"Art, like morality, consists of drawing the line somewhere."
--G.K. Chesterton
"The man's body is sacred and the woman's body is sacred.../Each belongs here or anywhere just as much as the well-off, just as much as you."
--Walt Whitman
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According to the Buddha, right speech is a statement that is timely, true, kind, helpful (connected to liberation), and spoken with a mind of good-will. Let us all try to observe this precept.
Despite an email backlog in the triple digits, I kept returning to reread this poem this week because of its delicious language, and its dissection of the human-made distinction between sublime and "ordinary" time. Reprinted by permission of American Life in Poetry, a project of the Poetry Foundation.
American Life in Poetry: Column 285
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
In our busy times, the briefest pause to express a little interest in the natural world is praiseworthy. Most of us spend our time thinking about other people, and scarcely any time thinking about other creatures. I recently co-edited an anthology of poems about birds, and we looked through lots of books and magazines, but here is a fine poem we missed, by Tara Bray, who lives in Richmond, Virginia.
Once
I climbed the roll of hay to watch the heron
in the pond. He waded a few steps out,
then back, thrusting his beak under water,
pulling it up empty, but only once.
Later I walked the roads for miles, certain
he’d be there when I returned. How is it for him,
day after day, his brittle legs rising
from warm green scum, his graceful neck curled,
damp in the bright heat? It’s a dull world.
Every day, the same roads, the sky,
the dust, the barn caving into itself,
the tin roof twisted and scattered in the yard.
Again, the bank covered with oxeye daisy
that turns to spiderwort, to chicory,
and at last to goldenrod. Each year, the birds—
thick in the air and darting in wild numbers—
grow quiet, the grasses thin, the light leaves
earlier each day. The heron stood
stone-still on my spot when I returned.
And then, his wings burst open, lifting the steel-
blue rhythm of his body into flight.
I touched the warm hay. Hoping for a trace
of his wild smell, I cupped my hands over
my face: nothing but the heat of fields
and skin. It wasn’t long before the world
began to breathe the beat of ordinary hours,
stretching out again beneath the sky.
9/9/2010 8:56 PM
Hank Rodgers wrote:
I love the lines: "Each year, the birds-/Thick iln the air and darting iln wild numbers-/grow quiet, the grasses thin, the light leaves/earlier each day. The heron stood/stone-still on my spot when I returned." The rest seems, almost, superfluous. Reply to this
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