaken for a lesbian and never get married. (Life’s little ironies.)

S.E. Smith, who blogs about gender and disability issues, expands on the topic of sexism and identity role models in the 2015 post “Beyond the Binary: Yes, Nonbinary Femmes Exist” . The piece takes aim at some of my negative self-talk about passing and femininity:

[I]t’s troubling that in general culture, only a very narrow range of people are treated and presented as nonbinary. If we’re to believe things like art projects that claim to be documenting nonbinary lives, nonbinary people aren’t fat, they don’t have breasts and hips. They present mostly masculine, perhaps with a slightly fey appearance. Perhaps some look vaguely like butchy women — but nonbinary femmes are nowhere to be seen, and when they try to assert themselves and speak out about their identities, they’re often treated very harshly.

In other words, they’re caught in the same antifemininity trap that women have to deal with, where feminine gender performance and expression is sneered at and deemed lesser. Which is incredibly misogynist — it’s effectively saying that women who are interested in makeup or who wear dresses or who like heels are somehow less worthy by nature of their femininity. This should trouble people who think this way and claim to be concerned about gender politics, but it doesn’t.

Nonbinary femmes are misgendered constantly, forcibly labeled as women even when people are corrected. Their preferred pronouns are ignored and people treat them as women in social and political settings. People attempt to suppress their work and personal expression, exclude them from trans spaces, and erase their very presence, which is incredibly isolating for nonbinary femmes, who are left struggling with their gender entirely on their own. If you don’t see any people who look like you talking about the things you’re trying to deal with, it’s really difficult to come to terms with them.

If you’re uneasy in an identity as a woman but everyone calls you a woman, you might have trouble thinking  of yourself as nonbinary — and when you turn to resources for the trans community to explore gender identity, you might see that none of the bodies represented there are like yours. In a community that’s allegedly diverse and complex, you’re tossed aside and treated like garbage, or even a pretender. Nonbinary femmes, you see, are just special snowflakes who want to have their cake and eat it too, dressing up like women and enjoying ‘passing privilege’ but still claiming a marginalised identity.

Things are much more complicated than that, as nonbinary femmes know. It can be incredibly stressful to live, move, and act on the margins of a society that repeatedly tells you that you don’t exist, and repeatedly erases your identity.

I’m unusually lucky to live in the Five Colleges region, whose culture is on the cutting edge of gender diversity issues. For me, most of the erasure is self-inflicted and internalized. At queer and transgender community events, I’ve seen plus-sized femme people wearing flamboyantly sexy, tight, wonderful clothing that I would never have dared to wear when I was their age. They make me feel I’ve found a place without body-policing, which is almost like a place without sexism.

I like the word “bigender” even though my eyes keep reading it as “big gender”. Or maybe that’s why. I have BIG gender. Too much to pick only one. Ekundayo Afolayan talks about this in their entertaining article for The Establishment, “My Genderqueer Quest for the Perfect Detachable Penis”:

From childhood into my teens, I learned that I had to be “feminine”—meaning big-breasted, with a flat belly, straight hair, and light skin. I kept myself clean-shaven, and stayed out of the sun so my brown skin wouldn’t get darker. I feared being seen as “butch,” or even expressing my interest in girls. I tied myself down with misogyny, and my sexual freedom went with it.

Being Black made my feelings about femininity even more complex. Viewed as a fat Black woman, I was both hypersexualized and desexualized by my peers. I was also keenly aware that my recent ancestors were never granted the right to be seen as feminine, so avoiding femininity made me feel guilty. I felt like I was throwing away something precious.

When I turned 14, my hold on gender norms broke. I developed chronic hirsutism. That meant thick tufts of hair all over my chin, a full mustache and thick sideburns and hard-to-lose weight. Not Western society’s ideal of “ladylike.” I felt ashamed. It wasn’t until I was in my last year of high school that I started to accept who I was. I was never completely a woman—I felt like a man, too, sometimes. Accepting myself as multi-gendered meant that my relationship with femininity became simpler. Still, my complicated relationship with detachable dicks was only beginning…

…[W]ith the discovery of Tumblr and my move to college, I was able to name who I was: bigender. I felt free!

Still, something was missing. I struggled with dysphoria, the sense that my body is fundamentally “wrong.” I’ve been taught all my life that I have to be soft and hairless, “feminine” in all the obvious physical ways. Men are supposed to be tall, muscular, with penises, flat chests and full of machismo. I didn’t know how I could break free of those norms. How could I, a person with wide hips, big breasts and long, flowing hair, ever been seen as a man?

