"Art, like morality, consists of drawing the line somewhere."
--G.K. Chesterton
"The man's body is sacred and the woman's body is sacred.../Each belongs here or anywhere just as much as the well-off, just as much as you."
--Walt Whitman
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According to the Buddha, right speech is a statement that is timely, true, kind, helpful (connected to liberation), and spoken with a mind of good-will. Let us all try to observe this precept.
Trees leaf out—roses and lilacs sequin with buds. Smooth tense skins tighten like a promise. We’ll break them down. We’ll press them, force them flat for a record. Press them within the pages of an unabridged dictionary, the RHS encyclopedia of gardening. Let them feel the weight of the language we have heaped upon them. The weight is heavy indeed: philosophy, the bible, a dictionary, a Rookwood pot—terra cotta, urn-shaped, paperbacks stuffed inside, the weight of more learning and cultural import to crush the color of a tulip flat, a tulip that had come a long time down to this, pushed in a towel in a dictionary under a pot, this blossom of Dutch monarchs, this Mercedes of mercantilism, this blossom to kill a king for, this delicate gem of no facets. We write the tags, take their names and learn them, speak them in our home, teach their curves to our tongue and teeth, feel language work even here, simply by its accumulated weight. In this way, syllables blossom, the names lose their context of weeds, keep the color slipped from the sun.
Read more poems from Welsch's book Dirt and All Its Dense Labor (WordTech Editions, 2006) here.