I tried to hide. I tried costuming myself in ultra-femme clothes, cat-like nail tips and rouge lipstick, but it made me feel like people saw me as a joke: a “man” with not only a pussy, but also long nails and meticulous eyeliner. Sometimes I layered my clothes to hide my curves, but I couldn’t perform enough to convince people I wasn’t a woman. Finally, I realized that I needed to stop costuming and performing for cis-het folks, seeking their validation, trying to conform to their rules. I decided only I could validate myself. I don’t have to be anything for anyone but myself.

Some days I feel like my breasts don’t “fit” me, and other days they’re the perfect accessory; maybe I want to wear a binder one day and a push-up bra the next. Now that I know who I am, that doesn’t feel like a contradiction. These are all parts of my self-definition, which comes from within. I’m more than a man, and I’m more than a woman: I’m a singular experience. Some days I want be penetrated, and other days I want to top with the perfect dick. Which is why I now know that I have to push forward and find the perfect dick for me.

It feels like an act of rebellion to even search for the perfect dick—to know that one day, I will earn it. I will hand-select every single part of that dick and treat it right. I don’t need to show that I have a penis in order to be validated as a man, but I want one, for myself, in order to feel whole.

Read the whole thing for tips on how to find your missing piece. I recommend Toys of Eros in P-Town. (Of course I’m such a size queen that my new buddy doesn’t fit in my jeans. Time to try wearing skirts again?)

Book Notes: Queering Sexual Violence

The new anthology Queering Sexual Violence (Riverdale Avenue Books, 2016), edited by Jennifer Patterson, is a must-read for social service providers, activists, policymakers, and anyone who studies child abuse and intimate partner violence. It includes personal essays, poems, artwork, and hybrid-genre pieces by Sinclair Sexsmith, Mattilda Bernstein Sycamore, Sassafras Lowrey, the late Chloe Dzubilo, and 32 others.

The book fills a gap in the common understanding of abuse as something that men do to women and children, and as a social problem best solved through legislation and policing. This familiar picture excludes survivors for whom the carceral state does not routinely offer justice: people of color, the disabled and neurodiverse, and of course the many LGBTQ people who hesitate to out themselves to the police and the courts, fearing that their victimization will only be compounded. (Think, for instance, of the Orlando Pulse shooting victim whose homophobic father refused to claim his body.) QSV is first of all intersectional, with a diverse list of contributors who explore the ways that both victims and perpetrators may need liberation from the web of oppression that binds them together.

Some of my favorite pieces confronted the question, taboo in mainstream “Born This Way” LGBTQ discourse, of causal links between trauma and sexual orientation/gender identity. Lately I’m haunted by the question of whether I’d be genderqueer if I hadn’t been abused by my mother, particularly her controlling and shaming of my gender presentation and sexual maturation. Who is that mythical woman I might have become in a happy family? Am I allowing my mother to steal my womanhood along with my childhood? Is my lifelong wish for my uterus to wander away forever a self-harming trauma reaction?

Funny thing, though, I never ask myself (nor am I asked by anyone else) whether I’m legitimately heterosexual, or whether my disinterest in sex with women is a trigger that I should overcome. Both trauma and queerness are stigmatized, deemed to be in need of explanation, and so I’m always tempted to split or disclaim these parts of myself. As Pam Mack writes in her piece on “Mother-Daughter Sexual Abuse”:

While I believe that my personal development was harmed by the abuse [by her mother and grandmother], I can still claim as mine the preferences I have evolved, whatever combination of innate, abuse-conditioned and the product of growth and healing they may be. And I can let them change over time, if I want. Knowing this hopefully provides another way of moving towards a culture in which a wide range of choices are seen as valid, even ones that may have been shaped by abuse… It is freeing not to feel I have a responsibility to make myself as normal as possible. Aren’t we all shaped by pain? (pg.57)

Jennifer Patterson’s essay “These Bones” also showed me I wasn’t alone in this struggle:

The conscious and unconscious ways people pervert sexual and gender identity through the lens of abuse has been something I have experienced consistently since I began identifying as queer and a survivor. Those who wish to render me deviant search for sources of my “illness,” a root for my queerness. They quickly find it when they learn I am a survivor. Not only is my queerness “understood,” then, it is sometimes challenged for validity. As in: maybe I am not really queer, maybe I am just damaged. I reject all of the judgments placed on my body and my relationships. The need to validate my sexual identity did not exist when I was in “straight” relationships with cisgender men…

…To believe that people “become” queer by way of violent exposure also informs a false idea of safety within our queer communities. When people imagine that I “became” queer because of the violence I experienced, not only do they believe that violence made me queer, it’s as if they believe that queer people don’t experience or perpetuate violence. This is not even close to being true. (pg.105)

(I think she means “perpetrate” rather than “perpetuate”; the book could have benefited from more careful copyediting and proofreading.)

Amita Yalgi Swadhin’s essay “Queering Child Sexual Abuse” considers flipping the causation around:

…[Q]ueer people who are willing to be out about our sexual orientation are already seen as non-normative. In a way, we have less to lose by also coming out as survivors of child sexual abuse than straight people do, since survivorship is in and of itself a queer (non-normative) identity.

And therein lie our opportunities.

We now know that, regardless of sexual orientation, people who exhibited gender non-conforming (or genderqueer) behavior in childhood were at a much higher risk of sexual abuse to begin with… The risk of experiencing sexual abuse for gender-non-conforming boys is especially alarming, at rates two to six times higher than gender conforming boys… If more queer survivors tell our stories publicly, we may be able to bring this data to life and pressure prevention and intervention efforts to account for the higher risk of sexual abuse that genderqueer youth (many of whom are not straight) face. (pg.219)

Meanwhile, Jen LaBarbera’s essay “Welcome Effects: When Sexual Violence Turns Girls Queer” embraces her attraction to women as one of the good things that came out of her abuse by her brother. She challenges both LGBTQ and survivor communities to drop the respectability politics that de-legitimize her experience.

The anthology includes many other good pieces on the healing aspects of kink/BDSM, alternatives to the prison-industrial complex, the intersection of personal and societal trauma from racism and poverty, and how we can keep ourselves safe without handing over our perpetrators to an oppressive system. Follow @QSVAnthology on Twitter for related articles, giveaways, and news of upcoming readings.

July Links Roundup: Mommy T-Rex

In the years leading up to Shane’s adoption, I used to say, “I want to be a parent, not a mother.” I had hoped that non-reproductive parenting would free me from predetermined expectations about the balance of caregiving labor and the self-negating emotional enmeshment that I didn’t want to replicate from my own childhood. I wasn’t reckoning on the internalized sexism of social workers, but thankfully that period is over, and my husband and I can try to raise our son to appreciate all gender roles without feeling bound by any.

I resonated with this post from last year by feminist blogger Melissa McEwan (Shakesville), “Childfree 101: The ‘Women Are Designed to Love’ Narrative”, where she challenges the common argument that childfree women (but never men!) are denying themselves some supreme opportunity to give love. Even in a perfectly egalitarian socioeconomic system, emotional labor is a finite resource, and being female shouldn’t mean that people are entitled to infinite amounts from us:

In this definition of womanhood, our value is determined largely or exclusively by what we give—primarily to children and spouses. If leniency is granted so that what we give to our work may be included, it is not the actual work product we generate that has attached value, but what we give to our employers, to our coworkers, to our clients or patients.

When women are viewed as designed to love and care, childfree women are hardly women at all. Only if our work can define us as an ersatz mother, e.g. Mother Theresa, might we be given reprieve from the harshest of judgments.

Women are held to a standard in which we have value only if we demonstrate a constant outpouring of love and care for other people, which is harmful in a number of ways, not least of which is that, if it is true (as I believe) that empathy and concern for other people is part of the human condition, it is only one part, not the whole.

And sometimes the way we find to express empathy and concern for other people is incompatible with parenting. Because we only have so much. Because women are not, in fact, built to be naught but endless fonts of care.

I think a lot about gender because I’m raising a boy in a sexist world. Now that Shane is verbal enough to engage me in imaginative play, I’m fascinated and pleased by his non-attachment to the categories that adults so anxiously defend. “I’m Mommy T-Rex, you’re Baby T-Rex,” he’ll tell me, and then he’ll switch us. Eddie the Teddy might be another bear’s daddy one day, his mommy the next. Shane’s self-chosen interests are what society typically calls masculine: robots, dinosaurs, building blocks, big trucks, loud machines, and rolling in the dirt. At the same time, he loves to try on my costume jewelry and make his own in art class, and his stuffed toys are more likely to kiss each other than to fight.

In hopes of delaying his fall from genderfluid innocence, last year we removed the YouTube and PBS Kids apps from his iPad. (Yes, he has his own, and it’s better than mine. Don’t judge, read the link below.) On his own, he picks sweet, sometimes educational games that cut across stereotypical lines: DinoTrux and the Big Button Box of fart sounds and ambulance sirens, but also pony hair salon, dollhouse, and baby animal care. We highly recommend Toca Boca, Fox & Sheep, and Sago Mini. Toca Boca proclaims on their home page: “Gender Neutral: No pink or blue aisles. Digital toys for all kids.” My PlayHome is a series of apps where you put a multiracial cast of characters through everyday activities in a school, a suburban home, and a quaint shopping district, though Shane was disappointed that he couldn’t put the girls’ clothes on the boys and vice versa. In Toca Life, on the other hand, hairstyles and clothes can be swapped freely by male, female, and gender-ambiguous characters.

By contrast, many picture books, especially the classic ones that he receives as gifts, are retrograde in their gender roles. Books about trains, trucks, robots, and other “boy” subjects, which happen to be Shane’s main interests right now, have few if any female characters. I’ve resorted to switching the pronouns in Goodnight, Goodnight, Construction Site so that some trucks can be “she” or “they”. My headcanon on the modern Little Golden Book I’m a Monster Truck! is that the narrator is a butch lesbian who is dancing with her femme girlfriend. As other parenting bloggers have complained, the Lego mini-figures that come with the City (garbage trucks, ambulances, etc.) and Dino World sets are predominantly male. So the argument for meatspace versus virtual playthings is more complicated than you’d think.

Over at Medium, social media expert Alexandra Samuel makes the case “Why Kids’ Screen Time Is a Feminist Issue” in this blog post from May. One of her commenters also makes a good point that the attack on screen time is ableist: autistic and other easily overstimulated kids need an activity that’s a respite from intense face-to-face interaction. I’ve observed that Shane does seem to benefit from the cool-down time with his apps after a very active day at his Montessori school, which is a technology-free zone. Samuel writes:

When we fret about excess screen time as bad parenting, what we’re really talking about is bad mothering. After all, mothers still do more than three times as much routine child care as fathers do, and almost four times as much solo care, according to a 2011 study by Lyn Craig and Killian Mullan. When we worry that parents are shirking their duties by relying on an electronic babysitter, we’re really worrying that mothers are putting their own needs alongside, or even ahead of, their kids’ needs.

It’s a worry that rears its head any time someone comes up with a technology that makes mothers’ lives easier. As mothers, we’re supposed to embrace — or at least nobly suffer through — all the challenges that parenting throws at us. We’re supposed to accept having little people at our heels while we’re trying to buy the groceries, make dinner, or go to the bathroom. We’re supposed to accept the exhaustion that comes from working a full day at the office and a second shift at home before falling into bed for an inevitably interrupted sleep. We’re supposed to accept the isolation that comes from raising children in a world that regards a crying child as a crime against restaurant patrons or airplane travellers.

The mother who hands her child a smartphone is taking the easy way out of these challenges. But since so much of parenting consists of situations in which there is no easy way out, I’m deeply grateful when somebody offers me a cheat…

Just look at the prevailing attitude towards another innovation that gave mothers more autonomy: baby formula. We know that there are significant health benefits to breastfeeding, but that doesn’t begin to explain the horrified looks you attract when bottle-feeding in public. (The glares I got for bottle feeding my baby were good preparation for the glares I now get when I hand over my iPad.) As Cindy Sterns writes, “by deciding to formula feed, the woman exposes herself to the charge that she is a ‘poor mother’ who places her own needs, preferences or convenience over her baby’s welfare. By contrast, the ‘good mother’ is deemed to be one who prioritizes her child’s needs even (or perhaps especially) where this entails personal inconvenience or distress.”

When we shame women for adopting labor or sanity-saving innovations, we don’t limit ourselves to guilting them over the damage they’re doing to their kids: we also guilt them for what they’re doing to the earth itself. If disposable diapers emerged as one of the great symbols of environmental waste, that’s in keeping with the idea that women should be prepared to sacrifice themselves not only to the demands of motherhood, but of the greater good. The focus on “what you can do at home to save the earth,”Stacy Alaimo notes, “shifts the focus from patriarchal capitalism to the home and places the blame and responsibility, not on corporate polluters, scandalous lack of government controls, or waste-oriented capitalism but ultimately on homemakers, who had better use cloth diapers and keep those pots fully covered.”

Even before the advent of the contemporary environmental movement, saving women time took a backseat to saving men time, or to saving the earth. “Investment in labor-saving equipment for the farm took priority, partly because men made these decisions on their own,” writes Joy Parr, in her fascinating study of the differences between Canadian and American adoption of washing machines.

What’s really going on is an age-old problem: we don’t like innovations that make mothers’ lives easier.

This diaper-using, non-breastfeeding adoptive mother says, Amen.

In case you missed it, this May 31 New Yorker profile of the late Arnold Lobel made me feel even better about one of Shane’s favorite books. In “‘Frog and Toad’: An Amphibious Celebration of Same-Sex Love”, Colin Stokes discusses the enduring appeal of these gentle stories about the bond between two friends. Their situations are certainly not sexual or even romantic, since the youngest readers don’t usually care about such things, but instead center on the small crises and relationship glitches that make real drama for the pre-K set: wanting to play when your friend wants to be alone, or worrying that you look funny in your bathing suit. We don’t need sentimental conversations or tacked-on moral endings to know that Frog and Toad will stay together through it all.

[Lobel’s daughter] Adrianne suspects that there’s another dimension to the series’s sustained popularity. Frog and Toad are “of the same sex, and they love each other,” she told me.It was quite ahead of its time in that respect.” In 1974, four years after the first book in the series was published, Lobel came out to his family as gay. “I think ‘Frog and Toad’ really was the beginning of him coming out,” Adrianne told me…

…Lobel died in 1987, an early victim of the AIDS crisis. “He was only fifty-four,” Adrianne told me. “Think of all the stories we missed.”

When reading children’s books as children, we get to experience an author’s fictional world removed from the very real one he or she inhabits. But knowing the strains of sadness in Lobel’s life story gives his simple and elegant stories new poignancies. On the final page of “Alone,” Frog and Toad, having cleared up their misunderstanding, sit contently on the island looking into the distance, each with his arm around the other. Beneath the drawing, Lobel writes, “They were two close friends, sitting alone together.”

Poetry by Donal Mahoney: “High School in the Fifties”

Reiter’s Block subscriber Donal Mahoney offers us this thoughtful poem prompted by this weekend’s hate crime against queer Latin@ clubgoers in Orlando.

High School in the Fifties

In my all-boys school
sixty years ago there were
two boys who were different.
All four years they walked
to classes together, books
clasped to their chests
the way girls walked home
carrying theirs.

I never saw another
classmate talk to them,
perhaps because like me
they didn’t know what to say
or they had nothing to say.
But I never heard anyone
talk about them either.
It was as if they weren’t there.

Now 60 years later
the school sends out
alumni updates and lists
the two of them as missing
and asks if anyone might
know where they are.
I doubt that anyone does.
We didn’t know where
they were back then.

***

Author’s note: “Donal Mahoney attended a Roman Catholic boys-only high school in the early fifties. The Orlando massacre reminded him of two apparently gay classmates from six decades ago. There were probably other gays in the school as well who did not fit the same stereotype. These two classmates were never picked on to his knowledge and they were not shunned, either. He feels to this day straight kids at that time simply did not know how to communicate with them nor had any interest in doing so just as there were some straight kids who did not ‘fit in’ as well. There was no bullying because neither the administration nor the students would have tolerated that kind of behavior. If you wanted to heckle someone, he had to appear to be your equal physically. It was not a good time for anyone who was different but maybe just a little better than today.”

I wonder about that last claim. Speaking for myself, even in the 1980s, in a liberal arts school in Brooklyn, I didn’t know any students who were “out”, though in retrospect I can guess at a few. That didn’t make it a safe space from bullies, by any means. One could argue that with greater visibility comes greater backlash, but perhaps there were just as many hate crimes that were not reported as such, because sexual and gender identities were not an acceptable discussion topic. Our erasure from history is a loss that continues to affect the current generation of LGBTQ kids. In any case, I appreciate this poem’s effort to bring those long-ago boys into the light of acceptance and truth.

No More Queer Martyrs: Mourning the Orlando Nightclub Shooting

In the early hours of Sunday morning, a gunman massacred 50 people and critically wounded 53 others at Pulse, a gay nightclub in Orlando, FL, during Latin@ Night. News reports are calling it the deadliest mass shooting in U.S. history and the worst terrorist attack since 9/11. There is preliminary evidence suggesting that the shooter, Omar Mateen, was a sympathizer of the radical Islamist group ISIS. Other articles mention his ex-wife’s allegations that he violently abused her, which raises the question of how he passed a background check to own assault weapons. (The answer being that this is America.)

I can’t stay silent, yet I can’t find the words.

The script we follow for these never-ending gun homicides is tedious and heartbreaking. Everyone seeks to harness this deadly energy for political change, in some cases by scapegoating another victimized group (Muslim-Americans, the mentally ill), in other cases by hoping that this time the suffering will be great enough to strengthen gun control laws and end the hateful rhetoric against Latin@ immigrants and LGBTQ people.

I just don’t believe it anymore. I don’t see hate being turned to love, or even to repentance, by our spilled blood. I start to gag when I read yet another gay Christian blogger pleading with their conservative brethren, “Won’t you care about us now?” This appeal assumes that those who preach a death sentence against homosexuals don’t really mean it. That they are only negligent and not intentional in dreaming of a world where queer brown people are wiped out. No, take them at their word. People who’ve made peace with the prospect of eternal conscious torment for nonbelievers are too numb, or worse, to notice a few more bodies lying in the street.

We all look for patterns to extrapolate from these shattering traumas, for life lessons that could keep us safe from another terrible surprise. This instant de-centering of the actual victims is part of what bothers me about the heated conversations in my Facebook and Twitter feeds today. I’m hesitant to write the next lines because I don’t want to co-opt this tragedy for my own agenda, either.

This is my personal struggle, in the aftermath of Orlando: It feels like another nail in the coffin of my belief in the Christian God. The moral logic of the Cross seems to have failed. The suffering of innocents is not effective to awaken the conscience of the persecutors. There is not some guaranteed maximum number of lives lost or ruined, past which no wrongdoer’s heart can stay hardened.

Prove me wrong, America.

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Advance Praise for “Two Natures” from California Bookwatch

Diane Donovan, editor of Midwest Book Review’s California Bookwatch and proprietor of Donovan’s Literary Services, sent me this great review of my forthcoming novel, Two Natures (Saddle Road Press, September 2016). It’ll go up on their websites in July.

***

Julian is a Southern boy and transplanted aspiring fashion photographer in New York City in the 1990s;  a gay man facing the height of the AIDS epidemic and professional, social, and spiritual struggles alike as he questions himself, God’s will, and Christian values in the advent of a specific kind of apocalypse.

It’s rare to discover within a gay love story an equally-powerful undercurrent of political and spiritual examination. Too many gay novels focus on evolving sexuality or love and skim over underlying religious values systems; but one of the special attributes of Two Natures isn’t just its focus on duality, but its intense revelations about what it means to be both Christian and gay.

In many ways, Julian is the epitome of a powerful, conflicting blend of emotions. Take the story’s opening line, for one example. Readers might not anticipate a photographer’s nightmare which bleeds heavily into evolving social realization and philosophy: “I woke from another nightmare about photographing a wedding. The bride was very loud and everyone’s red lipstick was smeared across their teeth like vampires, except vampires would never wear lavender taffeta prom dresses. It’s always the wrong people who can’t see themselves in mirrors.

Even the language exquisitely portrays this dichotomy: Julian’s parents are still “Mama” and “Daddy”, his language and many of his attitudes remain delightfully Southern (“You know, back where I come from, that was the first thing you asked a new fellow: what does your Daddy do, and where do you go to church?“), and his experiences with men, female friends, his evolving photography career, and life in general are wonderfully depicted, drawing readers into not just the trappings and essence of his life, but the course of his psychological, philosophical and spiritual examinations.

As Julian explores this world, readers should expect sexually graphic (but well-done) scenes designed to enhance the storyline (not shock it with departures or dominant heaviness), an attention to the social and political environment of the 90s that swirls around Julian and changes his perspectives and decisions, and a gritty set of candid descriptions that probe real-world experience.

Readers of gay fiction seeking more than a casual series of insights into the world of New York City’s culture, enhanced by the deeper perspectives of a young man who spiritually struggles to find his place even as he fine-tunes his career and life, will welcome the close inspection of truth, love, and life provided in Jendi Reiter’s Two Natures, powerful saga of Southern etiquette and perspectives turned upside down and the risks involved in moving beyond one’s safe zone.